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ISADORE HAMEL.
It was suggested to Lucy before she had been long in Kingsbury Crescent that she should take some exercise. For the first week she had hardly been out of the house; but this was attributed to her sorrow. Then she had accompanied her aunt for a few days during the half-hour's marketing which took place every morning, but in this there had been no sympathy. Lucy would not interest herself in the shoulder of mutton which must be of just such a weight as to last conveniently for two days,—twelve pounds,—of which, it was explained to her, more than one-half was intended for the two servants, because there was always a more lavish consumption in the kitchen than in the parlour. Lucy would not appreciate the fact that eggs at a penny a piece, whatever they might be, must be used for puddings, as eggs with even a reputation of freshness cost twopence. Aunt Dosett, beyond this, never left the house on week-days except for a few calls which were made perhaps once a month, on which occasion the Sunday gloves and the Sunday silk dress were used. On Sunday they all went to church. But this was not enough for exercise, and as Lucy was becoming pale she was recommended to take to walking in Kensington Gardens.
It is generally understood that there are raging lions about the metropolis, who would certainly eat up young ladies whole if young ladies were to walk about the streets or even about the parks by themselves. There is, however, beginning to be some vacillation as to the received belief on this subject as regards London. In large continental towns, such as Paris and Vienna, young ladies would be devoured certainly. Such, at least, is the creed. In New York and Washington there are supposed to be no lions, so that young ladies go about free as air. In London there is a rising doubt, under which before long, probably, the lions will succumb altogether. Mrs. Dosett did believe somewhat in lions, but she believed also in exercise. And she was aware that the lions eat up chiefly rich people. Young ladies who must go about without mothers, brothers, uncles, carriages, or attendants of any sort, are not often eaten or even roared at. It is the dainty darlings for whom the roarings have to be feared. Mrs. Dosett, aware that daintiness was no longer within the reach of her and hers, did assent to these walkings in Kensington Gardens. At some hour in the afternoon Lucy would walk from the house by herself, and within a quarter of an hour would find herself on the broad gravel path which leads down to the Round Pond. From thence she would go by the back of the Albert Memorial, and then across by the Serpentine and return to the same gate, never leaving Kensington Gardens. Aunt Dosett had expressed some old-fashioned idea that lions were more likely to roar in Hyde Park than within the comparatively retired purlieus of Kensington.
Now the reader must be taken back for a few moments to the bijou, as the bijou was before either the artist or his wife had died. In those days there had been a frequent concourse of people in the artist's house. Society there had not consisted chiefly of eating and drinking. Men and women would come in and out as though really for a purpose of talking. There would be three or four constantly with Dormer in his studio, helping him but little perhaps in the real furtherance of his work, though discussing art subjects in a manner calculated to keep alive art-feeling among them. A novelist or two of a morning might perhaps aid me in my general pursuit, but would, I think, interfere with the actual tally of pages. Egbert Dormer did not turn out from his hand so much work as some men that I know, but he was overflowing with art up to his ears;—and with tobacco, so that, upon the whole, the bijou was a pleasant rendezvous.
There had come there of late, quite of late, a young sculptor, named Isadore Hamel. Hamel was an Englishman, who, however, had been carried very early to Rome and had been bred there. Of his mother question never was made, but his father had been well known as an English sculptor resident at Rome. The elder Hamel had been a man of mark, who had a fine suite of rooms in the city and a villa on one of the lakes, but who never came to England. English connections were, he said, to him abominable, by which he perhaps meant that the restrictions of decent life were not to his taste. But his busts came, and his groups in marble, and now and again some great work for some public decoration: so that money was plentiful with him, and he was a man of note. It must be acknowledged of him that he spared nothing in bringing up his son, giving him such education as might best suit his future career as an artist, and that money was always forthcoming for the lad's wants and fantasies.
Then young Hamel also became a sculptor of much promise; but early in life differed from his father on certain subjects of importance. The father was wedded to Rome and to Italy. Isadore gradually expressed an opinion that the nearer a man was to his market the better for him, that all that art could do for a man in Rome was as nothing to the position which a great artist might make for himself in London,—that, in fact, an Englishman had better be an Englishman. At twenty-six he succeeded in his attempt, and became known as a young sculptor with a workshop at Brompton. He became known to many both by his work and his acquirements; but it may not be surprising that after a year he was still unable to live, as he had been taught to live, without drawing upon his father. Then his father threw his failure in his teeth, not refusing him money indeed, but making the receipt of it unpleasant to him.
At no house had Isadore Hamel been made so welcome as at Dormer's. There was a sympathy between them both on that great question of art, whether to an artist his art should be a matter to him of more importance than all the world besides. So said Dormer,—who simply died because his wife died, who could not have touched his brush if one of his girls had been suffering, who, with all his genius, was but a faineant workman. His art more than all the world to him! No, not to him. Perhaps here and again to some enthusiast, and him hardly removed from madness! Where is the painter who shall paint a picture after his soul's longing though he shall get not a penny for it,—though he shall starve as he put his last touch to it, when he knows that by drawing some duchess of the day he shall in a fortnight earn a ducal price? Shall a wife and child be less dear to him than to a lawyer,—or to a shoemaker; or the very craving of his hunger less obdurate? A man's self, and what he has within him and his belongings, with his outlook for this and other worlds,—let that be the first, and the work, noble or otherwise, be the second. To be honest is greater than to have painted the San Sisto, or to have chiselled the Apollo; to have assisted in making others honest,—infinitely greater. All of which were discussed at great length at the bijou, and the bijouites always sided with the master of the house. To an artist, said Dormer, let his art be everything,—above wife and children, above money, above health, above even character. Then he would put out his hand with his jewelled finger, and stretch forth his velvet-clad arm, and soon after lead his friend away to the little dinner at which no luxury had been spared. But young Hamel agreed with the sermons, and not the less because Lucy Dormer had sat by and listened to them with rapt attention.
Not a word of love had been spoken to her by the sculptor when her mother died, but there had been glances and little feelings of which each was half conscious. It is so hard for a young man to speak of love, if there be real love,—so impossible that a girl should do so! Not a word had been spoken, but each had thought that the other must have known. To Lucy a word had been spoken by her mother,—"Do not think too much of him till you know," the mother had said,—not quite prudently. "Oh, no! I will think of him not at all," Lucy had replied. And she had thought of him day and night. "I wonder why Mr. Hamel is so different with you?" Ayala had said to her sister. "I am sure he is not different with me," Lucy had replied. Then Ayala had shaken her full locks and smiled.
Things came quickly after that. Mrs. Dormer had sickened and died. There was no time then for thinking of that handsome brow, of that short jet black hair, of those eyes so full of fire and thoughtfulness, of that perfect mouth, and the deep but yet soft voice. Still even in her sorrow this new god of her idolatry was not altogether forgotten. It was told to her that he had been summoned off to Rome by his father, and she wondered whether he was to find his home at Rome for ever. Then her father was ill, and in his illness Hamel came to say one word of farewell before he started.
"You find me crushed to the ground," the painter said. Something the young man whispered as to the consolation which time would bring. "Not to me," said Dormer. "It
