The Complete Works of F. Scott Fitzgerald. F. Scott Fitzgerald
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“Hold up, Amory. That’s too darned gloomy. How about yourself?”
“I’m in a superior class. You are, too. We’re philosophers.”
“I’m not.”
“Sure you are. You’ve got a darn good head on you.” But Amory knew that nothing in the abstract, no theory or generality, ever moved Rahill until he stubbed his toe upon the concrete minutiæ of it.
“Haven’t,” insisted Rahill. “I let people impose on me here and don’t get anything out of it. I’m the prey of my friends, damn it—do their lessons, get ’em out of trouble, pay ’em stupid summer visits, and always entertain their kid sisters; keep my temper when they get selfish and then they think they pay me back by voting for me and telling me I’m the ‘big man’ of St. Regis’s. I want to get where everybody does their own work and I can tell people where to go. I’m tired of being nice to every poor fish in school.”
“You’re not a slicker,” said Amory suddenly.
“A what?”
“A slicker.”
“What the devil’s that?”
“Well, it’s something that—that—there’s a lot of them. You’re not one, and neither am I, though I am more than you are.”
“Who is one? What makes you one?”
Amory considered.
“Why—why, I suppose that the sign of it is when a fellow slicks his hair back with water.”
“Like Carstairs?”
“Yes—sure. He’s a slicker.”
They spent two evenings getting an exact definition. The slicker was good-looking or clean-looking; he had brains, social brains, that is, and he used all means on the broad path of honesty to get ahead, be popular, admired, and never in trouble. He dressed well, was particularly neat in appearance, and derived his name from the fact that his hair was inevitably worn short, soaked in water or tonic, parted in the middle, and slicked back as the current of fashion dictated. The slickers of that year had adopted tortoise-shell spectacles as badges of their slickerhood, and this made them so easy to recognize that Amory and Rahill never missed one. The slicker seemed distributed through school, always a little wiser and shrewder than his contemporaries, managing some team or other, and keeping his cleverness carefully concealed.
Amory found the slicker a most valuable classification until his junior year in college, when the outline became so blurred and indeterminate that it had to be subdivided many times, and became only a quality. Amory’s secret ideal had all the slicker qualifications, but, in addition, courage and tremendous brains and talents—also Amory conceded him a bizarre streak that was quite irreconcilable to the slicker proper.
This was a first real break from the hypocrisy of school tradition. The slicker was a definite element of success, differing intrinsically from the prep school “big man.”
“The Slicker” | “The Big Man” |
1. Clever sense of social values. | 1. Inclined to stupidity and unconscious of social values. |
2. Dresses well. Pretends that dress is superficial—but knows that it isn’t. | 2. Thinks dress is superficial, and is inclined to be careless about it. |
3. Goes into such activities as he can shine in. | 3. Goes out for everything from a sense of duty. |
4. Gets to college and is, in a worldly way, successful. | 4. Gets to college and has a problematical future. Feels lost without his circle, and always says that school days were happiest, after all. Goes back to school and makes speeches about what St. Regis’s boys are doing. |
5. Hair slicked. | 5. Hair not slicked. |
Amory had decided definitely on Princeton, even though he would be the only boy entering that year from St. Regis’. Yale had a romance and glamour from the tales of Minneapolis, and St. Regis’ men who had been “tapped for Skull and Bones,” but Princeton drew him most, with its atmosphere of bright colors and its alluring reputation as the pleasantest country club in America. Dwarfed by the menacing college exams, Amory’s school days drifted into the past. Years afterward, when he went back to St. Regis’, he seemed to have forgotten the successes of sixth-form year, and to be able to picture himself only as the unadjustable boy who had hurried down corridors, jeered at by his rabid contemporaries mad with common sense.
— ◆ —
Chapter 2.
Spires and Gargoyles
At first Amory noticed only the wealth of sunshine creeping across the long, green swards, dancing on the leaded window-panes, and swimming around the tops of spires and towers and battlemented walls. Gradually he realized that he was really walking up University Place, self-conscious about his suitcase, developing a new tendency to glare straight ahead when he passed any one. Several times he could have sworn that men turned to look at him critically. He wondered vaguely if there was something the matter with his clothes, and wished he had shaved that morning on the train. He felt unnecessarily stiff and awkward among these white-flannelled, bareheaded youths, who must be juniors and seniors, judging from the savoir faire with which they strolled.
He found that 12 University Place was a large, dilapidated mansion, at present apparently uninhabited, though he knew it housed usually a dozen freshmen. After a hurried skirmish with his landlady he sallied out on a tour of exploration, but he had gone scarcely a block when he became horribly conscious that he must be the only man in town who was wearing a hat. He returned hurriedly to 12 University, left his derby, and, emerging bareheaded, loitered down Nassau Street, stopping to investigate a display of athletic photographs in a store window, including a large one of Allenby, the football captain, and next attracted by the sign “Jigger Shop” over a confectionary window. This sounded familiar, so he sauntered in and took a seat on a high stool.
“Chocolate sundae,” he told a colored person.
“Double chocolate jiggah? Anything else?”
“Why—yes.”
“Bacon bun?”
“Why—yes.”
He munched four of these, finding them of pleasing savor, and then consumed another double-chocolate jigger before ease descended upon him. After a cursory inspection of the pillow-cases, leather pennants, and Gibson Girls that lined the walls, he left, and continued