The Complete Works: Short Stories, Novels, Plays, Poetry, Memoirs and more. Guy de Maupassant
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Duroy no longer thought of leaving. It seemed to him that he was going to stop for ever; that he was at home.
But the door opened noiselessly, and a tall gentleman entered without being announced. He stopped short on seeing a stranger. Madame Forestier seemed troubled for a moment; then she said in natural tones, though a slight rosy flush had risen to her cheeks:
“Come in, my dear sir. I must introduce one of Charles’ old friends, Monsieur George Duroy, a future journalist.” Then in another tone, she added: “Our best and most intimate friend, the Count de Vaudrec.”
The two men bowed, looking each other in the eyes, and Duroy at once took his leave.
There was no attempt to detain him. He stammered a few thanks, grasped the outstretched hand of Madame Forestier, bowed again to the newcomer, who preserved the cold, grave air of a man of position, and went out quite disturbed, as if he had made a fool of himself.
On finding himself once more in the street, he felt sad and uneasy, haunted by the vague idea of some hidden vexation. He walked on, asking himself whence came this sudden melancholy. He could not tell, but the stern face of the Count de Vaudrec, already somewhat aged, with gray hair, and the calmly insolent look of a very wealthy man, constantly recurred to his recollection. He noted that the arrival of this unknown, breaking off a charming tête-à-tête, had produced in him that chilly, despairing sensation that a word overheard, a trifle noticed, the least thing suffices sometimes to bring about. It seemed to him, too, that this man, without his being able to guess why, had been displeased at finding him there.
He had nothing more to do till three o’clock, and it was not yet noon. He had still six francs fifty centimes in his pocket, and he went and lunched at a Bouillon Duval. Then he prowled about the boulevard, and as three o’clock struck, ascended the staircase, in itself an advertisement, of the Vie Francaise.
The messengers-in-waiting were seated with folded arms on a bench, while at a kind of desk a doorkeeper was sorting the correspondence that had just arrived. The entire get-up of the place, intended to impress visitors, was perfect. Everyone had the appearance, bearing, dignity, and smartness suitable to the anteroom of a large newspaper.
“Monsieur Walter, if you please?” inquired Duroy.
“The manager is engaged, sir,” replied the doorkeeper. “Will you take a seat, sir?” and he indicated the waiting-room, already full of people.
There were men grave, important-looking, and decorated; and men without visible linen, whose frock-coats, buttoned up to the chin, bore upon the breast stains recalling the outlines of continents and seas on geographical maps. There were three women among them. One of them was pretty, smiling, and decked out, and had the air of a gay woman; her neighbor, with a wrinkled, tragic countenance, decked out also, but in more severe fashion, had about her something worn and artificial which old actresses generally have; a kind of false youth, like a scent of stale love. The third woman, in mourning, sat in a corner, with the air of a desolate widow. Duroy thought that she had come to ask for charity.
However, no one was ushered into the room beyond, and more than twenty minutes had elapsed.
Duroy was seized with an idea, and going back to the doorkeeper, said: “Monsieur Walter made an appointment for me to call on him here at three o’clock. At all events, see whether my friend, Monsieur Forestier, is here.”
He was at once ushered along a lengthy passage, which brought him to a large room where four gentlemen were writing at a large green-covered table.
Forestier standing before the fireplace was smoking a cigarette and playing at cup and ball. He was very clever at this, and kept spiking the huge ball of yellow boxwood on the wooden point. He was counting “Twenty-two, twenty-three, twenty-four, twenty-five.”
“Twenty-six,” said Duroy.
His friend raised his eyes without interrupting the regular movement of his arm, saying: “Oh! here you are, then. Yesterday I landed the ball fifty-seven times right off. There is only Saint-Potin who can beat me at it among those here. Have you seen the governor? There is nothing funnier than to see that old tubby Norbert playing at cup and ball. He opens his mouth as if he was going to swallow the ball every time.”
One of the others turned round towards him, saying: “I say, Forestier, I know of one for sale, a beauty in West Indian wood; it is said to have belonged to the Queen of Spain. They want sixty francs for it. Not dear.”
Forestier asked: “Where does it hang out?”
And as he had missed his thirty-seventh shot, he opened a cupboard in which Duroy saw a score of magnificent cups and balls, arranged and numbered like a collection of art objects. Then having put back the one he had been using in its usual place, he repeated: “Where does this gem hang out?”
The journalist replied: “At a box-office keeper’s of the Vaudeville. I will bring it you tomorrow, if you like.”
“All right. If it is really a good one I will take it; one can never have too many.” Then turning to Duroy he added: “Come with me. I will take you in to see the governor; otherwise you might be getting mouldy here till seven in the evening.”
They recrossed the waiting-room, in which the same people were waiting in the same order. As soon as Forestier appeared the young woman and the old actress, rising quickly, came up to him. He took them aside one after the other into the bay of the window, and although they took care to talk in low tones, Duroy noticed that they were on familiar terms.
Then, having passed through two padded doors, they entered the manager’s room. The conference which had been going on for an hour or so was nothing more than a game at ecarté with some of the gentlemen with the flat brimmed hats whom Duroy had noticed the night before.
Monsieur Walter dealt and played with concentrated attention and crafty movements, while his adversary threw down, picked up, and handled the light bits of colored pasteboard with the swiftness, skill, and grace of a practiced player. Norbert de Varenne, seated in the managerial armchair, was writing an article. Jacques Rival, stretched at full length on a couch, was smoking a cigar with his eyes closed.
The room smelled close, with that blended odor of leather-covered furniture, stale tobacco, and printing-ink peculiar to editors’ rooms and familiar to all journalists. Upon the black wood table, inlaid with brass, lay an incredible pile of papers, letters, cards, newspapers, magazines, bills, and printed matter of every description.
Forestier shook hands with the punters standing behind the card players, and without saying a word watched the progress of the game; then, as soon as Daddy Walter had won, he said: “Here is my friend, Duroy.”
The manager glanced sharply at the young fellow over the glasses of his spectacles, and said:
“Have you brought my article? It would go very well to-day with the Morel debate.”
Duroy took the sheets of paper folded in four from his pocket, saying: “Here it is sir.”
The manager seemed pleased, and remarked, with a smile: “Very good, very good. You are a man of your word. You must look through this for me, Forestier.”