examining the sword belonging to a rather battered suit of armour when he returned with the book.
"You see," she said, "you are useful. I did well to suggest that you remain here. Now, look, Mr. Desboro. This is German armour, and here is a Spanish sword of a different century along with it! That's all wrong, you know. Antonius was the sword-maker; here is his name on the hexagonal, gilded iron hilt—'Antonius Me Fecit'."
"You'll put that all right," he said confidently. "Won't you?"
"That's why you asked me here, isn't it?"
He may have been on the point of an indiscreet rejoinder, for he closed his lips suddenly and began to examine another sword. It belonged to the only female equestrian figure in the collection—a beautifully shaped suit of woman's armour, astride a painted war-horse, the cuirass of Milan plates.
"The Countess of Oroposa," he said. "It was her peculiar privilege, after the Count's death, to ride in full armour and carry a naked sword across her knees when the Spanish Court made a solemn entry into cities. Which will be about all from me," he added with a laugh. "Are you ready for luncheon?"
"Quite, thank you. But you said that you didn't know much about this collection. Let me see that sword, please."
He drew it from its scabbard and presented the hilt. She took it, studied it, then read aloud the device in verse:
"'Paz Comigo Nunca Veo Y Siempre Guera Dese.'" ("There is never peace with me; my desire is always war!")
Her clear young voice repeating the old sword's motto seemed to ring a little through the silence—as though it were the clean-cut voice of the blade itself.
"What a fine motto," he said guilelessly. "And you interpret it as though it were your own."
"I like the sound of it. There is no compromise in it."
"Why not assume it for your own? 'There is never peace with me; my desire is always war!' Why not adopt it?"
"Do you mean that such a militant motto suits me?" she asked, amused, and caught the half-laughing, half malicious glimmer in his eyes, and knew in an instant he had divined her attitude toward himself, and toward to her own self, too—war on them both, lest they succumb to the friendship that threatened. Silent, preoccupied, she went back with him through the armoury, through the hallway, into a rather commonplace dining-room, where a table had already been laid for two.
Desboro jingled a small silver bell, and presently luncheon was announced. She ate with the healthy appetite of the young, and he pretended to. Several cats and dogs of unaristocratic degree came purring and wagging about the table, and he indulged them with an impartiality that interested her, playing no favourites, but allotting to each its portion, and serenely chastising the greedy.
"What wonderful impartiality!" she ventured.
"I couldn't do it; I'd be sure to prefer one of them."
"Why entertain preference for anything or anybody?"
"That's nonsense."
"No; it's sense. Because, if anything happens to one, there are the others to console you. It's pleasanter to like impartially."
She was occupied with her fruit cup; presently she glanced up at him:
"Is that your policy?"
"Isn't it a safe one?"
"Yes. Is it yours?"
"Wisdom suggests it to me—has always urged it. I'm not sure that it always works. For example, I prefer champagne to milk, but I try not to."
"You always contrive to twist sense into nonsense."
"You don't mind, do you?"
"No; but don't you ever take anything seriously?"
"Myself."
"I'm afraid you don't."
"Indeed, I do! See how my financial mishaps sent me flying to you for help!"
She said: "You don't even take seriously what you call your financial mishaps."
"But I take the remedy for them most reverently and most thankfully."
"The remedy?"
"You."
A slight colour stained her cheeks; for she did not see just how to avoid the footing they had almost reached—the understanding which, somehow, had been impending from the moment they met. Intuition had warned her against it. And now here it was.
How could she have avoided it, when it was perfectly evident from the first that he found her interesting—that his voice and intonation and bearing were always subtly offering friendship, no matter what he said to her, whether in jest or earnest, in light-hearted idleness or in all the decorum of the perfunctory and commonplace.
To have made more out of it than was in it would have been no sillier than to priggishly discountenance his harmless good humour. To be prim would have been ridiculous. Besides, everything innocent in her found an instinctive pleasure, even in her own misgivings concerning this man and the unsettled problem of her personal relations with him—unsolved with her, at least; but he appeared to have settled it for himself.
As they walked back to the armoury together, she was trying to think it out; and she concluded that she might dare be toward him as unconcernedly friendly as he would ever think of being toward her. And it gave her a little thrill of pride to feel that she was equipped to carry through her part in a light, gay, ephemeral friendship with one belonging to a world about which she knew nothing at all.
That ought to be her attitude—friendly, spirited, pretending to a savoir faire only surmised by her own good taste—lest he find her stupid and narrow, ignorant and dull. And it occurred to her very forcibly that she would not like that.
So—let him admire her.
His motives, perhaps, were as innocent as hers. Let him say the unexpected and disconcerting things it amused him to say. She knew well enough how to parry them, once her mind was made up not to entirely ignore them; and that would be much better. That, no doubt, was the manner in which women of his own world met the easy badinage of men; and she determined to let him discover that she was interesting if she chose to be.
She had produced her note-book and pencil when they entered the armoury. He carried Grenville's celebrated monograph, and she consulted it from time to time, bending her dainty head beside his shoulder, and turning the pages of the volume with a smooth and narrow hand that fascinated him.
From time to time, too, she made entries in her note-book, such as: "Armet, Spanish, late XV century. Tilting harness probably made by Helmschmid; espaliers, manteau d'armes, coude, left cuisse and colleret missing. War armour, Milanese, XIV century; probably made by the Negrolis; rere-brace, gorget, rondel missing; sword made probably by Martinez, Toledo. Armour made in Germany, middle of XVI century, probably designed
