pluralists. Sometimes he threatened his minister as a mistress threatens her lover; telling him he was about to marry a rich widow. At such times the minister petted and cajoled des Lupeaulx. After one of these reconciliations he received the formal promise of a place in the Academy of Belles-lettres on the first vacancy. "It would pay," he said, "the keep of a horse." His position, so far as it went, was a good one, and Clement Chardin des Lupeaulx flourished in it like a tree planted in good soil. He could satisfy his vices, his caprices, his virtues and his defects.
The following were the toils of his life. He was obliged to choose, among five or six daily invitations, the house where he could be sure of the best dinner. Every morning he went to his minister's morning reception to amuse that official and his wife, and to pet their children. Then he worked an hour or two; that is to say, he lay back in a comfortable chair and read the newspapers, dictated the meaning of a letter, received visitors when the minister was not present, explained the work in a general way, caught or shed a few drops of the holy-water of the court, looked over the petitions with an eyeglass, or wrote his name on the margin,—a signature which meant "I think it absurd; do what you like about it." Every body knew that when des Lupeaulx was interested in any person or in any thing he attended to the matter personally. He allowed the head-clerks to converse privately about affairs of delicacy, but he listened to their gossip. From time to time he went to the Tuileries to get his cue. And he always waited for the minister's return from the Chamber, if in session, to hear from him what intrigue or manoeuvre he was to set about. This official sybarite dressed, dined, and visited a dozen or fifteen salons between eight at night and three in the morning. At the opera he talked with journalists, for he stood high in their favor; a perpetual exchange of little services went on between them; he poured into their ears his misleading news and swallowed theirs; he prevented them from attacking this or that minister on such or such a matter, on the plea that it would cause real pain to their wives or their mistresses.
"Say that his bill is worth nothing, and prove it if you can, but do not say that Mariette danced badly. The devil! haven't we all played our little plays; and which of us knows what will become of him in times like these? You may be minister yourself to-morrow, you who are spicing the cakes of the 'Constitutionel' to-day."
Sometimes, in return, he helped editors, or got rid of obstacles to the performances of some play; gave gratuities and good dinners at the right moment, or promised his services to bring some affair to a happy conclusion. Moreover, he really liked literature and the arts; he collected autographs, obtained splendid albums gratis, and possessed sketches, engravings, and pictures. He did a great deal of good to artists by simply not injuring them and by furthering their wishes on certain occasions when their self-love wanted some rather costly gratification. Consequently, he was much liked in the world of actors and actresses, journalists and artists. For one thing, they had the same vices and the same indolence as himself. Men who could all say such witty things in their cups or in company with a danseuse, how could they help being friends? If des Lupeaulx had not been a general-secretary he would certainly have been a journalist. Thus, in that fifteen years' struggle in which the harlequin sabre of epigram opened a breach by which insurrection entered the citadel, des Lupeaulx never received so much as a scratch.
As the young fry of clerks looked at this man playing bowls in the gardens of the ministry with the minister's children, they cracked their brains to guess the secret of his influence and the nature of his services; while, on the other hand, the aristocrats in all the various ministries looked upon him as a dangerous Mephistopheles, courted him, and gave him back with usury the flatteries he bestowed in the higher sphere. As difficult to decipher as a hieroglyphic inscription to the clerks, the vocation of the secretary and his usefulness were as plain as the rule of three to the self-interested. This lesser Prince de Wagram of the administration, to whom the duty of gathering opinions and ideas and making verbal reports thereon was entrusted, knew all the secrets of parliamentary politics; dragged in the lukewarm, fetched, carried, and buried propositions, said the Yes and the No that the ministers dared not say for themselves. Compelled to receive the first fire and the first blows of despair and wrath, he laughed or bemoaned himself with the minister, as the case might be. Mysterious link by which many interests were in some way connected with the Tuileries, and safe as a confessor, he sometimes knew everything and sometimes nothing; and, in addition to all these functions came that of saying for the minister those things that a minister cannot say for himself. In short, with his political Hephaestion the minister might dare to be himself; to take off his wig and his false teeth, lay aside his scruples, put on his slippers, unbutton his conscience, and give way to his trickery. However, it was not all a bed of roses for des Lupeaulx; he flattered and advised his master, forced to flatter in order to advise, to advise while flattering, and disguise the advice under the flattery. All politicians who follow this trade have bilious faces; and their constant habit of giving affirmative nods acquiescing in what is said to them, or seeming to do so, gives a certain peculiar turn to their heads. They agree indifferently with whatever is said before them. Their talk is full of "buts," "notwithstandings," "for myself I should," "were I in your place" (they often say "in your place"),—phrases, however, which pave the way to opposition.
In person, Clement des Lupeaulx had the remains of a handsome man; five feet six inches tall, tolerably stout, complexion flushed with good living, powdered head, delicate spectacles, and a worn-out air; the natural skin blond, as shown by the hand, puffy like that of an old woman, rather too square, and with short nails—the hand of a satrap. His foot was elegant. After five o'clock in the afternoon des Lupeaulx was always to be seen in open-worked silk stockings, low shoes, black trousers, cashmere waistcoat, cambric handkerchief (without perfume), gold chain, blue coat of the shade called "king's blue," with brass buttons and a string of orders. In the morning he wore creaking boots and gray trousers, and the short close surtout coat of the politician. His general appearance early in the day was that of a sharp lawyer rather than that of a ministerial officer. Eyes glazed by the constant use of spectacles made him plainer than he really was, if by chance he took those appendages off. To real judges of character, as well as to upright men who are at ease only with honest natures, des Lupeaulx was intolerable. To them, his gracious manners only draped his lies; his amiable protestations and hackneyed courtesies, new to the foolish and ignorant, too plainly showed their texture to an observing mind. Such minds considered him a rotten plank, on which no foot should trust itself.
No sooner had the beautiful Madame Rabourdin decided to interfere in her husband's administrative advancement than she fathomed Clement des Lupeaulx's true character, and studied him thoughtfully to discover whether in this thin strip of deal there were ligneous fibres strong enough to let her lightly trip across it from the bureau to the department, from a salary of eight thousand a year to twelve thousand. The clever woman believed she could play her own game with this political roue; and Monsieur des Lupeaulx was partly the cause of the unusual expenditures which now began and were continued in the Rabourdin household.
The rue Duphot, built up under the Empire, is remarkable for several houses with handsome exteriors, the apartments of which are skilfully laid out. That of the Rabourdins was particularly well arranged,—a domestic advantage which has much to do with the nobleness of private lives. A pretty and rather wide antechamber, lighted from the courtyard, led to the grand salon, the windows of which looked on the street. To the right of the salon were Rabourdin's study and bedroom, and behind them the dining-room, which was entered from the antechamber; to the left was Madame's bedroom and dressing-room, and behind them her daughter's little bedroom. On reception days the door of Rabourdin's study and that of his wife's bedroom were thrown open. The rooms were thus spacious enough to contain a select company, without the absurdity which attends many middle-class entertainments, where unusual preparations are made at the expense of the daily comfort, and consequently give the effect of exceptional effort. The salon had lately been rehung in gold-colored silk with carmelite touches. Madame's bedroom was draped in a fabric of true blue and furnished in a rococo manner. Rabourdin's study had inherited the late hangings of the salon, carefully cleaned, and was adorned by the fine pictures once belonging to Monsieur Leprince. The daughter of the late auctioneer had utilized in her dining-room certain exquisite Turkish rugs which her father had bought at a bargain; panelling them on the walls in ebony,
