The Roll-Call. Arnold Bennett

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The Roll-Call - Arnold Bennett

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rather defiantly.

      "I see," said George untruthfully, for he was mystified. But the mystery did not trouble him.

      There was no bathroom, and this did not trouble him either, though at Bedford Park he could never have seriously considered a house without a bathroom.

      "You could have your choice of ground floor or first floor," said Mr. Haim confidentially, still on the landing. He moved the lamp about, and the shadows moved accordingly on the stairs.

      "Oh, I don't mind in the least," George answered. "Whichever would suit you best."

      "We could give you breakfast, and use of sitting-room," Mr. Haim proceeded in a low tone. "But no other meals."

      "That would be all right," said George cheerfully. "I often dine in town. Like that I can get in a bit of extra work at the office, you see."

      "Except on Sundays," Mr. Haim corrected himself. "You'd want your meals on Sundays, of course. But I expect you're out a good deal, what with one thing or another."

      "Oh, I am!" George concurred.

      The place was perfect, and he was determined to establish himself in it. Nothing could baulk him. A hitch would have desolated him completely.

      "I may as well show you the basement while I'm about it," said Mr. Haim.

      "Do!" said George ardently.

      They descended. The host was very dignified, as invariably at the office, and his accent never lapsed from the absolute correctness of an educated Londoner. His deportment gave distinction and safety even to the precipitous and mean basement stairs, which were of stone worn as by the knees of pilgrims in a crypt. All kinds of irregular pipes ran about along the ceiling of the basement; some were covered by ancient layers of wall-paper and some were not; some were painted yellow, and some were painted grey, and some were not painted. Mr. Haim exhibited first the kitchen. George saw a morsel of red amber behind black bars, a white deal table and a black cat crouched on a corner of the table, a chair, and a tea-cloth drying over the back thereof. He liked the scene; it reminded him of the Five Towns, and showed reassuringly—if he needed reassurance, which he did not—that all houses are the same at heart. Then Mr. Haim, flashing a lamp-ray on the coal-hole and the area door as he turned, crossed the stone passage into the other basement room.

      "This is our second sitting-room," said Mr. Haim, entering.

      There she was at work, rapt, exactly as George had seen her from the outside. But now he saw the right side of her face instead of the left. It was wonderful to him that within the space of a few minutes he should have developed from an absolute stranger to her into an acquaintance of the house, walking about in it, peering into its recesses, disturbing its secrets, which were hers. But she remained as mysterious, as withdrawn and intangible, as ever. And then she shifted round suddenly on the chair, and her absorbed, intent face softened into a most beautiful, simple smile—a smile of welcome. An astonishing and celestial change! … She was not one of those queer girls, as perhaps she might have been. She was a girl of natural impulses. He smiled back, uplifted.

      "My daughter designs bookbindings," said Mr. Haim. "Happens to be very busy to-night on something urgent."

      He advanced towards her, George following.

      "Awfully good!" George murmured enthusiastically, and quite sincerely, though he was not at all in a condition to judge the design. Strange, that he should come to the basement of an ordinary stock-size house in Alexandra Grove to see bookbindings in the making! This was a design for a boy's book. He had possessed many such books. But it had never occurred to him that the gay bindings of them were each the result of individual human thought and labour. He pulled at his cigarette.

      There was a sound of pushing and rattling outside.

      "What's that?" exclaimed Mr. Haim.

      "It's the area door. I bolted it. I dare say it's Mrs. Lobley," said the girl indifferently.

      Mr. Haim moved sharply.

      "Why did you bolt it, Marguerite? No, I'll go myself."

      He picked up the lamp, which he had put down, and shuffled quickly out in his red morocco slippers, closing the door.

      Marguerite? Yes, it suited her; and it was among the most romantic of names. It completed the picture. She now seemed to be listening and waiting, her attention on the unseen area door. He felt shy and yet very happy alone with her. Voices were distinctly heard. Who was Mrs. Lobley? Was Mr. Haim a little annoyed with his daughter, and was Marguerite exquisitely defiant? Time hung. The situation was slightly awkward, he thought. And it was obscure, alluring. … He stood there, below the level of the street, shut in with those beings unknown, provocative, and full of half-divined implications. And all Chelsea was around him and all London around Chelsea.

      "Father won't be a moment," said the girl. "It's only the charwoman."

      "Oh! That's quite all right," he answered effusively, and turning to the design: "The outlining of that lettering fairly beats me, you know."

      "Not really! … I get that from father, of course."

      Mr. Haim was famous in the office as a letterer.

      She sat idly glancing at her own design, her plump, small hands lying in the blue lap. George compared her, unspeakably to her advantage, with the kind, coarse young woman at the chop-house, whom he had asked to telephone to the Orgreaves for him, and for whom he had been conscious of a faint penchant.

      "I can't colour it by gaslight," said Marguerite Haim. "I shall have to do that in the morning."

      He imagined her at work again early in the morning. Within a week or so he might be living in this house with this girl. He would be—watching her life! Seducing prospect, scarcely credible! He remembered having heard when he first went to Lucas & Enwright's that old Haim was a widower.

      "Do excuse me," said Mr. Haim, urgently apologetic, reappearing.

      A quarter of an hour later, George had left the house, having accepted Mr. Haim's terms without the least argument. In five days he was to be an inmate of No. 8 Alexandra Grove. The episode presented itself to him as a vast, romantic adventure, staggering and enchanting. His luck continued, for the rain-cloud was spent. He got into an Earl's Court bus. The dimly perceived travellers in it seemed all of them in a new sense to be romantic and mysterious. … "Yes," he thought, "I did say good-night to her, but I didn't shake hands."

       Table of Contents

       Table of Contents

      I

      More than two months later George came into the office in Russell Square an hour or so after his usual time. He had been to South Kensington Museum to look up, for professional purposes, some scale drawings of architectural detail which were required for a restaurant then rising in Piccadilly under the direction

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