The Roof Tree. Charles Neville Buck

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The Roof Tree - Charles Neville Buck

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headed by the hated name of Samuel Girty; renegades who had "painted their faces and gone to the Indians!"

      These were the unforgivably damned!

      Now at the council-fires of Yellow-Jacket, even at the war-lodge of Dragging Canoe himself, the voluntary coming of Peter Doane would mean feasting and jubilation and a promise of future atrocities.

      Inside Dorothy bent over the bed and saw the eyes of her lover open slowly and painfully. His lips parted in a ghost of his old, flashing smile.

      "Is the tree safe?" he whispered.

      The girl stooped and slipped an arm under the man's shoulders. The masses of her night-dark hair fell brushing his face in a fragrant cascade and her deep eyes were wide, unmasking to his gaze all the candid fears and intensities of her love. Then as her lips met his in the first kiss she had ever given him, unasked, it seemed to him that a current of exaltation and vitality swept into him that death could not overcome.

      "I'm going to get well," he told her. "Life is too full—and without you, heaven would be empty."

      The next pack train did not arrive. But several weeks later a single, half-famished survivor stumbled into the fort. His hands were bound, his tongue swollen from thirst, and about his shoulders dangled a hideous necklace of white scalps. When he had been restored to speech he delivered the message for which his life had been spared.

      "This is what's left of your pack train," was the insolent word that Peter Doane—now calling himself Chief Mad-dog, had sent back to his former comrades. "The balance has gone on to Yellow Jacket, but some day I will come back for Thornton's scalp—and my squaw."

      As the summer waned the young walnut tree sent down its roots to vigour and imperceptibly lifted its crest. Its leaves did not wither but gained in greenness and lustre, and as it prospered so Kenneth Thornton also prospered, until when the season of corn shucking came again, he and Dorothy stood beside it, and Caleb, who had received his credentials as a justice of the peace, read for them the ritual of marriage.

      At the adze-smoothed table of a house which, for all its pioneer crudity, reflected the spirit of tradition-loving inhabitants, sat a young woman whose dark hair hung braided and whose dark eyes looked up from time to time in thoughtful reminiscence.

      She was writing with a goose-quill which she dipped into an ink-horn, and as she nibbled at the end of her pen one might have seen that whatever she was setting down lay close to her heart.

      "Since I can not tell," she wrote, "whether or not I shall survive ye comings of that new life upon which all my thoughts are set and should such judgment be His Wille, I want that ye deare child shall have this record of ye days its father and I spent here in these forest hills so remote from ye sea and ye rivers of our dear Virginia and ye gentle refinements we put behind us to become pioneers. This wish leads me to the writing of a journall."

      A shadow in the doorway cut the shaft of sunlight and the woman at the writing table turned. On the threshold stood Kenneth Thornton and by the hand he held a savage-visaged child clad in breech clout and moccasins, but otherwise naked. Its eyes held the beady sharpness of the Indian, and though hardly past babyhood, it stood haughtily rigid and expressionless.

      The face of the man was not flashing its smile now, but deeply grave, and as his wife's gaze questioned him he spoke slowly.

      "This is Peter Doane's boy," he said, briefly.

      Dorothy Thornton shrank back with a gesture of repulsion, and the man went on:

      "A squaw with a travelling party of friendly Indians brought him in. Mad-dog Doane is dead. His life ended in a drunken brawl in an Otari village—but before he died he asked that the child be brought back to us."

      "Why?"

      "Because," Thornton spoke seriously, "blood can't be silenced when death comes. The squaw said Chief Mad-dog wanted his boy raised to be a white brave. … He's half white, of course."

      "And he ventured to ask favours of us!" The woman's voice, ordinarily gentle, hardened, and the man led the child over and laid his own hand on her shoulder.

      "The child is not to blame," he reminded her. "He's the fruit of madness—but he has human life."

      Dorothy rose, inclining her head in reluctant assent.

      "I'll fetch him a white child's clothes," she said.

      This was the story that the faded pages told and a small part of which Dorothy Harper read as she sat in the lamplight of the attic a century and a quarter later.

       Table of Contents

      The old Thornton house on Defeated Creek had for almost two decades stood vacant save for an occasional and temporary tenant. A long time back a formal truce had been declared in the feud that had split in sharp and bitter cleavage the family connections of the Harpers and the Doanes. Back into the limbo of tradition and vagueness went the origin of that "war".

      The one unclouded certainty was that the hatred had grown until even in this land of vendetta its levy of violent deaths had been appalling beyond those of other enmities.

      Yet, paradoxically enough, the Harpers in the later feud stages had followed a man named Thornton and the Doanes had fought at the behest of a Rowlett. Now on the same night that Dorothy read in her attic smoke rose from the chimney of the long-empty house and a stranger, whose right of possession no one questioned, was to be its occupant. He sat now, in the moonlight, on the broken mill-stone that served his house as a doorstep—and as yet he had not slept under the rotting roof. About him was a dooryard gone to a weed-jungle and a farm that must be reclaimed from utter wildness. His square jaw was grimly set and the hands that rested on his knees were tensely clenched. His eyes held a far-away and haunted fixity, for they were seeing again the cabin he had left in Virginia with its ugly picture of sudden and violent death and the body of a man he hated lying on the blood-stained floor.

      The hysteria-shaken figure of the woman he had left alone with that grisly companionship refused, too, to soften the troubling vividness of its remembered misery.

      He himself had not escaped his pursuers by too wide a margin, but he had escaped. He had come by a circuitous course to this place where he hoped to find quiet under his assumed name of Maggard, nor was his choice of refuge haphazard.

      A distantly related branch of his own family had once lived here, and the property had passed down to him, but the Thornton who had first owned the place he had never known.

      The Kentucky history of his blood was as unfamiliar to him as genealogies on Mars, and while the night voices sounded in tempered cadences about him and the hills stood up in their spectral majesty of moonlight, he sat with a drawn brow. Yet, because the vitality of his youth was strong and resilient, other and less grim influences gradually stole over him and he rose after a while with the scowl clearing from his face.

      Into the field of his thoughts, like sunlight into a storm sky, came a new image: the image of a girl in a red dress looking at him from an attic window. The tight lips loosened, softened, and parted in a smile.

      "Afore God," he declared in a low voice, "she war a comely gal!"

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