Marion had immediately identified her as the owner of that rather masculine voice with the falsetto tone; and apart from the voice, he would have identified her as the lady who had bullied the poor young man in distress about his sideboard. She was very tall, straight, and strongly built, the sort of woman whom you instinctively think of as dazzlingly fine in a ball frock; but at the same time active and stalwart, suggestive of long rides and drives and walks. She had handsome aquiline features, just a trifle wooden in their statuesque fineness, abundant fair hair, and a complexion, pure pink and white, which told of superb health. Marion knew the type well. It was one which, despite all the years he had lived in England, made him feel American, impressing him as something almost exotic. This great strength, size, cleanness of outline and complexion, this look of carefully selected breed, of carefully fostered health, was to him the perfect flower of the aristocratic civilization of England. There were more beautiful types, certainly, and, intellectually, higher ones (his experience was that such women were shrewd, practical, and quite deficient in soul), but there was no type more well-defined and striking, in his eyes. This woman did not seem an individual at all.
"I must go," insisted the tall lady, despite the prayers of her hostess and the assembled guests. "I really can't leave that poor creature alone a minute longer."
"Order the gondola, Kennedy; call Titta, please," cried Miss Vanderwerf to one of the many youths whom the kindly old maid ordered about with motherly familiarity.
"Mayn't I have the honour of offering mine?" piped the young man.
"Thanks, it isn't worth while. I shall walk." Here came a chorus of protestations, following the tall young woman into the outer drawing-room, through the hall, to the head of the great flight of open-air stairs.
Marion had mechanically followed the noisy, squabbling, laughing crew. The departure of this lady suggested to him that he would slip away to his inn.
"Do let me have the pleasure of accompanying you," cried one young man after another.
"Do take Clarence or Kennedy or Piccinillo, darling," implored Mrs. Vanderwerf. "You can't really walk home alone."
"It's not three steps from here," answered the tall one. "And I'm sure it's much more proper for a matron of ever so many years standing to go home alone than accompanied by a lot of fascinating young creatures."
"But, dear, you really don't know Venice; suppose you were spoken to! Just think."
"Well, beloved friend, I know enough Italian to be able to answer."
The tall lady raised one beautifully pencilled eyebrow, slightly, with a contemptuous little look. "Besides, I'm big enough to defend myself, and see, here's an umbrella with a silver knob, or what passes for such in these degenerate days. Nobody will come near that."
And she took the weapon from a rack in the hall, where the big seventeenth-century lamp flickered on the portraits of doges in crimson and senators in ermine.
"As you like, dearest. I know that wilful must have her own way," sighed Miss Vanderwerf, rising on tiptoe and kissing her on both cheeks.
"Mayn't I really accompany you?" repeated the various young men.
She shook her head, with the tall, pointed hat on it.
"No, you mayn't; good-night, dear friends," and she brandished her umbrella over her head and descended the stairs, which went sheer down into the moonlit yard. The young men bowed. One, with the air of a devotee in St. Mark's, kissed her hand at the bottom of the flight of steps, while the gondolier unlocked the gate. They could see him standing in the moonlight and hear him say earnestly:
"I leave for Paris to-morrow; good-night."
She did not answer him, but making a gesture with her umbrella to those above, she cried: "Good-night."
"Good-night," answered the chorus above the stairs, watching the tall figure pass beneath the gate and into the moonlit square.
"Well now," said Miss Vanderwerf, settling herself on her ottoman again, and fanning herself after her exertions in the drawing-room, "there is no denying that she's a strange creature, dear thing."
"A fine figure-head cut out of oak, with a good, solid, wooden heart," said the Roumanian Princess.
"No, no," exclaimed the lady of the house. "She's just as good as gold—poor Lady Tal!"
II.
"Tal?" asked Marion.
"Tal. Her name's Atalanta, Lady Atalanta Walkenshaw—but everyone calls her Tal—Lady Tal. She's the daughter of Lord Ossian, you know."
"And who is or was Walkenshaw?—is, I presume, otherwise she'd have married somebody else by this time."
"Poor Tal!" mused Miss Vanderwerf. "I'm sure she would have no difficulty in finding another husband to make up for that fearful old Walkenshaw creature. But she's in a very sad position for so young a creature, poor girl."
"Ah!" ejaculated Marion, familiar with ladies thus to be commiserated, and remembering his friend's passion for romance, unquenchable by many seriocomic disenchantments, "separated from her husband—that sort of thing! I thought so."
"Now, why did you think that, you horrid creature?" asked his hostess eagerly. "Well, now, there's no saying that you're not real psychological, Jervase. Now do tell what made you think of such a thing."
"I don't know, I'm sure," answered Marion, suppressing a yawn. He hated people who pried into his novelist consciousness, all the more so that he couldn't in the least explain its contents. "Something about her—or nothing about her—a mere guess, a stupid random shot that happens to have hit right."
"Why, that's just the thing, that you haven't hit quite right. That is, it's right in one way, and wrong in another. Oh, my! how difficult it is just to explain, when one isn't a clever creature like you? Well, Lady Tal isn't separated from her husband, but it's just the same as if she were——;"
"I see. Mad? Poor thing!" exclaimed Marion with that air of concern which always left you in doubt whether it was utterly conventional, or might not contain a grain of sympathy after all.
"No, he's not mad. He's dead—been dead ever so long. She's one and thirty, you know—doesn't look it, does she?—and was married at eighteen. But she can't marry again, for all that, because if she marries all his money goes elsewhere, and she's not a penny to bless herself with."
"Ah—and why didn't she have proper settlements made?" asked Marion.
"That's just it. Because old Walkenshaw, who was a beast—just a beast—had a prejudice against settlements, and said he'd do much better for his wife than that—leave her everything, if only they didn't plague him. And then, when the old wretch died, after they'd been married a year or so, it turned out that he had left her everything, but only on condition of her not marrying again. If she did, it would all go to the next of kin. He hated the next of kin, too, they say, and wanted to keep the money away from him as long as possible, horrid old wretch! So there poor Tal is a widow, but unable to marry again."
"Dear
