The Technique of the Mystery Story. Carolyn Wells

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and had his spirit come to tell me of the deed, and to confide to me the protection of his dear—? My heart fluttered but I felt that I must speak. "Sir," said I.

      "Do you know," interrupted the figure, with a countenance that indicated anxiety, "whether or not Mr. Hinckman will return to-night?"

      I thought it well to maintain a calm exterior, and I answered:

      "We do not expect him."

      "I am glad of that," said he, sinking into the chair by which he stood. "During the two years and a half that I have inhabited this house, that man has never before been away for a single night. You can't imagine the relief it gives me."

      As he spoke, he stretched out his legs and leaned back in the chair. His form became less vague, and the colors of his garments more distinct and evident, while an expression of gratified relief succeeded to the anxiety of his countenance.

      "Two years and a half!" I exclaimed. "I don't understand you."

      "It is fully that length of time," said the ghost, "since I first came here. Mine is not an ordinary case."

      * * *

      The ghost smiled.

      "I must admit, however," he said, "that I am seeking this position for a friend of mine, and I have reason to believe that he will obtain it."

      "Good heavens!" I exclaimed. "Is it possible that this house is to he haunted by a ghost as soon as the old gentleman expires? Why should this family be tormented in such a horrible way? Everybody who dies does not have a ghost walking about his house."

      "Oh, no!" said the spectre. "There are thousands of positions of the kind which are never applied for. But the ghostship here is a very desirable one, and there are many applicants for it. I think you will like my friend, if he gets it."

      "Like him!" I groaned.

      The idea was horrible to me.

      The ghost evidently perceived how deeply I was affected by what he had said, for there was a compassionate expression on his countenance.

      I drew my chair a little nearer to her, and as I did so the ghost burst into the room from the doorway behind her. I say burst, although no door flew open and he made no noise. He was wildly excited, and waved his arms above his head. The moment I saw him, my heart fell within me. With the entrance of that impertinent apparition, every hope fled from me. I could not speak while he was in the room.

      I must have turned pale, and I gazed steadfastly at the ghost, almost without seeing Madeline, who sat between us.

      "Do you know," he cried, "that John Hinckman is coming up the hill. He will be here in fifteen minutes, and if you are doing anything in the way of love-making, you had better hurry it up. But this is not what I came to tell you. I have glorious news! At last I am transferred! Not forty minutes ago a Russian nobleman as murdered by the Nihilists. Nobody ever thought of him in connection with an immediate ghostship. My friends instantly applied for the situation for me, and obtained my transfers."

      Chapter

      5

      RIDDLE STORIES

      Some Notable Riddle Stories

       The Nature of the Riddle Story and Its Types

      Riddle Stories, as we have chosen to designate them, are Mystery Stories concerned with a question and answer of absorbing interest, but one which in no way implies or includes the work of a detective, either professional or amateur. As a rule, Riddle Stories are not based upon a crime, but on some mysterious situation which is apparently inexplicable, but which turns out to have a most rational and logical explanation.

      1. Some Notable Riddle Stories

      "The Sending Of Dana Da," by Kipling, is one of the best stories of this type.

      Here we have such a commonplace, ordinary medium as kittens, so employed as to make an unsolvable riddle:

      When a man who hates cats wakes up in the morning and finds a little squirming kitten on his breast, or puts his hand into his ulster pocket and finds a little half-dead kitten where his gloves should be, or opens his trunk and finds a vile kitten among his dress shirts or goes for a long ride with his mackintosh strapped on his saddlebow and shakes a little sprawling kitten from its folds when he opens it, or goes out to dinner and finds a little blind kitten under his chair, or stays at home and finds a writhing kitten under the quilt, or wriggling among his boots, or hanging, head downward, in his tobacco jar, or being mangled by his terrier in the veranda—when such a man finds one kitten, neither more nor less, once a day in a place where no kitten rightly could or should be, he is naturally upset. When he dare not murder his daily trove because he believes it to be a manifestation, an emissary, an embodiment, and half a dozen other things all out of the regular course of nature, he is more than upset. He is actually distressed.

      No one could know the truth until told and the explanation is entirely logical and satisfactory. Indeed, as the author says, finally: "Consider the gorgeous simplicity of it all."

      A clever Riddle Story is one by Cleveland Moffett, entitled "The Mysterious Card."

      In this story, a New Yorker, while in a Paris restaurant, is presented with a card by a charming and richly clad lady. The card bore some French words written in purple ink, but not knowing that language he was unable to make out their meaning.

      He returned at once to his hotel to inquire concerning the message on the card.

      In the words of the story:

      Proceeding directly to the office and taking the manager aside, Burwell asked if he would be kind enough to translate a few words of French into English. There were no more than twenty words in all.

      "Why, certainly," said the manager, with French politeness, and cast his eyes over the card. As he read, his face grew rigid with astonishment, and, looking at his questioner sharply, he exclaimed: "Where did you get this, monsieur?"

      Burwell started to explain, but was interrupted by: "That will do, that will do. You must leave the hotel."

      "What do you mean?" asked the man from New York, in amazement.

      "You must leave the hotel now—to-night—without fail," commanded the manager, excitedly.

      Now it was Burwell's turn to grow angry, and he declared heatedly that if he wasn't wanted in this hotel there were plenty of others in Paris where he would be welcome. And, with an assumption of dignity, but piqued at heart, he settled his bill, sent for his belongings, and drove up the Rue de la Paix to the Hotel Bellevue, where he spent the night. The next morning he met the proprietor, who seemed to be a good fellow, and, being inclined now to view the incident of the previous evening from its ridiculous side, Burwell explained what had befallen him, and was pleased to find a sympathetic listener.

      "Why, the man was a fool," declared the proprietor. "Let me see the card; I will tell you what it means." But as he read, his face and manner changed instantly.

      "This is a serious matter," he said sternly. "Now I understand why my confrère refused to entertain you. I regret, monsieur, but I shall be obliged to do as he did."

      "What

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