Rainbow's End. Rex Beach
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With difficulty Esteban restrained an oath. "You mistake my meaning," he said, stiffly. "Sebastian has served me faithfully, and Evangelina plays with my children. She is good to them; she is more of a mother to them than you have ever been."
"Is that why you dress her like a lady? Bah! A likely story!" Isabel tossed her fine, dark head. "I'm not blind; I see what goes on about me. This will make a pretty scandal among your friends—she as black as the pit, and you—"
"WOMAN!" shouted the planter, "you have a sting like a scorpion."
"I won't have that wench in my house," Isabel flared out at him.
Goaded to fury by his wife's senseless accusation, Esteban cried: "YOUR house? By what license do you call it yours?"
"Am I not married to you?"
"Damnation! Yes—as a leech is married to its victim. You suck my blood."
"Your blood!" The woman laughed shrilly. "You have no blood; your veins run vinegar. You are a miser."
"Miser! Miser! I grow sick of the word. It is all you find to taunt me with. Confess that you married me for my money," he roared.
"Of course I did! Do you think a woman of my beauty would marry you for anything else? But a fine bargain I made!"
"Vampire!"
"Wife or vampire, I intend to rule this house, and I refuse to be shamed by a thick-lipped African. Her airs tell her story. She is insolent to me, but—I sha'n't endure it. She laughs at me. Well, your friends shall laugh at you."
"Silence!" commanded Esteban.
"Sell her."
"No."
"Sell her, or—"
Without waiting to hear her threat Esteban tossed his arms above his head and fled from the room. Flinging himself into the saddle, he spurred down the hill and through the town to the Casino de Espanol, where he spent the night at cards with the Spanish officials. But he did not sell Evangelina.
In the days that followed many similar scenes occurred, and as Esteban's home life grew more unhappy his dissipations increased. He drank and gambled heavily; he brought his friends to the quinta with him, and strove to forget domestic unpleasantness in boisterous revelry.
His wife, however, found opportunities enough to weary and exasperate him with reproaches regarding the slave girl.
II
SPANISH GOLD
The twins were seven years old when Dona Isabel's schemes bore their first bitter fruit, and the occasion was a particularly uproarious night when Don Esteban entertained a crowd of his Castilian friends. Little Rosa was awakened at a late hour by the laughter and shouts of her father's guests. She was afraid, for there was something strange about the voices, some quality to them which was foreign to the child's experience. Creeping into her brother's room, she awoke him, and together they listened.
Don Mario de Castano was singing a song, the words of which were lost, but which brought a yell of approval from his companions. The twins distinguished the voice of Don Pablo Peza, too—Don Pablo, whose magnificent black beard had so often excited their admiration. Yes, and there was Col. Mendoza y Linares, doubtless in his splendid uniform. These gentlemen were well and favorably known to the boy and girl, yet Rosa began to whimper, and when Esteban tried to reassure her his own voice was thin and reedy from fright.
In the midst of their agitation they heard some one weeping; there came a rush of feet down the hallway, and the next instant Evangelina flung herself into the room. A summer moon flooded the chamber with radiance and enabled her to see the two small white figures sitting up in the middle of the bed.
Evangelina fell upon her knees before them. "Little master! Little mistress!" she sobbed. "You will save me, won't you? We love each other, eh? See then, what a crime this is! Say that you will save me!" She was beside herself, and her voice was hoarse and cracked from grief. She wrung her hands, she rocked herself from side to side, she kissed the twins' nightgowns, tugging at them convulsively.
The children were frightened, but they managed to quaver: "What has happened? Who has harmed you?"
"Don Pablo Peza," wept the negress. "Your father has sold me to him—lost me at cards. Oh, I shall die! Sebastian won't believe it. He is praying. And Asensio—O God! But what can they do to help me? You alone can save me. You won't let Don Pablo take me away? It would kill me."
"Wait!" Esteban scrambled out of bed and stood beside his dusky nurse and playmate. "Don't cry any more. I'll tell papa that you don't like Don Pablo."
Rosa followed. "Yes, come along, brother," she cried, shrilly. "We'll tell Don Pablo to go home and leave our Evangelina."
"My blessed doves! But will they listen to you?" moaned the slave.
"Papa does whatever we ask," they assured her, gravely. "If he should growl we'll come back and hide you in the big wardrobe where nobody will ever find you." Then hand in hand, with their long nightgowns lifted to their knees, they pattered out into the hall and down toward the living-room, whence came the shouting and the laughter.
Don Mario de Castano, who was facing the door, stopped in the midst of a ribald song to cry: "God be praised! What's this I see?"
The others looked and then burst into merriment, for across the litter of cards and dice and empty glasses they saw a dimpled girl and boy, as like as two peas. They were just out of bed; they were peering through the smoke, and blinking like two little owls. Their evident embarrassment amused the guests hugely.
"So! You awaken the household with your songs," some one chided Don
Mario.
"Two cherubs from heaven," another exclaimed.
And a third cried, "A toast to Esteban's beautiful children."
But the father lurched forward, a frown upon his face. "What is this, my dears?" he inquired, thickly. "Run back to your beds. This is no place for you."
"We love Evangelina," piped the twins. "You must not let Don Pablo have her—if you please."
"Evangelina?"
They nodded. "We love her. … She plays with us every day. … We want her to stay here. … She belongs to us."
Accustomed as they were to prompt compliance with their demands, they spoke imperiously; but they had never seen a frown like this upon their father's face, and at his refusal their voices grew squeaky with excitement and uncertainty.
"Go to your rooms, my sweethearts," Don Esteban directed, finally.
"We want Evangelina.