wood and was capable of roasting several animals at once. The ranks of ovens might serve for an entire community. The chill cleanliness of this adjunct of the palace showed lack of use. On the walls great iron hooks called attention to the absence of the copper vessels which used to be the splendrous glory of this conventional kitchen. The old servant did her cooking at a small hearth beside the trough where she kneaded her bread.
Jaime called to Antonia, to announce his presence and entered the adjoining room, the small dining room which had been utilized by the last of the Febrers, who, being in reduced circumstances, had abandoned the great hall where the old-time banquets used to take place.
Here, also, the presence of poverty was noticeable. The long table was covered with a cracked oil-cloth of blemished whiteness. The sideboards were almost empty. The ancient china, when it became broken, had been replaced by coarse platters and jars. Two open windows at the lower end of the room framed bits of sea, of intense and restless blue, palpitating beneath the fire of the sun. Near them swayed rhythmically the branches of palm trees. Out at sea the white wings of a schooner approaching Palma, slowly, like a wearied gull, broke the horizon line.
Mammy Antonia came in, setting upon the table a steaming bowl of coffee and milk and a great slice of buttered bread. Jaime attacked the breakfast with avidity, but as he bit into the bread he made a gesture of displeasure. Antonia assented with a nod of her head, breaking into speech in her Majorcan dialect.
"It is hard, isn't it? No doubt the bread does not compare with the tender little rolls the señor eats at the casino, but it is not my fault. I wanted to make bread yesterday, but I was out of flour, and I was expecting that the 'payés' of Son Febrer would come and bring his tribute. Ungrateful and forgetful people!"
The old servant persisted in her scorn of the peasant farmer of Son Febrer, the piece of land which constituted the remaining fortune of the house. The rustic owed all he had to the benevolence of the Febrer family, and now in these hard times he forgot his kind masters.
Jaime continued chewing, his thought centered upon Son Febrer. That was not his either, although he posed as owner. The farm, situated in the middle of the island, the choicest property inherited from his parents, that which bore the family name, he had heavily mortgaged, and he was about to lose it. The rent, paltry and mean, according to traditional custom, enabled him to pay off only a part of the interest on his loans; the rest of the interest due served to swell the amount of the debt. There were still the tributes, the payments in specie which the payés had to make to him, according to ancient usage, and with these he and Mammy Antonia had managed to exist, almost lost in the immensity of the house which had been built to shelter a tribe. At Christmas and at Easter he always received a brace of lambs accompanied by a dozen fowl; in the autumn two well-fattened pigs ready to kill, and every month eggs and a certain amount of flour, as well as fruits in their season. With these contributions, partly consumed in the house, and in part sold by the servant, Jaime and Mammy Antonia managed to live in the solitude of the palace, isolated from public gaze, like castaways. The offerings in money were continually becoming more belated. The payés, with that rustic egoism which shuns misfortune, became indolent in fulfilling his obligations. He knew that the nominal possessor of the estate was not the real owner of Son Febrer, and frequently, on arriving at the city with his gifts, he changed his route and left them at the houses of his creditors, awe-inspiring personages whom he desired to propitiate.
Jaime glanced sadly at the servant who remained standing before him. She was an old payesa who still kept to the ancient style of dress peculiar to her people—a dark doublet with two rows of buttons on the sleeves, a light, full skirt, and the rebocillo covering her head, the white veil caught at the neck and at the bust, below which hung the heavy braid, which was false and very black, tied with long velvet bows.
"Poverty, Mammy Antonia," said the master in the same dialect. "Everybody shuns the poor, and some fine day if that rascal does not bring us what he owes us, we shall have to fall to and eat each other like shipwrecked mariners on a desert island."
The old woman smiled; the master was always merry. In this he was just like his grandfather, Don Horacio, ever solemn, with a face which frightened one, and yet always saying such jolly things!
"This will have to stop," continued Jaime, paying no heed to the servant's levity. "This must stop this very day. I have made up my mind. Let me tell you, Antonia, before the news gets abroad: I'm going to be married."
The servant clasped her hands in an attitude of devotion to express her astonishment, and turned her eyes toward the ceiling. "Santísimo Cristo de la sangre!" It was high time!... He should have done it long ago, and then the house would have been in a very different condition. Her curiosity was stirred, and she asked with the eagerness of a rustic:
"Is she rich?"
The master's affirmative gesture did not surprise her. Of course she must be rich. Only a woman who brought a great fortune with her could aspire to unite with the last of the Febrers, who had been the most noted men of the island, and perhaps of the whole world. Poor Antonia thought of her kitchen, instantly furnishing it in her imagination with copper vessels gleaming like gold, dreaming of its hearths all ablaze, the room filled with girls with rolled up sleeves, their rebocillos thrown back, their braids floating behind, and she in the center, seated in a great chair, giving orders and breathing in the savory odors from the casseroles.
"She must be young!" declared the old woman, trying to worm more news out of her master.
"Yes, much younger than I; too young; about twenty-two. I could almost be her father."
Antonia made a gesture of protest. Don Jaime was the finest man on the island. She said so, she who had worshipped him ever since she led him by the hand, in his short trousers, walking among the pines near the castle of Bellver. He was one of the family—of that family of arrogant grand seigniors, and no more could be said.
"And is she of good family?" she questioned in an effort to force her master's reticence. "Of a family of caballeros; undoubtedly the very best in the island—but no—from Madrid, perhaps. Some sweetheart you found when you lived there."
Jaime hesitated an instant, turned pale, and then said with rude energy to conceal his perturbation:
"No, Antonia—she's a—Chueta."
Antonia started to clasp her hands, as she had done a few moments before, invoking again the blood of Christ, so venerated in Palma, but suddenly the wrinkles of her brown face broadened, and she burst out laughing. What a jolly master! Just like his grandfather; he used to say the most stupendous and incredible things so seriously that he deceived everybody. "And I, poor fool, was ready to believe your nonsense! Perhaps it was also a joke that you were going to get married!"
"No, Antonia, I am going to marry a Chueta. I am going to marry the daughter of Benito Valls. That is why I am going to Valldemosa."
The stifled voice in which Jaime spoke, his lowered eyes, the timid accent with which he murmured these words, removed all doubt. The old servant stood open-mouthed, her arms fallen, without strength to raise either her hands or her eyes.
"Señor!... Señor!... Señor!"
She could say no more. She felt as if a thunderbolt had crashed upon the house, shaking it to its foundations; as if a dark cloud had swept before the sun obscuring the light; as if the sea had become a leaden mass dashing against the castle wall. Then she saw that everything remained as usual, that she alone had been stirred by this stupendous news, so startling as to change the order of all existence.
"Señor!... Señor!... Señor! A Chueta! An apostate Jewess!"
She
