everything over and over to each other as many times as was good for them, the witch said: "Well, but what about the whirlpools?"
And Nigel said he didn't know. Then the witch said: "I'm not a witch anymore. I'm only a happy old woman, but I know some things still. Those whirlpools were made by the enchanter-King's dropping nine drops of his blood into the sea. And his blood was so wicked that the sea has been trying ever since to get rid of it, and that made the whirlpools. Now you've only got to go out at low tide."
So Nigel understood and went out at low tide, and found in the sandy hollow left by the first whirlpool a great red ruby. That was the first drop of the wicked King's blood. The next day Nigel found another, and next day another, and so on till the ninth day, and then the sea was as smooth as glass.
The nine rubies were used afterwards in agriculture. You had only to throw them out into a field if you wanted it plowed. Then the whole surface of the land turned itself over in its anxiety to get rid of something so wicked, and in the morning the field was found to be plowed as thoroughly as any young man at Oxford. So the wicked King did some good after all.
When the sea was smooth, ships came from far and wide, bringing people to hear the wonderful story. And a beautiful palace was built, and the Princess was married to Nigel in her gold dress, and they all lived happily as long as was good for them.
The dragon still lies, a stone dragon on the sand, and at low tide the little children play around him and over him. But the pieces that were left of the griffin were buried under the herb-bed in the palace garden, because it had been so good at housework, and it wasn't its fault that it had been made so badly and put to such poor work as guarding a lady from her lover.
I have no doubt that you will wish to know what the Princess lived on during the long years when the dragon did the cooking. My dear, she lived on her income—and that is a thing that a great many people would like to be able to do.
The Dragon Tamers
There was once an old, old castle—it was so old that its walls and towers and turrets and gateways and arches had crumbled to ruins, and of all its old splendor there were only two little rooms left; and it was here that John the blacksmith had set up his forge. He was too poor to live in a proper house, and no one asked any rent for the rooms in the ruin, because all the lords of the castle were dead and gone this many a year. So there John blew his bellows and hammered his iron and did all the work which came his way.
This was not much, because most of the trade went to the mayor of the town, who was also a blacksmith in quite a large way of business, and had his huge forge facing the square of the town, and had twelve apprentices, all hammering like a nest of woodpeckers, and twelve journeymen to order the apprentices about, and a patent forge and a self-acting hammer and electric bellows, and all things handsome about him. So of course the townspeople, whenever they wanted a horse shod or a shaft mended, went to the mayor. John the blacksmith struggled on as best he could, with a few odd jobs from travelers and strangers who did not know what a superior forge the mayor's was. The two rooms were warm and weather-tight, but not very large; so the blacksmith got into the way of keeping his old iron, his odds and ends, his fagots, and his twopence worth of coal in the great dungeon down under the castle. It was a very fine dungeon indeed, with a handsome vaulted roof and big iron rings whose staples were built into the wall, very strong and convenient for tying captives to, and at one end was a broken flight of wide steps leading down no one knew where. Even the lords of the castle in the good old times had never known where those steps led to, but every now and then they would kick a prisoner down the steps in their lighthearted, hopeful way, and sure enough, the prisoners never came back. The blacksmith had never dared to go beyond the seventh step, and no more have I—so I know no more than he did what was at the bottom of those stairs.
John the blacksmith had a wife and a little baby. When his wife was not doing the housework she used to nurse the baby and cry, remembering the happy days when she lived with her father, who kept seventeen cows and lived quite in the country, and when John used to come courting her in the summer evenings, as smart as smart, with a posy in his buttonhole. And now John's hair was getting gray, and there was hardly ever enough to eat.
As for the baby, it cried a good deal at odd times; but at night, when its mother had settled down to sleep, it would always begin to cry, quite as a matter of course, so that she hardly got any rest at all. This made her very tired.
The baby could make up for its bad nights during the day if it liked, but the poor mother couldn't. So whenever she had nothing to do she used to sit and cry, because she was tired out with work and worry.
One evening the blacksmith was busy with his forge. He was making a goat-shoe for the goat of a very rich lady, who wished to see how the goat liked being shod, and also whether the shoe would come to fivepence or sevenpence before she ordered the whole set. This was the only order John had had that week. And as he worked his wife sat and nursed the baby, who, for a wonder, was not crying.
Presently, over the noise of the bellows and over the clank of the iron, there came another sound. The blacksmith and his wife looked at each other.
"I heard nothing," said he.
"Neither did I," said she.
But the noise grew louder—and the two were so anxious not to hear it that he hammered away at the goat-shoe harder than he had ever hammered in his life, and she began to sing to the baby—a thing she had not had the heart to do for weeks.
But through the blowing and hammering and singing the noise came louder and louder, and the more they tried not to hear it, the more they had to. It was like the noise of some great creature purring, purring, purring—and the reason they did not want to believe they really heard it was that it came from the great dungeon down below, where the old iron was, and the firewood and the twopence worth of coal, and the broken steps that went down into the dark and ended no one knew where.
"It can't be anything in the dungeon," said the blacksmith, wiping his face. "Why, I shall have to go down there after more coals in a minute."
"There isn't anything there, of course. How could there be?" said his wife. And they tried so hard to believe that there could be nothing there that presently they very nearly did believe it.
Then the blacksmith took his shovel in one hand and his riveting hammer in the other, and hung the old stable lantern on his little finger, and went down to get the coals.
"I am not taking the hammer because I think there is something there," said he, "but it is handy for breaking the large lumps of coal."
"I quite understand," said his wife, who had brought the coal home in her apron that very afternoon, and knew that it was all coal dust.
So he went down the winding stairs to the dungeon and stood at the bottom of the steps, holding the lantern above his head just to see that the dungeon really was empty, as usual. Half of it was empty as usual, except for the old iron and odds and ends, and the firewood and the coals. But the other side was not empty. It was quite full, and what it was full of was Dragon.
"It
