The Populist Century. Pierre Rosanvallon

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to “go down to the people,” as they put it. They saw the traditions of agrarian communities and village assemblies as possible starting points for building a new society. The idea was that, in Russia, the peasantry would be the force for renewal, fulfilling the role the proletariat was expected to play in the West. This approach, which could be called “top-down populism,” never mobilized the popular masses themselves. Nevertheless, it left a significant legacy, for some of the great figures in Russian anarchism and Marxism took their first steps as militants in that movement.

      A decade later, it was in America that a People’s Party, whose supporters were commonly labeled populists, saw the light of day. This movement for the most part mobilized the world of small farmers on the Great Plains who were on the warpath against the big railroad companies and the big banks to which they had become indebted. The movement met with a certain degree of success in the early 1890s, but it never managed to reach a national audience, despite its resonant denunciation of corruption in politics and its call for a more direct democracy. (These themes were beginning to emerge everywhere in the country; they eventually gave rise to the Progressive Movement, which succeeded in developing a whole set of political reforms – the organization of primaries, the possibility of recalling elected officials, the recourse to referendums by popular initiative – that would be implemented in the Western states.) The People’s Party was an authentic popular movement, but it remained confined to a geographically circumscribed agricultural world; it failed to extend its appeal to working-class voters. None of the American populists appears to have been aware, moreover, of the earlier use of the term in Russia.

      The word made its third appearance in France in 1929, in an entirely different and completely unrelated context. The “Manifesto of the Populist Novel” published that year was a strictly literary event: in the tradition of the naturalist movement, the manifesto urged French novelists to focus more on depicting popular milieus. Forerunners such as Émile Zola and contemporaries such as Marcel Pagnol and Eugène Dabit were evoked in support of this literary populism. There were no interactions at all between this third “populist” movement and either of its predecessors, nor did any of the three prefigure contemporary uses of the term populism, contrary to what ill-informed references sometimes suggest.

      Political life is a graveyard of critiques and warnings that have been powerless to change the course of events. I encountered this phenomenon while studying the history of the nineteenth century in France, when I saw, for example, the inability of the republican opposition to Napoleon III to get its arguments across to the French populace as a whole. The French rose up against a regime that they rightly denounced for quashing freedom, but at the same time they were incapable of seeing through the regime’s claim that its recourse to plebiscites served to honor the sovereignty of the people more than its predecessors had.10 In other words, their intelligence

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