Structural Anthropology Zero. Claude Levi-Strauss
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Insufficient attention has been paid to the fact that Tristes Tropiques, beyond the opening declaration of hatred of traveling, begins with a description of an Atlantic crossing of “convicts” aboard the Capitaine-Paul-Lemerle, the “filthy, overcrowded boat” which transported several hundred refugees, Jewish for the most part, as well as persecuted artists and intellectuals, among them André Breton, Victor Serge, Anna Seghers and Wifredo Lam. What Lévi-Strauss retained from this experience was less the ill treatment by the gendarmes of those they regarded as riffraff than the unbearable lack of privacy and dehumanization of the passengers, packed as “human cargo” for four weeks onto a ship that had only two cabins. The dehumanization was further compounded by the reception given to this shipment of “livestock” by the officers in Fort-de-France, who were “suffering from a collective form of mental derangement” and saw the arrivals as “a cargo of scapegoats” intended to “relieve their feelings,” to be insulted and then interned in a concentration camp on the southern part of the island.50 Too busy at the time to analyze the event, Lévi-Strauss regained his anthropological perspective when he recalled these episodes, now seeing them as situations in which the very conditions of social life were suspended.
The first chapters of Tristes Tropiques (which for the reader are then eclipsed by the famous pages and photographs depicting the Amerindians of Brazil) thus present a series of “outbreaks of stupidity, hatred and credulousness which social groups secrete like pus when they begin to be short of space”51 – a spectacle of arbitrary justice in Martinique, altercations with the Brazilian police in Bahia and with the American police in Puerto Rico, etc. The same images and often the same words – “swarming,” “infection,” “human cargo” – resurface in the pages on Calcutta and Delhi: dehumanization appears first and foremost as a consequence of a lack of space. The similarity between the experience of being “fodder for the concentration camp”52 and that of South Asian cities then explicitly emerges in reference to the modern caravansaries of Calcutta – not in the moment, in Lévi-Strauss’s travel notes, but retrospectively, in the sequencing of the past that he offered four years later in Tristes Tropiques: “As soon as the human cargo has got up and been dispatched to its devotions, during which it begs for the healing of its ulcers, cankers, scabs and running sores, the whole building is washed out by means of hoses so that the stalls are clean and fresh for the next batch of pilgrims. Nowhere, perhaps except in concentration camps, have human beings been so completely identified with butcher’s meat.”53
This memory conjures up another, of an inhumane company town south of Dacca, in which workers who had fled partition were guarded by armed policemen, squeezed into rows of “bare cement rooms, which can be swilled out,” rooms that were reminiscent of “poultry yards specially adapted for the cramming of geese.”54 In both cases, housing is reduced to “mere points of connection with the communal sewer” and human life “to the pure exercise of the excretory functions”55 – excretory functions the performance of which forced passengers on board the Capitaine-Paul-Lemerle to accept the indignity of “collective squatting,” which seems to have been for Lévi-Strauss the most unbearable aspect of the crossing. There is something absurd about these various images and analogies. They reflect both the difficulty of grasping the unthinkable and a vague sense that this history concerns him very directly as a Jew, however assimilated. Lévi-Strauss does not mention it in his own account, but we know thanks to André Breton that, upon landing at Fort-de-France, he was greeted with anti-Semitic insults by the local gendarmes.56 Without mentioning it directly in Tristes Tropiques, the anthropologist noted: “I knew that, slowly and gradually, experiences such as these were starting to ooze out like some insidious leakage from contemporary mankind, which had become saturated with its own numbers …, as if its skin had been irritated by the friction of ever-greater material and intellectual exchange brought about by the improvement in communication.”57 Lévi-Strauss was here only rehearsing a common position of his time, according to which the demographic explosion of the human race was the most serious threat to a planet of limited resources.58 But this led him to a singular position, namely his refusal to grant the Shoah any special status: the barbarity that Europe had experienced could unfortunately not be reduced to “the result of an aberration on the part of one nation, one doctrine, or one group of men. I see them rather as a premonitory sign of our moving into a finite world, such as southern Asia had to face a thousand or two thousand years ahead of us.”59 This is the way to make sense of the curious formulation of 1954, in which Lévi-Strauss states that, in 1941, he “had not suspected at the time [that the crossing aboard the Capitaine-Paul-Lemerle would be] so extraordinarily symbolic of the future.”60
From the 1950s onward, Lévi-Strauss’s anthropology thus seemed to be haunted by the memory and the mere possibility of the Shoah (which is, however, never named). There is another sign of this subterranean laboring: the curious emergence, in the 1954 article “Diogène couché,” of the figure of Lazarus. In this long article, which is an aggressive response to the attacks of Roger Caillois on Race and History (so aggressive, indeed, that Lévi-Strauss always refused to have it republished), the anthropologist is compared to the New Testament figure who, in coming back to life, remains marked by his experience of death: back to civilization, the anthropologist “does not return the same as he was when he left.” “The victim of a sort of chronic uprooting, he will remain psychologically mutilated, never again feeling at home anywhere. … He does not circulate between savage and civilized countries; in whichever direction, he is always returning from the dead … and, if he does manage to come back, after having reorganized the disjointed elements of his cultural tradition, he remains nonetheless one who is resurrected.”61 In the early 1950s, Lazarus was the most common allegory for referring to and thinking about the survivors returning from the camps. It is present notably in the works of Maurice Blanchot and Jean Cayrol, two authors whose intellectual worlds were quite different from that of Lévi-Strauss, which makes the coincidence all the more unsettling.62 It was at this same time that Lévi-Strauss wrote Tristes Tropiques, which can be seen as subconsciously guided by the analogy between the fate of the surviving European Jews and that of the Amerindians crushed by Western modernity, both “fodder” – “concentration camp fodder” for one, “pathetic creatures caught in the toils of mechanized civilization” for the other,63 both forced to reorganize the “disjointed limbs” of a cultural tradition in tatters. Shedding light on the principles that preside over such reorganizations will hence become the object of Lévi-Strauss’s anthropological work.
It is hard not to see that moment as a turning point, but Lévi-Strauss did not in fact give up on politics; he gave up on his position as an expert in politics and on the ideal of an articulation between scholarly analysis and political prescription. As regards his personal trajectory, the early 1950s in a way repeated the crisis he had experienced upon returning from his Brazilian fieldwork in 1939. Indeed, the return to France from his second Brazilian expedition had been characterized, as is often the case with anthropologists, by an intense personal and intellectual crisis, which led to his separation from his first wife, Dina, and to abortive attempts at writing literature, all of which dealt with the question of vocation and individual accomplishment.64 A few months later, his escape and exile to New York forced him to undertake the work of personal, professional and theoretical reconstruction.65 The early 1950s again disrupted his life on every front, and