Fair Margaret: A Portrait. F. Marion Crawford

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Fair Margaret: A Portrait - F. Marion Crawford

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shyness, the one most to be pitied is the sensitive, gifted man who is perfectly aware that he looks silly while rightly conscious that he is not. Margaret Donne watched Lushington, and knew that she was amply revenged. He would call her 'Miss Donne' presently, and say something about the weather, as if they had never met before. She paid no more attention to him for some time, and began to read bits of the new book, here and there, where one page looked a little less dull than the rest.

      Meanwhile Lushington smoked thoughtfully, and the unwelcome blush subsided. He glanced sideways at Margaret's face two or three times, as if he were going to speak, but said nothing, and sent a small cloud straight out before him, with a rather vicious blowing, as if he were trying to make the smoke express his feelings. Margaret knew that trick of his very well. Lushington was an aggressive smoker, and with every puff he seemed to say: 'There! Take that! I told you so!'

      Margaret did not look up from her book, for she knew that he would speak before long; and so it happened.

      'Miss Donne,' he began, with unnecessary coldness, and then stopped short.

      'Yes?' Margaret answered, with mild interrogation.

      'Oh!' ejaculated Mr. Lushington, as if surprised that she should reply at all. 'I thought you were reading.'

      'I was.' She let the new book shut itself, as she lifted her hand from the open pages.

      'I did not mean to interrupt you,' said the young man stiffly.

      No answer occurred to Margaret at once, so she waited, gently drumming on the closed book with her loosely gloved fingers.

      'I suppose you think I'm an awful idiot,' observed Mr. Lushington, with unexpected and quite unnecessary energy.

      'Dear me! This is so very sudden! Awful—idiot? Let me see.'

      Her absurd gravity was even more exasperating than her smile. Lushington threw away his cigarette angrily.

      'You know what I mean,' he cried, getting red again. 'Don't be horrid!'

      'Then don't be silly,' retorted Margaret.

      'There! I knew you thought so!'

      'Perhaps I do, sometimes,' the girl answered, more seriously. 'But I don't mind it at all. If you care to know, I think you are often much more human when you are—well—"silly," than when you are being clever.

      'And I suppose you would like me better if I were always silly?'

      Margaret shook her head and laughed softly, but said nothing. She was thinking that it was good to be alive, and that it was the spring, and that the life was stirring in her, as it stirred amongst the young leaves overhead and in the shooting grasses and budding flowers, and in the hearts of the nesting birds in the oaks and elms. Just then it mattered very little to Margaret whether the man who was talking to her made himself out to be silly or clever. She felt herself much nearer to the simple breathing and growing of all nature than to the silliness or cleverness of any fellow-creature.

      Her lips parted a little and she drew in the air again and again, slowly and quietly, as if she could drink it, and live on its sweet taste, and never want food or other drink again, though she was not an ethereal young person, but only a perfectly healthy and natural girl. She was not tired, yet somehow she felt that she was resting body, soul and heart, for a little while, after growing up and before beginning what was to be her life.

      Lushington was perfectly healthy, too, but he was not simple, and was often not quite natural. He had real troubles and artificial ways of treating them. He had also been in the thick of the big fight for several years, he had tasted the wine of success and the vinegar of failure, the sticky honey of flattery and some nasty little pills prepared with malignant art by brother critics. With his faults and weaknesses and absurd sensitiveness, he had in him the stuff that wins battles with glory, or loses them with honour, promising to fight again. He was complex. He was rarely quite sure what he felt, though he could express with precision whatever he thought he was feeling at any moment.

      'How complicated you are!' he exclaimed, when Margaret laughed.

      'I was just thinking how simple I am compared with you,' she answered serenely; 'I mean, when you talk,' she added.

      'Thank you for the distinction! "Oliver Goldsmith, for shortness called Noll, Who writes like an angel but talks like poor Poll." That sort of thing, I suppose?'

      'I did not say that you write like an angel,' answered Margaret, in a tone of reflection.

      'You do not talk like one,' observed Mr. Lushington bitterly. 'Are you going to Paris to-day?' he inquired after a pause; and he looked at his watch.

      'No. I had my lesson yesterday. But I am going in to-morrow.'

      Lushington knew that she had only two lessons a week, and wondered why she was going to Paris on the following day. But he was offended and would not ask questions; moreover he did not at all approve of her studying singing as a profession, and she knew that he did not.

      His disapproval did not disturb her, though she should have liked him to admire her voice because he was really a good judge, and praise from him would be worth having. He often said sharp things that he did not mean, but on the other hand, when he said that anything was good, he always meant that it was first-rate. She wondered where he had learned so much about music.

      After all, she knew very little of his life, and as he never said anything about his family she was inclined to think that he had no relations and that he came of people anything but aristocratic. He had worked his way to the front by sheer talent and energy, and she had the good sense to think better of him for that, and not less well of him for his reticence.

      Mrs. Rushmore knew no more about Lushington's family than Margaret. The latter was spending the spring in Versailles with the elderly American widow, and the successful young writer had been asked to stop a week with them. Mrs. Rushmore did not care a straw about the family connections of celebrities, and she knew by experience that it was generally better not to ask questions about them, as the answers might place one in an awkward position. She had always acted on the principle that a real lion needs no pedigree, and belongs by right to the higher animals. Lushington was a real lion, though he was a young one. His roar was a passport, and his bite was dangerous. Why make unnecessary inquiries about his parents? They were probably dead, and, socially, they had never been alive, since Society had never heard of them. It was quite possible, Mrs. Rushmore said, that his name was not his own, for she had met two or three celebrities who had deliberately taken names to which they did not pretend any legal claim, but which sounded better than their own.

      He had been at Versailles to stay a few days during the previous spring, and Margaret had seen him several times in the interval, and they had occasionally exchanged letters. She was quite well aware that he was in love with her, and she liked him enough not to discourage him. To marry him would be quite another question, though she did not look upon it as impossible. Before all, she intended to wait until her own position was clearly defined.

      For the present she did not know whether she had inherited a large fortune, or was practically a penniless orphan living on the charity of her friend Mrs. Rushmore; and several months might pass before this vital question was solved. Mrs. Rushmore believed that Margaret would get the money, or a large part of it; Margaret did not, and in the meantime she was doing her best to cultivate her voice in order to support herself by singing.

      Her father had been English, a

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