The Complete Works: Short Stories, Novels, Plays, Poetry, Memoirs and more. Guy de Maupassant

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The Complete Works: Short Stories, Novels, Plays, Poetry, Memoirs and more - Guy de Maupassant

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senses steeped in a rapture such as she had never known before. With light steps she pursued her upward way, willing to keep on climbing forever in his company toward this fabric of a vision, or indeed toward any other end. She would have been glad that the steep way should never have an ending, for almost for the first time in her life she knew what it was to experience a plenitude of satisfaction.

      “Heavens! how beautiful it is!” she murmured. Looking upon her, he answered: “I can think only of you.”

      She continued, with a smile: “I am not inclined to be very poetical, as a general thing, but this seems to me so beautiful that I am really moved.”

      He stammered: “I — I love you to distraction.” He was conscious of a slight pressure of her arm, and they resumed the ascent.

      They found a keeper awaiting them at the door of the abbey, and they entered by that superb staircase, between two massive towers, which leads to the Hall of the Guards. Then they went from hall to hall, from court to court, from dungeon to dungeon, listening, wondering, charmed with everything, admiring everything, the crypt, with its huge pillars, so beautiful in their massiveness, which sustains upon its sturdy arches all the weight of the choir of the church above, and all of the Wonder, an awe-inspiring edifice of three stories of Gothic monuments rising one above the other, the most extraordinary masterpiece of the monastic and military architecture of the Middle Ages.

      Then they came to the cloisters. Their surprise was so great that they involuntarily came to a halt at sight of this square court inclosing the lightest, most graceful, most charming of colonnades to be seen in any cloisters in the world. For the entire length of the four galleries the slender shafts in double rows, surmounted by exquisite capitals, sustain a continuous garland of flowers and Gothic ornamentation of infinite variety and constantly changing design, the elegant and unaffected fancies of the simple-minded old artists who thus worked out their dreams in stone beneath the hammer.

      Michèle de Burne and André Mariolle walked completely around the inclosure, very slowly, arm in arm, while the others, somewhat fatigued, stood near the door and admired from a distance.

      “Heavens! what pleasure this affords me!” she said, coming to a stop.

      “For my part, I neither know where I am nor what my eyes behold. I am conscious that you are at my side, and that is all.”

      Then smiling, she looked him in the face and murmured: ‘‘André!”

      He saw that she was yielding. No further word was spoken, and they resumed their walk. The inspection of the edifice was continued, but they hardly had eyes to see anything.

      Nevertheless their attention was attracted for the space of a moment by the airy bridge, seemingly of lace, inclosed within an arch thrown across space between two belfries, as if to afford a way to scale the clouds, and their amazement was still greater when they came to the “Madman’s Path,” a dizzy track, devoid of parapet, that encircles the farthest tower nearly at its summit.

      “May we go up there?” she asked.

      “It is forbidden,” the guide replied.

      She showed him a twenty-franc piece. All the members of the party, giddy at sight of the yawning gulf and the immensity of surrounding space, tried to dissuade her from the imprudent freak.

      She asked Mariolle: “Will you go?”

      He laughed: “I have been in more dangerous places than that.” And paying no further attention to the others, they set out.

      He went first along the narrow cornice that overhung the gulf, and she followed him, gliding along close to the wall with eyes downcast that she might not see the yawning void beneath, terrified now and almost ready to sink with fear, clinging to the hand that he held out to her; but she felt that he was strong, that there was no sign of weakening there, that he was sure of head and foot; and enraptured for all her fears, she said to herself: “Truly, this is a man.” They were alone in space, at the height where the seabirds soar; they were contemplating the same horizon that the white-winged creatures are ceaselessly scouring in their flight as they explore it with their little yellow eyes.

      Mariolle felt that she was trembling; he asked: “Do you feel dizzy?”

      “A little,” she replied in a low voice; “but in your company I fear nothing.”

      At this he drew near and sustained her by putting his arm about her, and this simple assistance inspired her with such courage that she ventured to raise her head and take a look at the distance. He was almost carrying her and she offered no resistance, enjoying the protection of those strong arms which thus enabled her to traverse the heavens, and she was grateful to him with a romantic, womanly gratitude that he did not mar their seagull flight by kisses.

      When they had rejoined the others of the party, who were awaiting them with the greatest anxiety, M. de Pradon angrily said to his daughter: “Dieu! what a silly thing to do!”

      She replied with conviction: “No, it was not, papa, since it was successfully accomplished. Nothing that succeeds is ever stupid.”

      He merely gave a shrug of the shoulders, and they descended the stairs. At the porter’s lodge there was another stoppage to purchase photographs, and when they reached the inn it was nearly dinnertime. The hostess recommended a short walk upon the sands, so as to obtain a view of the Mount toward the open sea, in which direction, she said, it presented its most imposing aspect. Although they were all much fatigued, the band started out again and made the tour of the ramparts, picking their way among the treacherous downs, solid to the eye but yielding to the step, where the foot that was placed upon the pretty yellow carpet that was stretched beneath it and seemed solid would suddenly sink up to the calf in the deceitful golden ooze.

      Seen from this point the abbey, all at once losing the cathedral-like appearance with which it astounded the beholder on the mainland, assumed, as if in menace of old Ocean, the martial appearance of a feudal manor, with its huge battlemented wall picturesquely pierced with loopholes and supported by gigantic buttresses that sank their Cyclopean stone foundations in the bosom of the fantastic mountain. Mme de Burne and André Mariolle, however, were now heedless of all that. They were thinking only of themselves, caught in the meshes of the net that they had set for each other, shut up within the walls of that prison to which no sound comes from the outer world, where the eye beholds only one being.

      When they found themselves again seated before their well-filled plates, however, beneath the cheerful light of the lamps, they seemed to awake, and discovered that they were hungry, just like other mortals.

      They remained a long time at table, and when the dinner was ended the moonlight was quite forgotten in the pleasure of conversation. There was no one, moreover, who had any desire to go out, and no one suggested it. The broad moon might shed her waves of poetic light down upon the little thin sheet of rising tide that was already creeping up the sands with the noise of a trickling stream, scarcely perceptible to the ear, but sinister and alarming; she might light up the ramparts that crept in spirals up the flanks of the Mount and illumine the romantic shadows of all the belfries of the old abbey, standing in its wondrous setting of a boundless bay, in the bosom of which were quiveringly reflected the lights that crawled along the downs — no one cared to see more.

      It was not yet ten o’clock when Mme. Valsaci, overcome with sleep, spoke of going to bed, and her proposition was received without a dissenting voice. Bidding one another a cordial good night, each withdrew to his chamber.

      André Mariolle

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