Tropic of Capricorn. Генри Миллер

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Tropic of Capricorn - Генри Миллер Miller, Henry

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of a woman he wants to sleep with, so, listening to O’Rourke, I would be thinking of the moment when he would stop talking and say “what’ll you have to eat?” In the midst of the most gruesome murder I could think of the pork tenderloin which we would be sure to get at a certain place farther up the line, and wonder too what sort of vegetables they would have on the side to go with it, and whether I would order pie afterwards or a custard pudding. It was the same when I slept with my wife now and then; while she was moaning and gibbering I might be wondering if she had emptied the grounds in the coffee pot, because she had the bad habit of letting things slide—the important things, I mean. Fresh coffee was important—and fresh bacon with the eggs. If she were knocked up again that would be bad, serious in a way, but more important than that was fresh coffee in the morning and the smell of bacon and eggs. I could put up with heartbreaks and abortions and busted romances, but I had to have something under my belt to carry on, and I wanted something nourishing, something appetizing. I felt exactly like Jesus Christ would have felt if he had been taken down from the cross and not permitted to die in the flesh. I am sure that the shock of crucifixion would have been so great that he would have suffered a complete amnesia as regards humanity. I am certain that after his wounds had healed he wouldn’t have given a damn about the tribulations of mankind but would have fallen with the greatest relish upon a fresh cup of coffee and a slice of toast, assuming he could have had it.

      Whoever, through too great love, which is monstrous after all, dies of his misery, is born again to know neither love nor hate, but to enjoy. And this joy of living, because it is unnaturally acquired, is a poison which eventually vitiates the whole world. Whatever is created beyond the normal limits of human suffering, acts as a boomerang and brings about destruction. At night the streets of New York reflect the crucifixion and death of Christ. When the snow is on the ground and there is the utmost silence there comes out of the hideous buildings of New York a music of such sullen despair and bankruptcy as to make the flesh shrivel. No stone was laid upon another with love or reverence; no street was laid for dance or joy. One thing has been added to another in a mad scramble to fill the belly, and the streets smell of empty bellies and full bellies and bellies half full. The streets smell of a hunger which has nothing to do with love; they smell of the belly which is insatiable and of the creations of the empty belly which are null and void.

      In this null and void, in this zero whiteness, I learned to enjoy a sandwich, or a collar button. I could study a cornice or a coping with the greatest curiosity while pretending to listen to a tale of human woe. I can remember the dates on certain buildings and the names of the architects who designed them. I can remember the temperature and the velocity of the wind, standing at a certain corner; the tale that accompanied it is gone. I can remember that I was even then remembering something else, and I can tell you what it was that I was then remembering, but of what use? There was one man in me which had died and all that was left were his remembrances; there was another man who was alive, and that man was supposed to be me, myself, but he was alive only as a tree is alive, or a rock, or a beast of the field. Just as the city itself had become a huge tomb in which men struggled to earn a decent death so my own life came to resemble a tomb which I was constructing out of my own death. I was walking around in a stone forest the center of which was chaos; sometimes in the dead center, in the very heart of chaos, I danced or drank myself silly, or I made love, or I befriended some one, or I planned a new life, but it was all chaos, all stone, and all hopeless and bewildering. Until the time when I would encounter a force strong enough to whirl me out of this mad stone forest no life would be possible for me nor could one page be written which would have meaning. Perhaps in reading this, one has still the impression of chaos but this is written from a live center and what is chaotic is merely peripheral, the tangential shreds, as it were, of a world which no longer concerns me. Only a few months ago I was standing in the streets of New York looking about me as years ago I had looked about me; again I found myself studying the architecture, studying the minute details which only the dislocated eye takes in. But this time it was like coming down from Mars. What race of men is this, I asked myself. What does it mean? And there was no remembrance of suffering or of the life that was snuffed out in the gutter, only that I was looking upon a strange and incomprehensible world, a world so removed from me that I had the sensation of belonging to another planet. From the top of the Empire State Building I looked down one night upon the city which I knew from below: there they were, in true perspective, the human ants with whom I had crawled, the human lice with whom I had struggled. They were moving along at a snail’s pace, each one doubtless fulfilling his microcosmic destiny. In their fruitless desperation they had reared this colossal edifice which was their pride and boast. And from the topmost ceiling of this colossal edifice they had suspended a string of cages in which the imprisoned canaries warbled their senseless warble. At the very summit of their ambition there were these little spots of beings warbling away for dear life. In a hundred years, I thought to myself, perhaps they would be caging live human beings, gay, demented ones, who would sing about the world to come. Perhaps they would breed a race of warblers who would warble while the others worked. Perhaps in every cage there would be a poet or a musician so that life below might flow on unimpeded, one with the stone, one with the forest, a rippling creaking chaos of null and void. In a thousand years they might all be demented, workers and poets alike, and everything fall back to ruin as has happened again and again. Another thousand years, or five thousand, or ten thousand, exactly where I am standing now to survey the scene, a little boy may open a book in a tongue as yet unheard of and about this life now passing, a life which the man who wrote the book never experienced, a life with deducted form and rhythm, with beginning and end, and the boy on closing the book will think to himself what a great race the Americans were, what a marvelous life there had once been on this continent which he is now inhabiting. But no race to come, except perhaps the race of blind poets, will ever be able to imagine the seething chaos out of which this future history was composed.

      Chaos! A howling chaos! No need to choose a particular day. Any day of my life—back there—would suit. Every day of my life, my tiny, microscosmic life, was a reflection of the outer chaos. Let me think back. . . . At seven-thirty the alarm went off. I didn’t bounce out of bed. I lay there till eight-thirty, trying to gain a little more sleep. Sleep—how could I sleep? In the back of my mind was an image of the office where I was already due. I could see Hymie arriving at eight sharp, the switchboard already buzzing with demands for help, the applicants climbing up the wide wooden stairway, the strong smell of camphor from the dressing room. Why get up and repeat yesterday’s song and dance? As fast as I hired them they dropped out. Working my balls off and not even a clean shirt to wear. Mondays I got my allowance from the wife—carfare and lunch money. I was always in debt to her and she was in debt to the grocer, the butcher, the landlord, and so on. I couldn’t be bothered shaving—there wasn’t time enough. I put on the torn shirt, gobble up the breakfast, and borrow a nickel for the subway. If she were in a bad mood I would swindle the money from the newsdealer at the subway. I get to the office out of breath, an hour behind time and a dozen calls to make before I even talk to an applicant. While I make one call there are three other calls waiting to be answered. I use two telephones at once. The switchboard is buzzing. Hymie is sharpening his pencils between calls. McGovern the doorman is standing at my elbow to give me a word of advice about one of the applicants, probably a crook, who is trying to sneak back under a false name. Behind me the cards and ledgers containing the name of every applicant who had ever passed through the machine. The bad ones are starred in red ink; some of them have six aliases after their names. Meanwhile the room is crawling like a hive. The room stinks with sweat, dirty feet, old uniforms, camphor, lysol, bad breaths. Half of them will have to be turned away—not that we don’t need them, but that even under the worst conditions they just won’t do. The man in front of my desk, standing at the rail with palsied hands and bleary eyes, is an ex-mayor of New York City. He’s seventy now and would be glad to take anything. He has wonderful letters of recommendation, but we can’t take any one over forty-five years of age. Forty-five in New York is the deadline. The telephone rings and it’s a smooth secretary from the Y.M.C.A. Wouldn’t I make an exception for a boy who has just walked into his office—a boy who was in the reformatory for a year or so. What did he do? He tried to rape his sister. An Italian, of course. O’Mara, my assistant, is putting an applicant through the third degree. He suspects him of being an epileptic. Finally he succeeds

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