A Decolonial Ecology. Malcom Ferdinand

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vertical scale of values that places “Man” above nature.9 This fracture is revealed through the technical, scientific, and economic modernizations of the mastery of nature, the effects of which can be measured by the extent of the Earth’s pollution, the loss of biodiversity, global warming, and the associated persistence of gender inequality, social misery, and the “disposable lives” that are thereby created.10 The concept of the “Anthropocene,” popularized by Paul Crutzen, winner of the 1995 Nobel Prize in Chemistry, attests to the consequences of this duality.11 It refers to the new geological era that comes after the Holocene, in which human activities have become a major force impacting the Earth’s ecosystems in a lasting way. This fracture also conceals a horizontal homogenization and hides internal hierarchizations on both sides. On the one side, the terms “planet,” “nature,” or “environment” conceal the diversity of ecosystems, geographic locations, and the non-humans that constitute them. Images of lush forests, snow-capped mountains, and nature reserves mask those of urban natures, slums, and plantations. Also masked are the internal conflicts between nature conservation movements and animal welfare movements, the animal fracture, as well as the latter’s own hierarchies in which “noble” wild animals (polar bears, whales, elephants, or pandas) and pets (dogs and cats) are placed above animals that are farmed (cows, pigs, sheep, or tuna).12 On the other side, the terms “Man” or anthropos mask the plurality of human beings, featuring men and women, rich and poor, Whites and non-Whites, Christians and non-Christians, sick and healthy.

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       The environmental fracture

      Since the 1960s, some ecological movements have been concerned with addressing vertical and horizontal scales of value. Ecofeminism, social ecology, and political ecology have argued for a preservation of the environment intrinsically linked to demands for gender equality, social justice, and political emancipation. Despite their rich contributions, these green interventions make little room for racial and colonial issues. The colonial and slave-making constitution of modernity is veiled by pretentious claims to the universality of socio-economic, feminist, or juridico-political theories. In the green turn of the 1970s, arts and humanities disciplines confronted the environmental fracture while at the same time sliding the colonial divide under the rug. The absence of people of color who are experts on these issues is striking. From universities to governmental and non-governmental arenas, movements critical of the environmental fracture have marked the boundaries of a predominantly White and masculine space within postcolonial, multiethnic, and multicultural countries where the maps of the Earth and the dividing lines of the world are imagined and redrawn.

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       The colonial fracture

      The double fracture of modernity refers to the thick wall between the two environmental and colonial fractures, to the real difficulty that exists in thinking them together and that in response carries out a double critique. However, this difficulty is not experienced in the same way on either side, and these two fields do not bear equal responsibility for it. On the environmentalist side, this difficulty stems from an effort to hide colonization and slavery within the genealogy of ecological thinking, producing a colonial ecology, even a Noah’s Ark ecology. With the concept of the Anthropocene, Crutzen and others promote a narrative about the Earth that erases colonial history, while the country of which Crutzen is a citizen, the kingdom of the Netherlands, is a former colonial and slaveholding empire that stretched from Suriname to Indonesia via South Africa, and now consists of six overseas territories in the Caribbean.17

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