The Blood of the Arena. Vicente Blasco Ibanez

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The Blood of the Arena - Vicente Blasco Ibanez

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      He was a fellow of quiet movements and agile hands, and seemed to take no notice of the presence of the bull-fighter. For some years he had accompanied the diestro on all his travels as sword-bearer. He had commenced in Seville at the same time as Gallardo, serving first as capeador, but the hard blows were reserved for him, while advancement and glory were for his companion. He was little, dark, and of weak muscles, and a tortuous and poorly united gash scarred with a whitish pot-hook his wrinkled, flaccid oldish face. It was from a thrust of a bull's horn which had left him almost dead in the plaza of a certain town, and to this atrocious wound others were added that disfigured the hidden parts of his body.

      By a miracle he escaped with his life from his apprenticeship as a bull-fighter, and the cruellest part of it all was that the people laughed at his misfortunes, taking pleasure in seeing him stamped on and routed by the bulls. Finally his total eclipse took place, and he agreed to be the attendant, the confidential servant, of his old comrade. He was Gallardo's most fervent admirer, although he abused the confidence of intimacy by allowing himself to give advice and to criticise. Had he been in his master's skin, he would have done better at certain moments. Gallardo's friends found cause for laughter in the frustrated ambitions of the sword-bearer, but he paid no attention to their jokes. Renounce the bulls? Never! And so that the memory of his past should not be wholly obliterated he combed his coarse hair in shining locks over his ears and wore on the back of his head the long and sacred great lock of hair, the coleta of his youthful days, the professional emblem that distinguished him from common mortals.

      When Gallardo was angry with him his fierce passion always threatened this capillary adornment.

      "And thou dost wear a coleta, shameless one? I'm going to cut that rat's tail off for thee—brazen-face! Maleta!"

      Garabato received these threats with resignation, but he took his revenge by shutting himself up in the silence of a superior man, answering the joy of the master with shrugs of his shoulders when the latter, on returning from the plaza of an afternoon in a happy mood, asked him with infantile satisfaction:

      "What didst thou think of it? Did I do well, sure?"

      On account of their juvenile comradeship he retained the privilege of saying thou to his master. He could not talk to the maestro in any other way, but the thou was accompanied by a grave gesture and an expression of ingenuous respect. His familiarity was like that of the ancient shield-bearers to the knights of adventure.

      From his collar up, including the tail on the back of his head, he was a bull-fighter; the rest of his person resembled a tailor and a valet at the same time. He dressed in a suit of English cloth, a present from the Señor, wearing the lapels stuck full of pins, and with several threaded needles on one sleeve. His dry, dark hands possessed a feminine delicacy for handling and arranging things.

      When he had placed in order all that was necessary for the master's dressing, he looked over the numerous objects to assure himself that nothing was lacking. Then he planted himself in the middle of the room and without looking at Gallardo, as if he were speaking to himself, he said in a hoarse voice and with a stubborn accent:

      "Two o'clock!"

      Gallardo lifted his head nervously, as if he had not noticed the presence of his servant until then. He put the letter in his pocket and went to the lower end of the room with a certain hesitancy, as if he wished to delay the moment of dressing.

      "Is everything ready?"

      But suddenly his pale face colored with violent emotion. His eyes opened immeasurably wide as if they had just suffered the shock of a frightful surprise.

      "What clothes hast thou laid out?"

      Garabato pointed to the bed, but before he could speak the anger of the maestro fell upon him, loud and terrible.

      "Curses on thee! Dost thou know nothing of the affairs of the profession? Thou has just come from hay-making, maybe? Bull-fight in Madrid, with Miura bulls, and thou dost get me out a green costume, the same that poor Manuel el Espartero wore! My bitterest enemy couldn't do worse, thou more than shameless one! It seems as if thou wishes to see me killed, malaje!"

      His anger increased as he considered the enormity of this carelessness, which was like a challenge to ill fortune. To fight in Madrid in a green costume after what had happened! His eyes flashed with hostile fire as if he had just received a traitorous attack; the whites of his eyes grew red, and he seemed about to fall upon poor Garabato with his rough bull-fighter hands.

      A discreet knock on the door of the room ended this scene.

      "Come in!"

      A young man entered, dressed in light clothes, with a red cravat, and carrying a Cordovan sombrero in a hand beringed with great brilliants. Gallardo recognized him instantly, with that gift for remembering faces possessed by all who live before the public.

      He changed suddenly from anger to smiling amiability as if the visit were a sweet surprise. It was a friend from Bilbao, an enthusiastic admirer, a champion of his glory. That was all he could remember. But his name? He met so many! What could his name be? The only thing he knew for certain was that he must address him by thou, for an old friendship existed between the two.

      "Sit down! What a surprise! When didst thou come? The family well?"

      And the admirer sat down with the satisfaction of a devotee who enters the sanctuary of the idol determined not to move until the last instant, gratifying himself by the attention of the bull-fighter's thou, and calling him Juan at every two words so that furniture, walls, and whoever might pass along the corridor should know of his intimacy with the great man. He had arrived from Bilbao this morning and would return on the following day. He took the trip for no other purpose than to see Gallardo. He had read of his great exploits; the season was beginning well; this afternoon would be fine! He had been at the sorting of the bulls where he had especially noticed a dark beast that would undoubtedly yield great sport in Gallardo's hands.

      "What costume shall I get out?" interrupted Garabato, with a voice that seemed even more hoarse with the desire to show himself submissive.

      "The red one, the tobacco-colored, the blue—any one thou wishest."

      Another knock sounded on the door and a new visitor appeared. It was Doctor Ruiz, the popular physician who for thirty years had been signing the medical certificates of all the injured and treating every bull-fighter that fell wounded in the plaza of Madrid.

      Gallardo admired him and regarded him as the highest representative of universal science, although he indulged in good-natured jokes about his kindly disposition and his lack of care in his dress. His admiration was like that of the populace which only recognizes wisdom in a man of ill appearance and oddity of character that makes him different from ordinary mortals.

      "He is a saint," Gallardo used to say, "a wise fellow, with wheels in his head, but as good as good bread, and he never has a peseta. He gives away all he has and he accepts whatever they choose to give him."

      Two grand passions animated the doctor's life, revolution and bulls. A vague and tremendous revolution was to come that would leave in Europe nothing now existing; an anarchistic republic which he did not take the trouble to explain, and as to which he was only clear in his exterminating negations. The bull-fighters talked to him as to a father. He spoke as a familiar to all of them, and no more was needed than to get a telegram from a distant part of the Peninsula, for the good doctor to

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