Structural Anthropology Zero. Claude Levi-Strauss

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from a serialization of an event with others, which, in retrospect, appear to him comparable. These are deeply ingrained features of his thought process, as well as characteristics of structural anthropology itself: “social science is no more founded on the basis of events than physics is founded on sense data,” as he was to write in Tristes Tropiques.48 It is through the process of contrasting isolated elements that their relevant traits can be determined. Whereas Lévi-Strauss probably discovered the reality of the Shoah in 1945, it was only the traumatizing experience of South Asia that made it painfully thinkable – and that made him realize, reluctantly, that the story was also to some extent his own, however much the assimilated Jewish scholar thought of himself as a “Frenchman of Jewish descent” rather than a “French Jew.”49

      Insufficient attention has been paid to the fact that Tristes Tropiques, beyond the opening declaration of hatred of traveling, begins with a description of an Atlantic crossing of “convicts” aboard the Capitaine-Paul-Lemerle, the “filthy, overcrowded boat” which transported several hundred refugees, Jewish for the most part, as well as persecuted artists and intellectuals, among them André Breton, Victor Serge, Anna Seghers and Wifredo Lam. What Lévi-Strauss retained from this experience was less the ill treatment by the gendarmes of those they regarded as riffraff than the unbearable lack of privacy and dehumanization of the passengers, packed as “human cargo” for four weeks onto a ship that had only two cabins. The dehumanization was further compounded by the reception given to this shipment of “livestock” by the officers in Fort-de-France, who were “suffering from a collective form of mental derangement” and saw the arrivals as “a cargo of scapegoats” intended to “relieve their feelings,” to be insulted and then interned in a concentration camp on the southern part of the island.50 Too busy at the time to analyze the event, Lévi-Strauss regained his anthropological perspective when he recalled these episodes, now seeing them as situations in which the very conditions of social life were suspended.

      From the 1950s onward, Lévi-Strauss’s anthropology thus seemed to be haunted by the memory and the mere possibility of the Shoah (which is, however, never named). There is another sign of this subterranean laboring: the curious emergence, in the 1954 article “Diogène couché,” of the figure of Lazarus. In this long article, which is an aggressive response to the attacks of Roger Caillois on Race and History (so aggressive, indeed, that Lévi-Strauss always refused to have it republished), the anthropologist is compared to the New Testament figure who, in coming back to life, remains marked by his experience of death: back to civilization, the anthropologist “does not return the same as he was when he left.” “The victim of a sort of chronic uprooting, he will remain psychologically mutilated, never again feeling at home anywhere. … He does not circulate between savage and civilized countries; in whichever direction, he is always returning from the dead … and, if he does manage to come back, after having reorganized the disjointed elements of his cultural tradition, he remains nonetheless one who is resurrected.”61 In the early 1950s, Lazarus was the most common allegory for referring to and thinking about the survivors returning from the camps. It is present notably in the works of Maurice Blanchot and Jean Cayrol, two authors whose intellectual worlds were quite different from that of Lévi-Strauss, which makes the coincidence all the more unsettling.62 It was at this same time that Lévi-Strauss wrote Tristes Tropiques, which can be seen as subconsciously guided by the analogy between the fate of the surviving European Jews and that of the Amerindians crushed by Western modernity, both “fodder” – “concentration camp fodder” for one, “pathetic creatures caught in the toils of mechanized civilization” for the other,63 both forced to reorganize the “disjointed limbs” of a cultural tradition in tatters. Shedding light on the principles that preside over such reorganizations will hence become the object of Lévi-Strauss’s anthropological work.

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