The Complete Works of F. Scott Fitzgerald. F. Scott Fitzgerald
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Rosalind: (With a very weary expression that is quite new to her face.) Mother—please——
Mrs. Connage: Oh, I won’t interfere. You’ve already wasted over two months on a theoretical genius who hasn’t a penny to his name, but go ahead, waste your life on him. I won’t interfere.
Rosalind: (As if repeating a tiresome lesson) You know he has a little income—and you know he’s earning thirty-five dollars a week in advertising——
Mrs. Connage: And it wouldn’t buy your clothes. (She pauses but Rosalind makes no reply.) I have your best interests at heart when I tell you not to take a step you’ll spend your days regretting. It’s not as if your father could help you. Things have been hard for him lately and he’s an old man. You’d be dependent absolutely on a dreamer, a nice, well-born boy, but a dreamer—merely clever. (She implies that this quality in itself is rather vicious.)
Rosalind: For heaven’s sake, mother——
(A maid appears, announces Mr. Blaine who follows immediately. Amory’s friends have been telling him for ten days that he “looks like the wrath of God,” and he does. As a matter of fact he has not been able to eat a mouthful in the last thirty-six hours.)
Amory: Good evening, Mrs. Connage.
Mrs. Connage: (Not unkindly) Good evening, Amory.
(Amory and Rosalind exchange glances—and Alec comes in. Alec’s attitude throughout has been neutral. He believes in his heart that the marriage would make Amory mediocre and Rosalind miserable, but he feels a great sympathy for both of them.)
Alec: Hi, Amory!
Amory: Hi, Alec! Tom said he’d meet you at the theatre.
Alec: Yeah, just saw him. How’s the advertising to-day? Write some brilliant copy?
Amory: Oh, it’s about the same. I got a raise—(Every one looks at him rather eagerly)—of two dollars a week. (General collapse.)
Mrs. Connage: Come, Alec, I hear the car.
(A good night, rather chilly in sections. After Mrs. Connage and Alec go out there is a pause. Rosalind still stares moodily at the fireplace. Amory goes to her and puts his arm around her.)
Amory: Darling girl.
(They kiss. Another pause and then she seizes his hand, covers it with kisses and holds it to her breast.)
Rosalind: (Sadly) I love your hands, more than anything. I see them often when you’re away from me—so tired; I know every line of them. Dear hands!
(Their eyes meet for a second and then she begins to cry—a tearless sobbing.)
Amory: Rosalind!
Rosalind: Oh, we’re so darned pitiful!
Amory: Rosalind!
Rosalind: Oh, I want to die!
Amory: Rosalind, another night of this and I’ll go to pieces. You’ve been this way four days now. You’ve got to be more encouraging or I can’t work or eat or sleep. (He looks around helplessly as if searching for new words to clothe an old, shop-worn phrase.) We’ll have to make a start. I like having to make a start together. (His forced hopefulness fades as he sees her unresponsive.) What’s the matter? (He gets up suddenly and starts to pace the floor.) It’s Dawson Ryder, that’s what it is. He’s been working on your nerves. You’ve been with him every afternoon for a week. People come and tell me they’ve seen you together, and I have to smile and nod and pretend it hasn’t the slightest significance for me. And you won’t tell me anything as it develops.
Rosalind: Amory, if you don’t sit down I’ll scream.
Amory: (Sitting down suddenly beside her) Oh, Lord.
Rosalind: (Taking his hand gently) You know I love you, don’t you?
Amory: Yes.
Rosalind: You know I’ll always love you——
Amory: Don’t talk that way; you frighten me. It sounds as if we weren’t going to have each other. (She cries a little and rising from the couch goes to the armchair.) I’ve felt all afternoon that things were worse. I nearly went wild down at the office—couldn’t write a line. Tell me everything.
Rosalind: There’s nothing to tell, I say. I’m just nervous.
Amory: Rosalind, you’re playing with the idea of marrying Dawson Ryder.
Rosalind: (After a pause) He’s been asking me to all day.
Amory: Well, he’s got his nerve!
Rosalind: (After another pause) I like him.
Amory: Don’t say that. It hurts me.
Rosalind: Don’t be a silly idiot. You know you’re the only man I’ve ever loved, ever will love.
Amory: (Quickly) Rosalind, let’s get married—next week.
Rosalind: We can’t.
Amory: Why not?
Rosalind: Oh, we can’t. I’d be your squaw—in some horrible place.
Amory: We’ll have two hundred and seventy-five dollars a month all told.
Rosalind: Darling, I don’t even do my own hair, usually.
Amory: I’ll do it for you.
Rosalind: (Between a laugh and a sob) Thanks.
Amory: Rosalind, you can’t be thinking of marrying some one else. Tell me! You leave me in the dark. I can help you fight it out if you’ll only tell me.
Rosalind: It’s just—us. We’re pitiful, that’s all. The very qualities I love you for are the ones that will always make you a failure.
Amory: (Grimly) Go on.
Rosalind: Oh—it is Dawson Ryder. He’s so reliable, I almost feel that he’d be a—a background.
Amory: You don’t love him.
Rosalind: I know, but I respect him, and he’s a good man and a strong one.
Amory: (Grudgingly) Yes—he’s that.
Rosalind: