Helbeck of Bannisdale. Mrs. Humphry Ward

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Helbeck of Bannisdale - Mrs. Humphry Ward

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contrasted with the nonchalance of her ordinary temper; but it was hard to find the clue to them.

      Altogether she passed for a clever girl, even in a University town, where cleverness is weighed. But her education, except in two points, was, in truth, of the slightest. Any mechanical drudgery that her father could set her, she did without a murmur; or, rather, she claimed it jealously, with a silent passion. But, with an obstinacy equally silent, she set herself against the drudgery that would have made her his intellectual companion.

      His rows of technical books, the scholarly and laborious details of his work, filled her with an invincible repugnance. And he did not attempt to persuade her. As to women and their claims, he was old-fashioned and contemptuous; he would have been much embarrassed by a learned daughter. That she should copy and tidy for him; that she should sit curled up for hours with a book or a piece of work in a corner of his room; that she should bring him his pipe, and break in upon his work at the right moment with her peremptory "Papa, come out!"—these things were delightful, nay, necessary to him. But he had no dreams beyond; and he never thought of her, her education or her character, as a whole. It was not his way. Besides, girls took their chance. With a boy, of course, one plans and looks ahead. But Laura would have 200_l_. a year from her mother whatever happened, and something more at his own death. Why trouble oneself?

      No doubt indirectly he contributed very largely to her growing up. The sight of his work and his methods; the occasional talks she overheard between him and his scientific comrades; the tones of irony and denial in the atmosphere about him; his antagonisms, his bitternesses, worked strongly upon her still plastic nature. Moreover she felt to her heart's core that he was unsuccessful; there were appointments he should have had, but had failed to get, and it was the religious party, the "clerical crew" of Convocation, that had stood in the way. From her childhood it came natural to her to hate bigoted people who believed in ridiculous things. It was they stood between her father and his deserts. There loomed up, as it were, on her horizon, something dim and majestic, which was called Science. Towards this her father pressed, she clinging to him; while all about them was a black and hindering crowd, through which they clove their way—contemptuously.

      In one direction, indeed, Fountain admitted her to his mind. Like Mill, he found the rest and balm of life in poetry; and here he took Laura with him. They read to each other, they spurred each other to learn by heart. He kept nothing from her. Shelley was a passion of his own; it became hers. She taught herself German, that she might read Heine and Goethe with him; and one evening, when she was little more than sixteen, he rushed her through the first part of "Faust," so that she lay awake the whole night afterwards in such a passion of emotion, that it seemed, for the moment, to change her whole existence. Sometimes it astonished him to see what capacity she had, not only for the feeling, but for the sensuous pleasure, of poetry. Lines—sounds—haunted her for days, the beauty of them would make her start and tremble.

      She did her best, however, to hide this side of her nature even from him. And it was not difficult. She remained childishly immature and backward in many things. She was a personality; that was clear; one could hardly say that she was or had a character. She was a bundle of loves and hates; a force, not an organism; and her father was often as much puzzled by her as anyone else.

      Music perhaps was the only study which ever conquered her indolence. Here it happened that a famous musician, who settled in Cambridge for a time, came across her gift and took notice of it. And to please him she worked with industry, even with doggedness. Brahms, Chopin, Wagner—these great romantics possessed her in music as Shelley or Rossetti did in poetry. "You little demon, Laura! How do you come to play like that?" a girl friend—her only intimate friend—said to her once in despair. "It's the expression. Where do you get it? And I practise, and you don't; it's not fair."

      "Expression!" said Laura, with annoyance, "what does that matter? That's the amateur all over. Of course I play like that because I can't do it any better. If I could play the notes"—she clenched her little hand, with a curious, almost a fierce energy—"if I had any technique—or was ever likely to have any, what should I want with expression? Any cat can give you expression! There was one under my window last night—you should just have heard it!"

      Molly Friedland, the girl friend, shrugged her shoulders. She was as soft, as normal, as self-controlled, as Laura was wilful and irritable. But there was a very real affection between them.

      Years passed. Insensibly Augustina's health began to fail; and with it the new cheerfulness of her middle life. Then Fountain himself fell suddenly and dangerously ill. All the peaceful habits and small pleasures of their common existence broke down after a few days, as it were, into a miserable confusion. Augustina stood bewildered. Then a convulsion of soul she had expected as little as anyone else, swept upon her. A number of obscure, inherited, half-dead instincts revived. She lived in terror; she slept, weeping; and at the back of an old drawer she found a rosary of her childhood to which her fingers clung night and day.

      Meanwhile Fountain resigned himself to death. During his last days his dimmed senses did not perceive what was happening to his wife. But he troubled himself about her a good deal.

      "Take care of her, Laura," he said once, "till she gets strong. Look after her.—But you can't sacrifice your life.—It may be Christian," he added, in a murmur, "but it isn't sense."

      Unconsciousness came on. Augustina seemed to lose her wits; and at last only Laura, sitting pale and fierce beside her father, prevented her stepmother from bringing a priest to his death-bed. "You would not dare!" said the girl, in her low, quivering voice; and Augustina could only wring her hands.

      * * * * *

      The day after her husband died Mrs. Fountain returned to her Catholic duties. When she came back from confession, she slipped as noiselessly as she could into the darkened house. A door opened upstairs, and Laura came out of her father's room.

      "You have done it?" she said, as her stepmother, trembling with agitation and weariness, came towards her. "You have gone back to them?"

      "Oh, Laura! I had to follow the call—my conscience—Laura! oh! your poor father!"

      And with a burst of weeping the widow held out her hands.

      Laura did not move, and the hands dropped.

      "My father wants nothing," she said.

      The indescribable pride and passion of her accent cowed Augustina, and she moved away, crying silently. The girl went back to the dead, and sat beside him, in an anguish that had no more tears, till he was taken from her.

      Mr. Helbeck wrote kindly to his sister in reply to a letter from her informing him of her husband's death, and of her own reconciliation with the Church. He asked whether he should come at once to help them through the business of the funeral, and the winding up of their Cambridge life. "Beg him, please, to stay away," said Laura, when the letter was shown her. "There are plenty of people here."

      And indeed Cambridge, which had taken little notice of the Fountains during Stephen's lifetime, was even fussily kind after his death to his widow and child. It was at all times difficult to be kind to Laura in distress, but there was much true pity felt for her, and a good deal of curiosity as to her relations with her Catholic stepmother. Only from the Friedlands, however, would she accept, or allow her stepmother to accept, any real help. Dr. Friedland was a man of middle age, who had retired on moderate wealth to devote himself to historical work by the help of the Cambridge libraries. He had been much drawn to Stephen Fountain, and Fountain to him. It was a recent and a brief friendship, but there had been something in it on Dr. Friedland's side—something respectful and cordial, something generous and understanding, for which Laura loved the infirm and grey-haired scholar, and would always love him. She shed some stormy tears after parting

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