Narrative Ontology. Axel Hutter

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‘philosophy is the science of the relation of all cognition to the essential ends of human reason (teleologia rationis humanae)’. In other words, ‘A cosmopolitan concept here means one that concerns that which necessarily interests everyone’ – and this is ‘nothing other than the entire vocation of human beings’ (1998, 694–5). Philosophy in accordance with its cosmopolitan concept is thus essentially human self-knowledge.

      Schopenhauer’s famous polemic against the philosophical bread-and-butter scholar and university instructor of his time takes up this central fundamental Kantian distinction by accusing the academic philosopher of being indifferent towards the specific austerity of human self-knowledge required by the cosmopolitan concept of philosophy: ‘For normally a teacher of philosophy would be the last person to whom it would occur that philosophy could in effect be dead earnest.’ The actual earnestness of philosophy lies for Schopenhauer, however, not in fixating a being, but rather in the interpretative understanding of a meaning: ‘in seeking a key to our – as enigmatic as it is precarious – existence’ (2014, 127).

      Thomas Mann, who places importance on not having ‘got beyond’ Schopenhauer and Nietzsche, can for this reason serve as a model for a philosophy that seeks to emancipate itself from its mere academic concept. He is a model artist of knowledge less as a result of what he does than of how he treats what he does. A philosophical critique of reason and language can achieve its aim of fundamentally shifting our understanding of the world and ourselves only insofar as it first succeeds, as a precondition for everything further, in shifting how something is understood to begin with. For this reason, the decision to turn to Thomas Mann for orientation is by no means extrinsic to the philosophical path of thought, but rather a methodological consequence of the intent to revolutionize a ‘way of thinking’ by orienting to the ‘how’ of the linguistic and narrative understanding of meaning.

      The second reason this philosophical enquiry seeks to connect with Thomas Mann is that he accommodates a narrative ontology of meaning by contemplating, in his way, the same fundamental question. That is why the present essay will have less to say about Thomas Mann and his work and more about what Thomas Mann himself seeks to speak about: critical resistance to an ontology of meaningless being and the project of a narrative ontology of meaning in the interest of human self-knowledge.

      On numerous occasions, he declares that there is one question around which his thinking and writing constantly revolve. As prepared as he is, though, to address this one question as a ‘question of faith’, he maintains a distance to the traditional concepts of belief and disbelief: ‘Belief? Disbelief? I barely know what the one is and what the other is’; ‘Deepest scepticism regarding both, so-called belief and so-called disbelief, is my only identification if one catechizes me’ (1994, 297). One can see here a fundamental feature of Thomas Mann’s intellectual physiognomy. He maintains equal sceptical distance to belief and disbelief because he suspects that both lack sceptical distance by taking their own matter, whether it be disbelief or belief, too literally. In this way, they fail to gain that peculiar freedom of understanding which always presupposes a sceptical and ironic distance to what is literally given. For this reason, Thomas Mann believes this belief, which distances itself equally from ‘so-called’ disbelief and belief – both of which, in their unfree fixation on the literal, fail entirely to understand what they ‘disbelievingly’ deny or ‘believingly’ affirm – is to be found precisely in this freedom of understanding.

      Thomas Mann expresses this conviction as follows: ‘We are so densely surrounded by the eternal enigma that one would have to be an animal to drive it out of one’s mind merely for one day’ (297). The sentence is at the same time an example of the fact that Thomas Mann’s remarks can be understood correctly only when one succeeds in allowing the string on which the respective remark is ‘tuned’ to resonate in the resonance body of the history of spirit and philosophy. In the present case it is – as it often is – a comment by Schopenhauer that Thomas Mann varies and adapts.

      Schopenhauer’s comment reads as follows: ‘No beings, with the exception of man, feel surprised at their own existence’ (1969b, 160). The difference between human beings and animals consists, then, precisely in this enigmatic freedom – that is, that human beings do not simply accept the self-evidence of being as given, but instead become themselves a question, an enigma. And yet human being is no ordinary enigma that does not know, itself, that it is one; on the contrary, the enigma of human being consists precisely in that human beings become an enigma to themselves, that they wonder at their capacity to wonder, that they want to understand their desire to understand.

      The wonder with which Schopenhauer, like Plato and Aristotle, situates the beginning of philosophy is not directed at an enigma separate from the wonder; rather, the wonder itself is the enigma. The enigma of human beings is a capacity to wonder, which radically distinguishes them from all natural beings. In the enigmatic capacity to wonder at being in general and at one’s own existence in particular, there lies an ironic distance to being. This freedom awakens the question concerning the meaning of being, and with it the almost even more enigmatic capacity of humans for language, to interpret, to read the literal with a view to understanding the meaning.

      For this reason, for Thomas Mann, the question of humans concerning themselves is the clear sign for the fact ‘that humans are beings that share in spirit and that the religious element lies enacted in them, in their duality of nature and spirit. Their position in the cosmos, their beginning, their origin, their aim – that is the great mystery, and the religious problem is the human problem, the question

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