was full of silent stars, and there was a moonglade on the water that stretched almost from him to Rose. His heart embarked on that golden pathway and sailed on it to the farther shore. The river was free of logs, and under the light of the moon it shone like a silver mirror. The soft wind among the fir branches breathed Rose's name; the river, rippling against the shore, sang “Rose “; and as Stephen sat there dreaming of the future, his dreams, too, could have been voiced in one word, and that word “Rose.”
VII. The Little House
The autumn days flew past like shuttles in a loom. The river reflected the yellow foliage of the white birch and the scarlet of the maples. The wayside was bright with goldenrod, with the red tassels of the sumac, with the purple frost-flower and feathery clematis.
If Rose was not as happy as Stephen, she was quietly content, and felt that she had more to be grateful for than most girls, for Stephen surprised her with first one evidence and then another of thoughtful generosity. In his heart of hearts he felt that Rose was not wholly his, that she reserved, withheld something; and it was the subjugation of this rebellious province that he sought. He and Rose had agreed to wait a year for their marriage, in which time Rose's cousin would finish school and be ready to live with the old people; meanwhile Stephen had learned that his maiden aunt would be glad to come and keep house for Rufus. The work at the River Farm was too hard for a girl, so he had persuaded himself of late, and the house was so far from the village that Rose was sure to be lonely. He owned a couple of acres between his place and the Edgewood bridge, and here, one afternoon only a month after their engagement, he took Rose to see the foundations of a little house he was building for her. It was to be only a story-and-a-half cottage of six small rooms, the two upper chambers to be finished off later on. Stephen had placed it well back from the road, leaving space in front for what was to be a most wonderful arrangement of flower-beds, yet keeping a strip at the back, on the river-brink, for a small vegetable garden. There had been a house there years before-so many years that the blackened ruins were entirely overgrown; but a few elms and an old apple-orchard remained to shade the new dwelling and give welcome to the coming inmates.
Stephen had fifteen hundred dollars in bank, he could turn his hand to almost anything, and his love was so deep that Rose's plumb-line had never sounded bottom; accordingly he was able, with the help of two steady workers, to have the roof on before the first of November. The weather was clear and fine, and by Thanksgiving clapboards, shingles, two coats of brown paint, and even the blinds had all been added. This exhibition of reckless energy on Stephen's part did not wholly commend itself to the neighborhood.
“Steve's too turrible spry,” said Rose's grandfather; “he'll trip himself up some o' these times.”
“You never will,” remarked his better half, sagely.
“The resks in life come along fast enough, without runnin' to meet 'em,” continued the old man. “There's good dough in Rose, but it ain't more'n half riz. Let somebody come along an' drop in a little more yeast, or set the dish a little mite nearer the stove, an' you'll see what 'll happen.”
“Steve's kept house for himself some time, an' I guess he knows more about bread-makin' than you do.”
“There don't nobody know more'n I do about nothin', when my pipe's drawin' real good an' nobody's thornin' me to go to work,” replied Mr. Wiley; “but nobody's willin' to take the advice of a man that's seen the world an' lived in large places, an' the risin' generation is in a turrible hurry. I don' know how 't is: young folks air allers settin' the clock forrard an' the old ones puttin' it back.”
“Did you ketch anything for dinner when you was out this mornin'?” asked his wife.
“No, I fished an' fished, till I was about ready to drop, an' I did git a few shiners, but land, they wa'n't as big as the worms I was ketchin' 'em with, so i pitched 'em back in the water an' quit.”
During the progress of these remarks Mr. Wiley opened the door under the sink, and from beneath a huge iron pot drew a round tray loaded with a glass pitcher and half a dozen tumblers, which he placed carefully on the kitchen table. “This is the last day's option I've got on this lemonade-set,” he said, “an' if I'm goin' to Biddeford tomorrer I've got to make up my mind here an' now.”
With this observation he took off his shoes, climbed in his stocking feet to the vantage ground of a kitchen chair, and lifted a stone china pitcher from a corner of the highest cup-board shelf where it had been hidden. “This lemonade's gittin' kind o' dusty,” he complained. “I cal'lated to hev a kind of a spree on it when I got through choosin' Rose's weddin' present, but I guess the pig 'll hev to help me out.” The old man filled one of the glasses from the pitcher, pulled up the kitchen shades to the top, put both hands in his pockets, and walked solemnly round the table, gazing at his offering from every possible point of view. There had been three lemonade-sets in the window of a Biddeford crockery store when Mr. Wiley chanced to pass by, and he had brought home the blue and green one on approval. To th': casual cyc it would have appeared as quite uniquely hideous until the red and yellow or the purple and orange ones had been seen; after that, no human being could have made a decision, where each was so unparalleled in its ugliness, and Old Kennebec's confusion of mind would have been perfectly understood by the connoisseur.
“How do you like it with the lemonade in, mother?” he inquired eagerly. “The thing that plagues me most is that the red an' yaller one I hed home last week lights up better'n this, an' I believe I'll settle on that; for as I was thinkin' last night in bed, lemonade is mostly an evenin' drink an' Rose won't be usin' the set much by daylight. Root beer looks the han'somest in this purple set, but Rose loves lemonade better'n beer, so I guess I'll pack up this one an' change it tomorrer. Mebbe when I get it out o' sight an' give the lemonade to the pig I'll be easier in my mind.”
In the opinion of the community at large Stephen's forehandedness in the matter of preparations for his marriage was imprudence, and his desire for neatness and beauty flagrant extravagance. The house itself was a foolish idea, it was thought, but there were extenuating circumstances, for the maiden aunt really needed a home, and Rufus was likely to marry before long and take his wife to the River Farm. It was to be hoped in his case that he would avoid the snares of beauty and choose a good stout girl who would bring the dairy back to what it was in Mrs. Waterman's time.
All winter long Stephen labored on the inside of the cottage, mostly by himself. He learned all trades in succession, Love being his only master. He had many odd days to spare from his farm work, and if he had not found days he would have taken nights. Scarcely a nail was driven without Rose's advice; and when the plastering was hard and dry, the wallpapers were the result of weeks of consultation.
Among the quiet joys of life there is probably no other so deep, so sweet, so full of trembling hope and delight, as the building and making of a home,—a home where two lives are to be merged in one and flow on together, a home full of mysterious and delicious possibilities, hidden in a future which is always rose-colored.
Rose's sweet little nature broadened under Stephen's influence; but she had her moments of discontent and unrest, always followed quickly by remorse.
At the Thanksgiving sociable some one had observed her turquoise engagement ring,—some one who said that such a hand was worthy of a diamond, that turquoises were a pretty color, but that there was only one stone for an engagement ring, and that was a diamond. At the Christmas dance the same some one had said that her waltzing would make her “all the rage” in Boston. She wondered if it were true, and wondered whether, if she had not promised to marry
