The Complete Works: Short Stories, Novels, Plays, Poetry, Memoirs and more. Guy de Maupassant

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The Complete Works: Short Stories, Novels, Plays, Poetry, Memoirs and more - Guy de Maupassant

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the falseness of the life about him and the truth of life of which he began to be conscious. Pangs of spiritual birth had already begun in him.

      And it is these pangs of this birth that are expressed in his best work, especially in the short stories printed in this edition.

      Had he not been fated to die while still suffering, but to fulfil all his possibilities, he would have left us great and illuminating works; but even what he gave us in the midst of his pain is much. Let us then be thankful to this strong and truthful man for what he has given us.

      Novels:

      Table of Contents

       French

      Table of Contents

       I

       II

       III

       IV

       V

       VI

       VII

       VIII

       IX

       X

       XI

       XII

       XIII

       XIV

       French

      I

      Table of Contents

      The weather was most distressing. It had rained all night. The roaring of the overflowing gutters filled the deserted streets, in which the houses, like sponges, absorbed the humidity, which penetrating to the interior, made the walls sweat from cellar to garret. Jeanne had left the convent the day before, free for all time, ready to seize all the joys of life, of which she had dreamed so long. She was afraid her father would not set out for the new home in bad weather, and for the hundredth time since daybreak she examined the horizon. Then she noticed that she had omitted to put her calendar in her travelling bag. She took from the wall the little card which bore in golden figures the date of the current year, 1819. Then she marked with a pencil the first four columns, drawing a line through the name of each saint up to the 2d of May, the day that she left the convent. A voice outside the door called “Jeannette.” Jeanne replied, “Come in, papa.” And her father entered. Baron Simon-Jacques Le Perthuis des Vauds was a gentleman of the last century, eccentric and good. An enthusiastic disciple of Jean Jacques Rousseau, he had the tenderness of a lover for nature, in the fields, in the woods and in the animals. Of aristocratic birth, he hated instinctively the year 1793, but being a philosopher by temperament and liberal by education, he execrated tyranny with an inoffensive and declamatory hatred. His great strength and his great weakness was his kind-heartedness, which had not arms enough to caress, to give, to embrace; the benevolence of a god, that gave freely, without questioning; in a word, a kindness of inertia that became almost a vice. A man of theory, he thought out a plan of education for his daughter, to the end that she might become happy, good, upright and gentle. She had lived at home until the age of twelve, when, despite the tears of her mother, she was placed in the Convent of the Sacred Heart. He had kept her severely secluded, cloistered, in ignorance of the secrets of life. He wished the Sisters to restore her to him pure at seventeen years of age, so that he might imbue her mind with a sort of rational poetry, and by means of the fields, in the midst of the fruitful earth, unfold her soul, enlighten her ignorance through the aspect of love in nature, through the simple tenderness of the animals, through the placid laws of existence. She was leaving the convent radiant, full of the joy of life, ready for all the happiness, all the charming incidents which her mind had pictured in her idle hours and in the long, quiet nights. She was like a portrait by Veronese with her fair, glossy hair, which seemed to cast a radiance on her skin, a skin with the faintest tinge of pink, softened by a light velvety down which could be perceived when the sun kissed her cheek. Her eyes were an opaque blue, like those of Dutch porcelain figures. She had a tiny mole on her left nostril and another on the right of her chin. She was tall, well developed, with willowy figure. Her clear voice sounded at times a little too sharp, but her frank, sincere laugh spread joy around her. Often, with a familiar gesture, she would raise her hands to her temples as if to arrange her hair.

      She ran to her father and embraced him warmly. “Well, are we going to start?” she said. He smiled, shook his head and said, pointing toward the window, “How can we travel in such weather?” But she implored in a cajoling and tender manner, “Oh, papa, do let us start. It will clear up in the afternoon.” “But your mother will never consent to it.” “Yes, I promise you that she will, I will arrange that.” “If you succeed in persuading your mother, I am perfectly willing.” In a few moments she returned from her mother’s room, shouting in a voice that could be heard all through the house, “Papa, papa, mamma is willing. Have the horses harnessed.” The rain was not abating; one might almost have said that it was raining harder when the carriage drove up to the door. Jeanne was ready to step in when the baroness came downstairs, supported on one side by her husband and on the other by a tall housemaid, strong and strapping as a boy. She was a Norman woman of the country of Caux, who looked at least twenty, although she was but eighteen at the most. She was treated by the family as a second daughter, for she was Jeanne’s foster sister. Her name was Rosalie, and her chief duty lay in guiding the steps of her mistress, who had grown enormous in the last few years and also had an affection of the heart, which kept her complaining continually. The baroness, gasping from over-exertion, finally reached the doorstep of the old residence, looked at the court where the water was streaming and remarked: “It really is not wise.” Her husband, always pleasant, replied: “It was you who desired it, Madame Adelaide.” He always preceded her pompous name of Adelaide with the title madame with an air of half respectful mockery. Madame mounted with difficulty into the carriage, causing all the springs to bend. The baron sat beside her, while Jeanne and Rosalie were seated opposite, with their backs to the horses. Ludivine, the cook,

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