Voices in the Night. Flora Annie Webster Steel

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echoed Khôjee, aghast. 'Where else should Noormahal live but in her own house?'

      'In a smaller one. Look! saw you ever such a wilderness of a place for five women and a child!'

      He swept a derisive finger round the wide courtyard, the terraced arcades, the storied vista of the zenan-khana, the half-fortified gateway, where the royal peacocks still spread their broken plaster tails. And as he did so the flood of yellow sunshine, as if in answer, betrayed every cranny in the cracked brickwork, every scar in the mouldering stucco.

      'Tis as a stone on the tail of a kite, sister,' he went on, 'a burden not to be borne by frailty that can scarce support itself.' He had, as he spoke, been tying his morning's work together ere taking it to the bazaar, and now he stood balancing a balloon-like bundle, almost as big as himself, upon his hand; but he emphasised his remark by withdrawing that support, then, ere the kites touched ground, catching the bundle again, so holding them suspended. 'It needs some one to keep feather brains from the gutter,' he continued gravely, 'and thou, Khôjee, art the only body in this house with sense. Khâdjee, thy sister, hath decorum, Sobrai desires, and Noormahal, poor soul, dreams! So let me speak thee soberly. Thou hast heard of this plague, sister?'

      Khôjee cracked all her fingers wildly, to avert evil, ere quavering, 'Who hath not? Hath it come, Lateefa? Shall we be all sent to hospital and poisoned?'

      The crackling laugh echoed again. 'Fools' tales, woman, fools' tales. Why should the Huzoors trouble? Have they not soldiers and guns wherewith to kill?'

      'But they have driven out the Mimbrâns[2]-committee; they have taken possession of all things. Hâfiz Ahmad's wife, who lives as a mem, said so. She said her husband----'

      The laugh crackled again. 'Ay! he is mimber, yet he knows which side of the wall to jump. And what be the rights and wrongs of the quarrel, I know not; but, as thou sayest, the Huzoors have taken the reins once more, for the plague is nigh. So they are meddling with God's work, and finding hospitar'ls and who knows what. And Hâfiz Ahmad, for all his grievance, hath recommended his father's--yea! Khôjee, the neighbouring house--as hospitarl. So, see you, sister, if folk were wise the hospitarl might come to them, and a swinging rent beside; since Behâri Lai, the town clerk, told me the doctors said they must have both houses or neither--they were so nigh. Here, then, is Noormahal's chance. Let her claim a writing for half-rent, since, having right of occupancy by her marriage-dowry, Jehân cannot let without her consent. That would stop wheel-spinning for bare bread, sister.'

      But Khôjee's thoughts were not for herself. 'Can the Huzoors make us go,' she quavered; 'can they force her?'

      Lateefa shrugged his shoulders. 'Nay! nay! but if she choose.'

      'Then is that the end,' interrupted Khôjee, with a sigh of relief. 'Noormahal will never choose. She hath but two things left of kingship--and it comes closer through her than through Jehân, mind you, though, being woman she hath no claim like he-two things, the house and the ring! And she will keep both--for her boy.'

      Lateefa had his gay balloon balanced afresh on his palm.

      'If she can keep the boy,' he said sardonically; 'but even kites are ill to hold with a rotten string.' So, balancing his burden of nothingness from one hand to another, as jugglers play with a ball, he passed out under the broken plaster peacocks, singing significantly, in his high reedy voice, the dirge of motherhood which so often echoes out into the Indian sunshine from behind closed doors--

      'O child! who taught thee to deceive!

      O child! who taught thee thus to leave

       My throning arms? Didst thou not say

       Thou wert their king for aye!

       So soon dost thou deceive?

       So soon hast learnt to leave

       Thy sonship's crown?

       To fling it down.

       Thy throne

       Is lone.

       Ah, me! ah, me!'

      It fell on Khôjeeya Khânum's ears, making her heart sink with its implied warning; for a child doomed to disease, like little Sa'adut, the heir to the Heirship of Nothingness, was but faint hold on the soaring honours of royalty. And Jehân Aziz, his father, was a fainter one still. Rumours had come, even to the wide ruined courtyard, of official reprimands, of threats. What wonder, when even the more reputable members of the royal family looked askance at his doings?

      Still he was master in that house, and as that was his day for the weekly visit of ceremony he vouchsafed to his lawful wife, it behoved Khôjee to prepare for it after established rule.

      Khâdeeja Khânum, Khôjee's twin sister, had already done her share of preparation. She had put on her best pink satin trousers and a spangled green veil, in which she sate, squatted on a string bed set in the women's court, and sewed at a tinsel cap for the head of the house--that being the correct etiquette on such occasions.

      And Khâdeeja was far more correct than Khôjeeya. In fact, her position in the household was quite different, seeing that she had been betrothed in her youth to an ancient suitor who died before she was old enough to be claimed, while no one had ever made a bid for Khôjee's limp. So, while the latter's few trinkets had a trick of remaining with the pawnbroker, Khâdjee's never paid even a temporary visit to that official.

      Then her clothes, from that decorous sitting on string beds instead of breathless spinning in the dust, remained so spick and span, that Noormahal, poor soul! when money ran scarce for the heir's medicine, would accuse the general scapegoat of extravagance in providing them. On these occasions Khôjee never retorted that the white muslin in which the Nawâbin denied herself was, in the end, more expensive. Neither did she meet Khâdjee's demand for more tinsel with the brutal truth that the caps were too old-fashioned for Jehân Aziz to wear. Family facts of this sort she did not even divulge in her prayers; for Khôjeeya Khânum's religion, like her life, was strictly impersonal. It could be nothing else, since it was barely decent for a woman to intrude even her own salvation on a Creator whose attributes were distinctly masculine!

      So, while Khâdjee sewed and Noormahal cuddled the sleeping Sa'adut as she crouched on another bed, Khôjee dragged out the state carpet--whence all the state and most of the carpet had retired in favour of bare string--set the cushions, prepared the pipe, the sherbet, and the hand punkah, lest the master should be fatigued by his condescension; for, to her, all these ceremonies were a sort of sacrament to any intercourse between the sexes, without which it was distinctly improper, and with which it was possible to receive even a scapegrace with benefit to yourself.

      Having done all this, she crossed to Noormahal, and, crouching beside the bed, began, with a crooning song, to massage the long slender limbs tucked up under the long slim body. For her niece, though not half her age, was Nawâbin--as such, mistress of the house.

      'Nay, auntie,' remonstrated Noormahal in a deep full voice; 'thou also wert up all night with the boy, and art as tired as I.'

      'Trra!' retorted Khôjeeya; 'old hemp hath fibre, young hemp flower; and 'twill freshen thee against thy man's coming.' The almost pathetic raillery in the old face which had never known a lover's kiss was quite charming, but Noormahal frowned.

      'Better prepare the child's food,' she said, shrinking even from the touch of those

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