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Library of Congress Cataloging‐in‐Publication Data
Names: Anreus, Alejandro, editor. | Greeley, Robin Adèle, 1958–editor. | Sullivan, Megan A., editor.
Title: A companion to modern and contemporary Latin American and Latina/o art / edited by Alejandro Anreus, Robin Adèle Greeley, Megan A. Sullivan.
Description: Hoboken, NJ : Wiley Blackwell, 2021. | Includes bibliographical references and index.
Identifiers: LCCN 2019005881 (print) | LCCN 2019006156 (ebook) | ISBN 9781118475409 (Adobe PDF) | ISBN 9781118475393 (ePub) | ISBN 9781118475416 (cloth)
Subjects: LCSH: Art, Latin American–20th century. | Art, Latin American–21st century.
Classification: LCC N6502.5 (ebook) | LCC N6502.5 .C656 2019 (print) | DDC 709.8/0904–dc23
LC record available at https://lccn.loc.gov/2019005881
Cover Design: Wiley
Cover (Main): Estudiante Muerto (El Velorio) | The Dead Student (The Vigil), Alejandro Obregón. Collection OAS AMA | Art Museum of the Americas, Washington, DC. Cover Panel: (left) Marpacífico | Hibiscus, Amelia Peláez. Collection OAS AMA | Art Museum of the Americas, Washington, DC. (center) India Huanca, José Sabogal. Collection OAS AMA | Art Museum of the Americas, Washington, DC. (right) Para Don Pedro, Juan Sánchez. Courtesy of Juan Sánchez Guariken Arts, Inc.
List of Illustrations
| 1.1 | Isidoro Ocampo, At the Follies, 1940. Lithograph; image 20 9/16 × 14 ¼ inches (52.2 × 36.2 cm). Source: Collection of the McNay Art Museum, San Antonio. Gift of the Gallery of the McNay, 1990.96. Reproduced with permission. |
| 2.1 | The cover of Klaxon issue no. 1, 15 May 1922. Source: Reproduced with permission from Biblioteca Brasiliana Guita e José Mindlin. |
| 3.1 | José Sabogal, Chimu Fishermen, 1929. Woodblock print, 23 × 24 cm. Colección Isabel María Sabogal Dunin Borkowski. |
| 3.2 | José Sabogal, Caballito, Huanchaco, 1929. Woodblock print, 24.5 × 25.5 cm. Colección Ana Sabogal Dunin Borkowski. |
| 4.1 | Víctor Manuel, Vida interior (Interior Life), 1933. Revista Social 18 (5) May. |
| 5.1 | “El Diablito se adelantó, saltando de lado…” (The Little Devil got a move on, jumping sideways…) In: Alejo Carpentier, ¡Écue‐Yamba‐Ó!: novela afrocubana. Madrid: Editorial España, 1933. |
| 6.1 | Wifredo Lam, La mañana verde (The Green Morning), 1943. Source: © 2017 Artists Rights Society (ARS), New York/ADAGP, Paris. |
| 7.1 | Octavio Paz and Vicente Rojo, Marcel Duchamp o el castillo de la pureza (Marcel Duchamp or the Castle of Purity). Mexico City: Editorial Era, 1968. Source: Photograph, Robin Greeley. |
| 8.1 | Joaquín Torres‐García, Estructura (structure), 1935. Private Collection, Montevideo. Source: Courtesy of Estate of Joaquín Torres‐García. |
| 9.1 | Mary Vieira, brasilien baut brasilia (brazil builds brasilia), 1957. Poster, 118.5 × 84 cm. Source: Istituto internazionale di studi sul futurismo. Mary Vieira ©Isisuf‐Archivio Mary Vieira, Milano. |
| 10.1 | Mário Pedrosa (left) with Francisco Matarazzo Sobrinho and unidentified person, in front of Robert Rauschenberg’s Barge (1962–1963), 9th São Paulo Biennial, 1967. Courtesy of Arquivo Histórico Wanda Svevo/Fundação Bienal de São Paulo. |
| 11.1 | Outdoor sign of the 6th Bienal de São Paulo (Sao Paulo Biennial), 1961. Source: Bienal de São Paulo 6 © Athayde de Barros. |
| 12.1 | Antonia Eiriz, El vaso de agua (The Glass of Water), 1963. Oil on canvas, 52 × 41 inches. Collection of Susana Barciela and Manuel Gómez. Source: Photograph courtesy of Manuel Gómez. |
| 13.1 | Telegram to Hélio Oiticica from Kynaston McShine, 1 March 1970. Source: Courtesy of the Hélio Oiticica Foundation. |
| 14.1 | Marta Minujín, Leyendo las noticias (Reading the News), 1965. Source: Courtesy of the artist and Henrique Faria, New York and Buenos Aires. Reproduced with permission. |
| 15.1 | Malaquias Montoya, Vietnam Aztlán, 1973. Source: © Malaquias Montoya. Reproduced with permission. |
| 16.1 | Marta Traba at the Speak‐Out! Charla! Bate‐Papo symposium at the University of Texas, Austin, 27–29 October 1975. Others in the photo are Rufino Tamayo, Damian Bayón, Fernando Gamboa, and Juan Acha. Source: Photo courtesy of the Estate of Julia Dawson. |
| 17.1 |
Promotional display for the Esso Salon of Young Artists of Latin America, Saks Fifth Avenue, New York, 1965. Pictured in the foreground are works by Humberto Jaimes Sánchez (Venezuela, 1930–2003) and Omar Rayo (Colombia, 1928–2010). The Jaimes Sánchez work pertains to the artist’s informalist period in the 1960s and is presumed to be in a private collection. Source: Published with permission of the Fundación Jaimes Sánchez. Photograph courtesy of the Archives
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