One of Cleopatra's Nights and Other Fantastic Romances. Theophile Gautier

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One of Cleopatra's Nights and Other Fantastic Romances - Theophile Gautier

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her silver hair-net; she preferred to be crowned with reeds and lotos-flowers, like a water divinity. Charmion obeyed, and her liberated hair fell in black cascades over her shoulders, and shadowed her beautiful cheeks in rich bunches, like ripening grapes.

      Then the linen tunic, which had been confined only by one golden clasp, glided down over her marble body, and fell in a white cloud at her feet, like the swan at the feet of Leda. …

      And Meïamoun, where was he?

      Oh cruel lot, that so many insensible objects should enjoy the favors which would ravish a lover with delight! The wind which toys with a wealth of perfumed hair, or kisses beautiful lips with kisses which it is unable to appreciate; the water which envelops an adorably beautiful body in one universal kiss, and is yet, notwithstanding, indifferent to that exquisite pleasure; the mirror which reflects so many charming images; the buskin or tatbeb which clasps a divine little foot—oh, what happiness lost!

      Cleopatra dipped her pink heel in the water and descended a few steps. The quivering flood made a silver belt about her waist, and silver bracelets about her arms, and rolled in pearls like a broken necklace over her bosom and shoulders; her wealth of hair, lifted by the water, extended behind her like a royal mantle; even in the bath she was a queen. She swam to and fro, dived, and brought up handfuls of gold-dust with which she laughingly pelted some of her women. Again, she clung suspended to the balustrade of the basin, concealing or exposing her treasures of loveliness—now permitting only her lustrous and polished back to be seen, now showing her whole figure, like Venus Anadyomene, and incessantly varying the aspects of her beauty.

      Suddenly she uttered a cry as shrill as that of Diana surprised by Actæon. She had seen gleaming through the neighboring foliage a burning eye, yellow and phosphoric as the eye of a crocodile or lion.

      It was Meïamoun, who, crouching behind a tuft of leaves, and trembling like a fawn in a field of wheat, was intoxicating himself with the dangerous pleasure of beholding the queen in her bath. Though brave even to temerity, the cry of Cleopatra passed through his heart, coldly piercing as the blade of a sword. A death-like sweat covered his whole body; his arteries hissed through his temples with a sharp sound; the iron hand of anxious fear had seized him by the throat and was strangling him.

      The eunuchs rushed forward, lance in hand. Cleopatra pointed out to them the group of trees, where they found Meïamoun crouching in concealment. Defence was out of the question. He attempted none, and suffered himself to be captured. They prepared to kill him with that cruel and stupid impassibility characteristic of eunuchs; but Cleopatra, who, in the interim, had covered herself with her calasiris, made signs to them to stop, and bring the prisoner before her.

      Meïamoun could only fall upon his knees and stretch forth suppliant hands to her, as to the altars of the gods.

      "Are you some assassin bribed by Rome, or for what purpose have you entered these sacred precincts from which all men are excluded?" demanded Cleopatra with an imperious gesture of interrogation.

      "May my soul be found light in the balance of Amenti, and may Tmeï, daughter of the Sun and goddess of Truth, punish me if I have ever entertained a thought of evil against you, O queen!" answered Meïamoun, still upon his knees.

      Sincerity and loyalty were written upon his countenance in characters so transparent that Cleopatra immediately banished her suspicions, and looked upon the young Egyptian with a look less stern and wrathful. She saw that he was beautiful.

      "Then what motive could have prompted you to enter a place where you could only expect to meet death?"

      "I love you!" murmured Meïamoun in a low, but distinct voice; for his courage had returned, as in every desperate situation when the odds against him could be no worse.

      "Ah!" cried Cleopatra, bending toward him, and seizing his arm with a sudden brusque movement, "so, then, it was you who shot that arrow with the papyrus scroll! By Oms, the Dog of Hell, you are a very foolhardy wretch! … I now recognize you. I long observed you wandering like a complaining Shade about the places where I dwell. … You were at the Procession of Isis, at the Panegyris of Hermonthis. You followed the royal cangia. Ah! you must have a queen? … You have no mean ambitions. You expect, without doubt, to be well paid in return. … Assuredly I am going to love you. … Why not?"

      "Queen," returned Meïamoun with a look of deep melancholy, "do not rail. I am mad, it is true. I have deserved death; that is also true. Be humane; bid them kill me."

      "No; I have taken the whim to be clement to-day. I will give you your life."

      "What would you that I should do with life? I love you!"

      "Well, then, you shall be satisfied; you shall die," answered Cleopatra. "You have indulged yourself in wild and extravagant dreams; in fancy your desires have crossed an impassable threshold. You imagined yourself to be Cæsar or Mark Antony. You loved the queen. In some moment of delirium you have been able to believe that, under some condition of things which takes place but once in a thousand years, Cleopatra might some day love you. Well, what you thought impossible is actually about to happen. I will transform your dream into a reality. It pleases me, for once, to secure the accomplishment of a mad hope. I am willing to inundate you with glories and splendors and lightnings. I intend that your good fortune shall be dazzling in its brilliancy. You were at the bottom of the ladder. I am about to lift you to the summit, abruptly, suddenly, without a transition. I take you out of nothingness, I make you the equal of a god, and I plunge you back again into nothingness; that is all. But do not presume to call me cruel or to invoke my pity; do not weaken when the hour comes. I am good to you. I lend myself to your folly. I have the right to order you to be killed at once; but since you tell me that you love me, I will have you killed to-morrow instead. Your life belongs to me for one night. I am generous. I will buy it from you; I could take it from you. But what are you doing on your knees at my feet? Rise, and give me your arm, that we may return to the palace."

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