Film as Embodied Art. Maarten Coëgnarts

Drawing on state-of-the art-research within cognitive science the book provides new perspectives on the much debated work of Stanley Kubrick.The book fulfills the need for providing the reader with an alternative to the dominant linguistic approach to meaning in cinema.The book illustrates its theoretical ideas in a clear and accessible fashion through an analysis of various rich examples drawn from Kubrick’s oeuvre.