the arts in earnest: whereof he now gave a signal proof. He offered prizes for the best specimens of orfevrerie in two kinds, religious and secular: item, for the best paintings in white of egg, oils, and tempera; these to be on panel, silk, or metal, as the artists chose: item, for the best transparent painting on glass: item, for the best illuminating and border-painting on vellum: item, for the fairest writing on vellum. The burgomasters of the several towns were commanded to aid all the poorer competitors by receiving their specimens and sending them with due care to Rotterdam at the expense of their several burghs. When this was cried by the bellman through the streets of Tergou, a thousand mouths opened, and one heart beat—Gerard's. He told his family timidly he should try for two of those prizes. They stared in silence, for their breath was gone at his audacity; but one horrid laugh exploded on the floor like a petard. Gerard looked down, and there was the dwarf, slit and fanged from ear to ear at his expense, and laughing like a lion. Nature, relenting at having made Giles so small, had given him as a set-off the biggest voice on record. His very whisper was a bassoon. He was like those stunted wide-mouthed pieces of ordnance we see on fortifications; more like a flower-pot than a cannon; but ods tympana how they bellow!
Gerard turned red with anger, the more so as the others began to titter. White Catherine saw, and a pink tinge came on her cheek. She said softly, “Why do you laugh? Is it because he is our brother you think he cannot be capable? Yes, Gerard, try with the rest. Many say you are skilful; and mother and I will pray the Virgin to guide your hand.”
“Thank you, little Kate. You shall pray to our Lady, and our mother shall buy me vellum and the colours to illuminate with.”
“What will they cost, my lad?”
“Two gold crowns” (about three shillings and fourpence English money).
“What!” screamed the housewife, “when the bushel of rye costs but a groat! What! me spend a month's meal and meat and fire on such vanity as that: the lightning from Heaven would fall on me, and my children would all be beggars.”
“Mother!” sighed little Catherine, imploringly.
“Oh! it is in vain, Kate,” said Gerard, with a sigh. “I shall have to give it up, or ask the dame Van Eyck. She would give it me, but I think shame to be for ever taking from her.”
“It is not her affair,” said Catherine, very sharply; “what has she to do coming between me and my son?” and she left the room with a red face. Little Catherine smiled. Presently the housewife returned with a gracious, affectionate air, and two little gold pieces in her hand.
“There, sweetheart,” said she, “you won't have to trouble dame or demoiselle for two paltry crowns.”
But on this Gerard fell a thinking how he could spare her purse.
“One will do, mother. I will ask the good monks to let me send my copy of their 'Terence:' it is on snowy vellum, and I can write no better: so then I shall only need six sheets of vellum for my borders and miniatures, and gold for my ground, and prime colours—one crown will do.'
“Never tyne the ship for want of a bit of tar, Gerard,” said his changeable mother. But she added, “Well, there, I will put the crown in my pocket. That won't be like putting it back in the box. Going to the box to take out instead of putting in, it is like going to my heart with a knife for so many drops of blood. You will be sure to want it, Gerard. The house is never built for less than the builder counted on.”
Sure enough, when the time came, Gerard longed to go to Rotterdam and see the Duke, and above all to see the work of his competitors, and so get a lesson from defeat. And the crown came out of the housewife's pocket with a very good grace. Gerard would soon be a priest. It seemed hard if he might not enjoy the world a little before separating himself from it for life.
The night before he went, Margaret Van Eyck asked him to take a letter for her, and when he came to look at it, to his surprise he found it was addressed to the Princess Marie, at the Stadthouse in Rotterdam.
The day before the prizes were to be distributed, Gerard started for Rotterdam in his holiday suit, to wit, a doublet of silver-grey cloth, with sleeves, and a jerkin of the same over it, but without sleeves. From his waist to his heels he was clad in a pair of tight-fitting buckskin hose fastened by laces (called points) to his doublet. His shoes were pointed, in moderation, and secured by a strap that passed under the hollow of the foot. On his head and the back of his neck he wore his flowing hair, and pinned to his back between his shoulders was his hat: it was further secured by a purple silk ribbon little Kate had passed round him from the sides of the hat, and knotted neatly on his breast; below his hat, attached to the upper rim of his broad waist-belt, was his leathern wallet. When he got within a league of Rotterdam he was pretty tired, but he soon fell in with a pair that were more so. He found an old man sitting by the roadside quite worn out, and a comely young woman holding his hand, with a face brimful of concern. The country people trudged by, and noticed nothing amiss; but Gerard, as he passed, drew conclusions. Even dress tells a tale to those who study it so closely as he did, being an illuminator. The old man wore a gown, and a fur tippet, and a velvet cap, sure signs of dignity; but the triangular purse at his girdle was lean, the gown rusty, the fur worn, sure signs of poverty. The young woman was dressed in plain russet cloth: yet snow-white lawn covered that part of her neck the gown left visible, and ended half way up her white throat in a little band of gold embroidery; and her head-dress was new to Gerard: instead of hiding her hair in a pile of linen or lawn, she wore an open network of silver cord with silver spangles at the interstices: in this her glossy auburn hair was rolled in front into two solid waves, and supported behind in a luxurious and shapely mass. His quick eye took in all this, and the old man's pallor, and the tears in the young woman's eyes. So when he had passed them a few yards, he reflected, and turned back, and came towards them bashfully.
“Father, I fear you are tired.”
“Indeed, my son, I am,” replied the old man, “and faint for lack of food.”
Gerard's address did not appear so agreeable to the girl as to the old man. She seemed ashamed, and with much reserve in her manner, said, that it was her fault—she had underrated the distance, and imprudently allowed her father to start too late in the day.
“No, no,” said the old man; “it is not the distance, it is the want of nourishment.”
The girl put her arms round his neck with tender concern, but took that opportunity of whispering, “Father, a stranger—a young man!”
But it was too late. Gerard, with simplicity, and quite as a matter of course, fell to gathering sticks with great expedition. This done, he took down his wallet, out with the manchet of bread and the iron flask his careful mother had put up, and his everlasting tinder-box; lighted a match, then a candle-end, then the sticks; and put his iron flask on it. Then down he went on his stomach, and took a good blow: then looking up, he saw the girl's face had thawed, and she was looking down at him and his energy with a demure smile. He laughed back to her. “Mind the pot,” said he, “and don't let it spill, for Heaven's sake: there's a cleft stick to hold it safe with;” and with this he set off running towards a corn-field at some distance.
Whilst he was gone, there came by, on a mule with rich purple housings, an old man redolent of wealth. The purse at his girdle was plethoric, the fur on his tippet was ermine, broad and new.
It was Ghysbrecht Van Swieten, the burgomaster of Tergou.
He was old, and his face furrowed. He was a notorious miser, and looked one generally. But the idea of supping with the Duke raised him just now into manifest complacency. Yet at the sight of the faded old man and his bright daughter sitting by a fire of sticks, the smile died out
