Living as a Bird. Vinciane Despret

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For this blackbird, the word ‘importance’ imposed itself above all else. Something mattered, more than anything else, and nothing else mattered except the act of singing. And whatever it was that mattered was invented in a blackbird’s song, suffusing it completely, transporting it, carrying it onwards, to others, to the other blackbird nearby, to my body straining to hear it, to the furthest limits to which its strength could convey it. Perhaps that feeling I had of a total silence, clearly impossible given the urban environment beyond my window, was evidence that this sense of importance had seized me so powerfully that everything outside that song had ceased to exist. The song had brought me silence. The sense of importance had imposed itself on me.

      The blackbird had begun to sing. Something mattered to him, and at that moment nothing else existed except the overriding obligation to allow something to be heard. Was he hailing the end of the winter? Was he singing about the sheer joy of existing, the sense of feeling himself alive once again? Was he offering up praise to the cosmos? Scientists would probably steer clear of such language. But they could nevertheless assert that all the cosmic forces of an emerging spring had converged to provide the blackbird with the preliminary conditions for his metamorphosis.8 For this is indeed a metamorphosis. This blackbird, who had probably lived through a relatively peaceful winter, albeit a challenging one, punctuated from time to time by a few unconvincing moments of indignation towards his fellow creatures, intent on maintaining a low profile and living a quiet life, is now singing his heart out, perched on the highest and most visible spot he could find. And everything that the blackbird had experienced and felt over the last few months, everything which had, until that moment, given meaning to things and to other creatures, now becomes part of a new importance, one which is urgent and insistent and which will totally modify his manner of being. He has become territorial.

      1 1. E. Souriau, Le Sens artistique des animaux. Paris: Hachette, 1965, p. 92.

      2 2. Ibid., p. 34.

      3 3. Bernard Fort would moreover give the title ‘Exaltation’ to one of his electroacoustic compositions based on the songs of skylarks: Le Miroir des oiseaux (Groupe de Musiques vivantes de Lyon, produced by Chiff-Chaff records).

      4 4. D. Haraway, The Companion Species Manifesto: Dogs, People and Significant Otherness. Chicago: Prickly Paradigm Press, 2003.

      5 5. Baptiste Morizot invites us to take a similar direction with his conception of tracking as an art and a culture of attentiveness which encourages us to re-examine the ways in which we cohabit with other species as well as with humans.

      6 6. E. Viveiros de Castro, Cannibal Metaphysics. Minneapolis: Univocal, 2014, p. 196.

      7 7. D. Debaise, Nature as Event: The Lure of the Possible. Durham, NC: Duke University Press, 2017, p. 2. The speculative question which runs through his work, ‘how to grant due importance to the multiplicity of ways of being within nature’, is based on the acknowledgement of the ever-present influence of what Whitehead called the ‘bifurcation of nature’, the effects of which are still being felt, notably in the denial of plural forms of existence within nature. The ‘bifurcation of nature’, which determines our modern experience of the world, refers to a way of understanding for which our experience reveals only what is apparent, whereas the elements necessary for the process of discovery and understanding are always hidden and must be found elsewhere. As a result, nature ends up divided into two distinct systems.

      8 8. In the work of Louis Bounoure the expression ‘cosmic factors’ recurs repeatedly to indicate, in particular, the lengthening of daylight and the modification in temperatures. L. Bounoure, L’Instinct sexuel: étude de psychologie animale. Paris: PUF, 1956.

       Unicum arbustum haud alit

       Duos erithacos

      (A single tree cannot shelter two robins)

      Proverb by Zenodotus of Ephesus

      (Greek philosopher, third century BC)

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