The Son of his Father. Cullum Ridgwell

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The Son of his Father - Cullum Ridgwell

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an education obtained at one of the great schools in the East. Her costume might have been tailored on Fifth Avenue, New York. Yet here she was living the life of the wonderful sunlit prairie, the daughter of an obscure rancher in the foothills of the Rockies.

      "Say, your father is just a bully feller," he agreed quickly. "He didn't know me from—a grasshopper, but he did me all sorts of a good service. It don't matter what it was. But it was one of those things which between men count a whole heap."

      The girl's enthusiasm waxed.

      "Father's just as good as—as he's clever. But," she added tenderly, "he's a great scallywag. Oh dear, he'll never grow up." A few minutes later she pointed quickly ahead with one gauntleted hand.

      "That's Buffalo Point," she said. "There where that house is. That's our house, and beyond it, half a mile, you can see the telegraph poles of the railroad track."

      Gordon gazed ahead. They still had a good mile to go. The lonely house fixed his attention.

      "Say, isn't there a village?" he inquired. "Buffalo Point?"

      The girl shook her head.

      "No. Just that little frame house of ours. Father had it built as—a sort of office. You see, we're both working hard on his land scheme. You see, it's—it's our hobby, the same as losing trails is yours."

      Gordon laughed.

      "That's plumb spoiled my day. I'd forgotten the land business. Now it's all come over me like a chill, like the drip of an ice wagon down the back of my neck. I s'pose there'll always be land around, and we've always got to have coal. It seems a pity, doesn't it. Say, there hasn't been a soul I've met in twenty-four hours, but they've been crazy on—on town sites. They're most ridiculous things, town sites. Four pegs and four imaginary lines, a deal of grass with a substrata of crawly things. And for that men would scrap, and cheat, and rob, and—and graft. It's—a wonder."

      Hazel Mallinsbee checked her inclination to laugh again. Her eyes were gazing ahead at the little frame house, and they grew wistfully serious.

      "It isn't the land," she said simply. "The scrap, and cheat, and rob, and graft, are right. But it's the fight for fortune. Fortune?" she smiled. "Fortune means everything to a modern man. To some women, too, but not quite in the way it does to a man. You see, in olden days competition took a different form. I don't know if, in spite of what folks say about the savagery of old times, they weren't more honest and wholesome than they are now. However, nature's got to compete for something. Human nature's got to beat someone. Life is just one incessant rivalry. Well, in old times it took the form of bloodshed and war, when men counted with pride the tally of their victories. Now we point with pride to our civilization, and gaze back in pity upon our benighted forefathers. Instead of bloodshed, killing, fighting, massacring and all the old bad habits of those who came before us, we point our civilization by lying, cheating, robbing and grafting."

      Gordon smiled.

      "Put that way it sounds as though the old folks were first-class saints compared with us. There's a deal of honesty when two fellers get right up on their hind legs and start in to mush each other's faces to a pulp. But it isn't just the same when you creep up while the other feller isn't wise and push the muzzle of a gun into his middle and riddle his stomach till it's like a piece of gruyère cheese."

      Hazel shook her head. Her eyes were still smiling, but Gordon detected something of the serious thought behind them. He vainly endeavored to sober his mood in sympathy.

      "Guess it's the refinement of competition due to the claims of our much proclaimed culture and civilization. I think civilization is a—a dreadful mockery. To call it a whitewash would be a libel on a perfectly innocent, wholesome, sanitary process. That's how I always feel when I stop to think. But—but," her eyes began to dance with a joyous enthusiasm, "I don't often think—not that way. Say, I just love the battle, I mean the modern battle for fortune. It's—it's almost the champagne of life. I know only one thing to beat it."

      Gordon had forgotten the team he was driving, and let them amble leisurely on towards the house, now so rapidly approaching.

      "What's—the real champagne?" he inquired.

      The girl turned and gazed at him with wide eyes.

      "Why," she cried. "Life—just life itself. What else? Say, think of the moment your eyes open to the splendid sunlight of day. Think of the moment you realize you are living—living—living, after a long, delicious night's sleep. Think of all the perfect moments awaiting you before night falls, and you seek your bed again. It is just the very essence of perfect joy."

      "It's better after breakfast, and you've had time to get around some."

      The ardor of the girl's mood received a sudden douche. Just for a moment a gleam of displeasure shadowed her eyes. Then a twinkling smile grew, and the clouds dispersed.

      "Isn't that just a man? Where's your enthusiasm? Where's your joy of life? Where's your romance, and—and spirit of hope?"

      A great pretense of reproach lay in her rapid questions.

      "Oh, they're all somewhere lying around, I guess," returned Gordon simply. "Those things are all right, sure. But—but it's a mighty tough proposition worrying that way on—on an empty stomach. It seems to me that's just one of life's mistakes. There ought to be a law in Congress that a feller isn't allowed to—to think till he's had his morning coffee. The same law might provide for the fellow who fancies himself a sort of canary and starts right in to sing before he's had his bath. I'd have him sent to the electric chair. That sort of fellow never has a voice worth two cents, and he most generally has a repertoire of songs about as bright as Solomon's, and a mighty deal older. Sure, Miss Mallinsbee, I haven't a word to say against life in a general way, but it's about as wayward as a spoilt kid, and needs as much coaxing."

      Hazel Mallinsbee watched the play of the man's features while he talked. She knew he meant little or nothing of what he said. The fine, clear eyes, the smiling simplicity and atmosphere of virile youth about him, all denied the sentiments he was giving vent to. She nodded as he finished.

      "At first I thought you meant all—that," she said lightly. "But now I know you're just talking for talking's sake." Then, before he could reply, she pointed excitedly at the house, now less than a hundred yards away. "Why, there's father, standing right there on the veranda!" she exclaimed.

      Gordon looked ahead. The old man was waving one great hand to his daughter.

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      AT BUFFALO POINT

      To Gordon's mind Hazel Mallinsbee attached far greater importance to her father's presence on the veranda than the incident warranted. It did not seem to him that there was the least necessity for his being there at all. Truth to tell, the matter appeared to him to be a perfect nuisance. He had rather liked Silas Mallinsbee when he had met him under somewhat distressing circumstances in the town. Now he felt a positive dislike for him. His strong, keen, benevolent face made no appeal to his sympathies now whatsoever.

      Besides, it did not seem right that any man who claimed parentage of such a delightful daughter as the girl at his

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