so between it and the adjoining place. There a grey board fence took up the boundary and ran on, with a less definite markedness to the eye, until it skirted a rise far down the field and went on over the rise to lands unknown, at least to Lydia.
"Farvie, come!" she cried.
She pulled him down the crumbling steps to the soft sward and looked about her with a little murmured note of happy expectation. She loved the place at once, and gave up to the ecstasy of loving it "good and hard," she would have said. These impulsive passions of her nature had always made her greatest joys. They were like robust bewildering playmates. She took them to her heart, and into her bed at night to help her dream. There was nothing ever more warm and grateful than Lydia's acceptances and her trust in the bright promise of the new. Anne didn't do that kind of thing. She hesitated at thresholds and looked forward, not distrustfully but gravely, into dim interiors.
"Farvie, dear," said Lydia, "I love it just as much now as I could in a hundred years. It's our house. I feel as if I'd been born in it."
Farvie looked about over the orchard, under its foam of white and pink; his eyes suffused and he put his delicate lips firmly together. But all he said was:
"They haven't kept the trees very well pruned."
"There's Anne," said Lydia, loosing her hold of his sleeve. She ran light-footedly back to Anne, and patted her with warm receptiveness. "Anne, look: apple trees, pear trees, peach in that corner. See that big bush down there."
"Quince," said Anne dreamily. She had her hat off now, and her fine soft brown hair, in silky disorder, attracted her absent-minded care. But Lydia had pulled out the pin of her own tight little hat with its backward pointing quill and rumpled her hair in the doing and never knew it; now she transfixed the hat with a joyous stab.
"Never mind your hair," said she. "What idiots we were to write to the Inn. Why couldn't we stay here to-night? How can we leave it? We can't. Did you ever see such a darling place? Did you ever imagine a brick wall like that? Who built it, Farvie? Who built the brick wall?"
Farvie was standing with his hands behind him, thinking back, the girls knew well, over the years. A mournful quiet was in his face. They could follow for a little way the cause of his sad thoughts, and were willing, each in her own degree of impulse, to block him in it, make running incursions into the road, twitch him by the coat and cry, "Listen to us. Talk to us. You can't go there where you were going. That's the road to hateful memories. Listen to that bird and tell us about the brick wall."
Farvie was used to their invasions of his mind. He never went so far as clearly to see them as salutary invasions to keep him from the melancholy accidents of the road, an ambulance dashing up to lift his bruised hopes tenderly and take them off somewhere for sanitary treatment, or even some childish sympathy of theirs commissioned to run up and offer him a nosegay to distract him in his walk toward old disappointments and old cares. He only knew they were welcome visitants in his mind. Sometimes the mind seemed to him a clean-swept place, the shades down and no fire lighted, and these young creatures, in their heavenly implication of doing everything for their own pleasure and not for his, would come in, pull up the shades with a rush, light the fire and sit down with their sewing and their quite as necessary laughter by the hearth.
"It's a nice brick wall," said Anne, in her cool clear voice. "It doesn't seem so much to shut other people out as to shut us in."
She slipped her hand through the colonel's arm, and they both stood there at his elbow like rosy champions, bound to stick to him to the last, and the bird sang and something eased up in his mind. He seemed to be let off, in this spring twilight, from an exigent task that had shown no signs of easing. Yet he knew he was not really let off. Only the girls were throwing their glamour of youth and hope and bravado over the apprehensive landscape of his fortune as to-morrow's sun would snatch a rosier light from the apple blooms.
"My great-grandfather built the wall," said he. He was content to go back to an older reminiscent time when there were, for him, no roads of gloom. "He was a minister, you know: very old-fashioned even then, very direct, knew what he wanted, saw no reason why he shouldn't have it. He wanted a place to meditate in, walk up and down, think out his sermons. So he built the wall. The townspeople didn't take to it much at first, father used to say. But they got accustomed to it. He wouldn't care."
"There's a grape-vine over a trellis," said Anne softly. She spoke in a rapt way, as if she had said, "There are angels choiring under the trees. We can hum their songs."
"It makes an arbour. Farvie'll sit there and read his Greek," said Lydia. "We can't leave this place to-night. It would be ridiculous, now we've found it. It wouldn't be safe either. Places like this bust up and blow away."
"We can get up the beds to-morrow," said Anne. "Then we never'll leave it for a single minute as long as we live. I want to go ever the house. Farvie, can't we go over the house?"
They went up the rotten steps, Lydia with a last proprietary look at the orchard, as if she sealed it safe from all the spells of night, and entered at the front door, trying, at her suggestion, to squeeze in together three abreast, so they could own it equally. It was a still, kind house. The last light lay sweetly in the room at the right of the hall, a large square room with a generous fireplace well blackened and large surfaces of old ivory paint. There was a landscape paper here, of trees in a smoky mist and dull blue skies behind a waft of cloud. Out of this lay the dining-room, all in green, and the windows of both rooms looked on a gigantic lilac hedge, and beyond it the glimmer of a white colonial house set back in its own grounds. The kitchen was in a lean-to, a good little kitchen brown with smoke, and behind that was the shed with dark cobwebbed rafters and corners that cried out for hoes and garden tools. Lydia went through the rooms in a rush of happiness, Anne in a still rapt imagining. Things always seemed to her the symbols of dearer things. She saw shadowy shapes sitting at the table and breaking bread together, saw moving figures in the service of the house, and generations upon generations weaving their webs of hope and pain and disillusionment and hope again. In the shed they stood looking out at the back door through the rolling field, where at last a fringe of feathery yellow made the horizon line.
"What's at the end of the field, Farvie?" Lydia asked.
"The river," said he. "Nothing but the river."
"I feel," said she, "as if we were on an island surrounded by jumping-off places: the bushes in front, the lilac hedge on the west, the brick wall on the east, the river at the end. Come, let's go back. We haven't seen the other two rooms."
These were the northeast room, a library in the former time, in a dim, pink paper with garlands, and the southeast sitting-room, in a modern yet conforming paper of dull blue and grey.
"The hall is grey," said Lydia. "Do you notice? How well they've kept the papers. There isn't a stain."
"Maiden ladies," said the colonel, with a sigh. "Nothing but two maiden ladies for so long."
"Don't draw long breaths, Farvie," said Lydia. "Anne and I are maiden ladies. You wouldn't breathe over us. We should feel terribly if you did."
"I was thinking how still the house had been," said he. "It used to be—ah, well! well!"
"They grew old here, didn't they?" said Anne, her mind taking the maiden ladies into its hospitable shelter.
"They were old when they came." He was trying to put on a brisker air to match these two runners with hope for their torch. "Old as I am now. If their poor little property had lasted we should have had hard work to pry them out. We should have had to let 'em potter along here. But they seem to
