else?"
"Ay: a sound like a noise of dogs baying over yonder."
"Right again: it comes from the kennels by the Bear-Pit. Have you a wish, my friend, to make nearer acquaintance with these dogs? No? With the bears, then? Say the word, and inside of a minute I can whistle up your two-pennyworth."
The wagoner with a dropping jaw stared from one to another of the ring of faces in the lantern-light. They were quiet, determined. Only the apprentice stood with ears pricked, as it were, and shivered at the distant baying.
"No offence, Sir; I meant no offence, you'll understand," the wagoner stammered.
"Nay, call your mates, man!" spoke up William Shakespeare, sudden and sharp, and with a scornful ring in his voice which caused our apprentice to jump. "Call them in and let us hear you expound Master Burbage's proposal. I am curious to see how they treat you—having an opinion of my own on crowds and their leaders."
But the wagoner had swung about surlily on his heel.
"I'll not risk disputing it," he growled. "'Tis your own dung-hill, and I must e'en take your word that 'tis worse than e'er a man thought. But one thing I'll not take back. You're a muck of play-actors, and a man that touches ye should charge for his washing. Gr-r!" he spat—"ye're worse than Patty Ward's sow, and she was no lavender!"
IV
The Bankside was demure. But for the distant baying of dogs which kept him shivering, our apprentice had been disappointed in the wickedness of it.
He had looked to meet with roisterers, to pass amid a riot of taverns, to happen, belike, upon a street scuffle, to see swords drawn or perchance to come upon a body stretched across the roadway and hear the murderers' footsteps in the darkness, running. These were the pictures his imagination had drawn and shuddered at: for he was a youth of small courage.
But the Bankside was demure; demure as Chepe. The waterside lanes leading to Mistress Witwold's at the corner of Paris Gardens differed only from Chepe in this—that though the hour was past midnight, every other door stood open or at least ajar, showing a light through the fog. Through some of these doorways came the buzz and murmur of voices, the tinkling of stringed instrument. Others seemed to await their guests. But the lanes themselves were deserted.
From the overhanging upper storeys lights showed here and there through the chinks of shutters or curtains. Once or twice in the shadows beneath, our apprentice saw, or thought he saw, darker shadows draw back and disappear: and gradually a feeling grew upon him that all these shadows, all these lidded upper windows, were watching, following him with curious eyes. Again, though the open doorways were bright as for a fête, a something seemed to subdue the voices within—a constraint, perhaps an expectancy—as though the inmates whispered together in the pauses of their talk and between the soft thrumming of strings. He remarked, too, that his companions had fallen silent.
Mother Witwold's door, when they reached it, stood open like the rest. Her house overhung a corner where from the main street a short alley ran down to Paris Garden stairs. Nashe, who had been leading along the narrow pavement, halted outside the threshold to extinguish his lantern; and at the same moment jerked his face upward. Aloft, in one of the houses across the way, a lattice had flown open with a crash of glass.
"Jesu! help!"
The cry ended in a strangling sob. The hands that had thrust the lattice open projected over the sill. By the faint foggy light of Mother Witwold's doorway our apprentice saw them out-stretched for a moment; saw them disappear, the wrists still rigid, as some one drew them back into the room. But what sent the horror crawling through the roots of his hair was the shape of these hands.
"You there!" called Nashe, snatching the second lantern from Burbage's hand and holding it aloft towards the dim house-front. "What's wrong within?"
A woman's hand came around the curtain and felt for the lattice stealthily, to close it. There was no other answer.
"What's wrong there?" demanded Nashe again.
"Go your ways!" The voice was a woman's, hoarse and angry, yet frightened withal. The curtain still hid her. "Haven't I trouble enough with these tetchy dwarfs, but you must add to it by waking the streets?"
"Dwarfs?" Nashe swung the lantern so that its rays fell on the house-door below: a closed door and stout, studded with iron nails. "Dwarfs?" he repeated.
"Let her be," said Burbage, taking his arm. "I know the woman. She keeps a brace of misbegotten monsters she picked up at Wapping off a ship's captain. He brought 'em home from the Isle of Serendib, or Cathay, or some such outlandish coast, or so she swears his word was."
"Swears, doth she? Didst hear the poor thing cry out?"
"Ay, like any Christian; as, for aught I know, it may be. There's another tale that she found 'em down in Gloucestershire, at a country fair, and keeps 'em pickled in walnut juice. But monsters they be, whether of Gloucester or Cathay, for I have seen 'em; and so hath the Queen, who sent for them the other day to be brought to Westminster, and there took much delight in their oddity."
While the others hesitated, William Shakespeare turned on his heel and walked past them into Mother Witwold's lighted doorway.
His father glanced after him. "Well, to be sure, the poor thing cried out like a Christian," he said. "But dwarfs and monsters be kittle cattle to handle, I am told." As the lattice closed on their debate he linked his arm in the apprentice's, and they too passed into the doorway.
From it a narrow passage led straight to a narrow staircase; and at the stairs' foot the apprentice had another glimpse into the life of this Bankside. A door stood wide there upon an ill-lighted room, and close within the door sat two men—foreigners by their black-avised faces—casting dice upon a drumhead. In a chair, beyond, a girl, low-bodiced, with naked gleaming shoulders, leaned back half asleep; and yet she did not seem to sleep, but to regard the gamesters with a lazy scorn from under her dropped lashes. A tambourine tied with bright ribbons rested in the lap of her striped petticoat, kept from sliding to the floor by the careless crook—you could see it was habitual—of her jewelled fingers. The two men looked up sharply, almost furtively, at the company mounting the stairs. The girl scarcely lifted her eyes. Scornful she looked, and sullen and infinitely weary, yet she was beautiful withal. The apprentice wondered while he climbed.
"Yes," his patron was saying, "'tis the very mart and factory of pleasure. Ne'er a want hath London in that way but the Bankside can supply it, from immortal poetry down to—to——"
"—Down to misshapen children. Need'st try no lower, my master."
"There be abuses, my son: and there be degrees of pleasure, the lowest of which (I grant you) be vile, sensual, devilish. Marry, I defend not such. But what I say is that a great city should have delights proportionate to her greatness; rich shows and pageants and processions by land and water; plays and masques and banquets with music; and the men who cater for these are citizens as worthy as the rest. Take away Bankside, and London would be the cleaner of much wickedness: yet by how much the duller of cheer, the poorer in all that colour, that movement which together be to cities the spirit of life! Where would be gone that glee of her that lifts a man's lungs and swells his port when his feet feel London stones? Is't of her money the country nurses think when to wondering children they fable of streets all paved with gold? Nay, lad: and this your decent, virtuous folk know well enough—your clergy, your aldermen—and use the poor players while abusing them. Doth the parish priest need a miracle-play for his
