Reception of Mesopotamia on Film. Maria de Fatima Rosa

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       Maria de Fátima Rosa

       NOVA University LisbonLisbon, Portugal

      © 2022 John Wiley & Sons, Inc.

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      The right of Maria de Fátima Rosa to be identified as the author of this work has been asserted in accordance with law.

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       Library of Congress Cataloging-in-Publication Data

      Names: de Fátima Rosa, Maria, 1981- author.

      Title: Reception of Mesopotamia on film / Maria de Fátima Rosa.

      Description: Hoboken : John Wiley & Sons, Inc., [2022] | Includes bibliographical references and index.

      Identifiers: LCCN 2021009104 (print) | LCCN 2021009105 (ebook) | ISBN 9781119778646 (paperback) | ISBN 9781119778660 (pdf) | ISBN 9781119778653 (epub) | ISBN 9781119778677 (ebook)

      Subjects: LCSH: Civilization, Assyro-Babylonian, in motion pictures. | Iraq--In motion pictures. | Iraq--Civilization--To 634.

      Classification: LCC PN1995.9.C517 D4 2022 (print) | LCC PN1995.9.C517 (ebook) | DDC 791.430935--dc23

      LC record available at https://lccn.loc.gov/2021009104 LC ebook record available at https://lccn.loc.gov/2021009105

      Cover image: © Werner Forman/Contributor/Universal Images Group/Getty Images, © 32 pixels/Shutterstock

      Cover design by Wiley

      Set in 9.5/12.5 STIXTwoText by Integra Software Services Pvt. Ltd, Pondicherry, India

       In memory of the movies of our childhood and the yearnings of our adult lives.

      1  Cover

      2  Title page

      3  Copyright

      4  Dedication

      5  List of Abbreviations

      6  Acknowledgements

      7 Introduction0.1 Reception Studies and Cinema0.2 Why Cinema? What Cinema?0.3 Orientalism and the Legacy of Ancient Mesopotamia

      8 Part I: The Pre-Cinematographic Image: A Complex PlotChapter 1: The Old Testament Paradigm and the Romanticism of the Classics1.1 The Genesis of Confusion1.1.1 From Babylon to Babel1.1.2 In the Beginning, Nimrod1.1.3 Daniel and the Ruin of the Neo-Babylonian Empire1.2 Greek Ethnocentricity and the Emergence of Legendary Figures1.2.1 A discourse About the Other1.2.2 The Subversion of Roles: The Dilution of the Male/Female BinomialChapter 2: Mesopotamia in Literature and on Stage2.1 The Resurrection of Classical Legendary Figures2.2 Tragic Mesopotamian Heroes and Their Dramatization2.2.1 Semiramis from Manfredi to Rossini2.2.2 Sardanapalus, Myrrah and Their Fateful Destiny2.2.3 The Various NabuccosChapter 3: The Appropriation and Visual Reproduction of Assyria and Babylon3.1 Mesopotamia Pre-Discovered: Testimonies from an Unknown World3.2 The Archaeological Exploration3.3 Mesopotamia Post-discovered: The Introduction of Assyrianizing Elements

      9 Part II: The Portrayal of Mesopotamia in CinemaChapter 4: Genres and Cinematographic Contexts4.1 Why Antiquity?4.2 Early French Cinema and

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