Posthuman Feminism. Rosi Braidotti

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concentrate on the ethical implications of the feminist posthuman agenda in a world damaged by the tensions and contradictions of the posthuman convergence. I argue that the radical feminist imagination can be a source of inspiration for new scenarios of endurance and reconstruction. This is all the more relevant for a world haunted by a lethal pandemic and the need to reconstruct communities in highly divisive and painful times. An affirmative posthuman ethics entails the composition of communities sharing the same imaginings and values. It involves imagining a collective subject as the ‘we’ who are not one and the same, though we are in this posthuman predicament together.

      Posthuman Feminism aims to be a navigational tool as well as a conceptual toolbox: it offers a series of roadmaps into and out of the posthuman convergence. This is a book that longs to be active outside the written page. It wishes to be out there with the other entities that are trying to negotiate an affirmative path amidst the speed and the paralysis, the boom and bust, of the posthuman convergence.

      The book connects to and works across different temporalities. Crucial to feminist politics is the memory of oppression – of the injury and pain of exclusion and injustice. That kind of memory is made of repetitions of often traumatic events and ideas that we do not so much remember but rather refuse to forget. Activist time is made of zigzagging detours that bring productive repetitions to bear on the ethical orientations and the political praxis of the present. Feminists today are struggling through the contemporary posthuman turn with concern, but also with curiosity, wondering what’s in it for them. What is the posthuman future of those who were never fully human? And what is the time measure of the posthuman feminist cause? Now, forever, and all at once is the time of feminism.

      1  1 This is a legendary quote that has become part of popular culture. The source is attributed to: Steinem, Gloria. 1973. The verbal karate of Florynce R. Kennedy, Esq. Ms. Magazine, March.

Part I Posthuman Feminism as Critique

      He he he he and he and he and and he and he and he and and as

      and as he and as he and he.

      He is and as he is, and as he is and he is,

      he is and as he

      Gertrude Stein, If I told him, 1923

      The main tenet of posthuman feminism is that the notion of humanism needs to be reviewed and assessed critically but not thrown away entirely. The posthuman predicament assumes the relative success of equality-minded feminism. This chapter lays the groundwork by first briefly explaining the masculinist roots of Eurocentric humanism as well as its philosophical critiques. It will then proceed by giving a genealogy of the historical ties that bind Western feminism to humanism. Humanism is the backbone of the women’s emancipation project carried out in three major bodies of thought proclaiming universal human rights: classical liberalism; socialist humanism; and Black, anti-colonialist, anti-racist and Indigenous voices. The chapter ends with an evaluation of how LGBTQ+ theories and practices are positioned in the aftermath of humanism. They pursue a similar project of emancipation with claims to equality and struggles for recognition and justice, but they radically move away from the normative idea of the human built into humanism, ‘queering’ it into inhumanism.

      The main version of humanism that plays out in the posthuman convergence is a retake on the European renaissance ideal of the human as ‘the measure of all things’ or the ‘Man of Reason’ (Lloyd, 1984). This European humanist ideal positions the universalizing powers of a sovereign notion of reason as the basic unit of reference to define what counts as human. This hegemonic idea of ‘Man’ as coinciding with universal reason also claims exclusive rights to self-regulating rational judgement, moral self-improvement and enlightened governance for European subjects. That image was represented visually by Leonardo in the famous sketch of the Vetruvian body as the perfectly proportioned, healthy, male and white model, which became the golden mean for classical aesthetics and architecture (Braidotti, 2013). The human thus defined is not so much a species as a marker of European culture and society and for the scientific and technological activities it privileges.

      The power of ‘Man’ as a hegemonic civilizational model was instrumental to the project of Western modernity and the colonial ideology of European expansion. ‘White Man’s burden’ as a tool of imperialist and patriarchal governance assumed that Europe is not just a geo-political location, but rather a universal attribute of human consciousness that can transfer its quality to any suitable subjects, provided they comply with the required discipline. Europe as superior universal consciousness posits the power of reason as its distinctive characteristic and humanistic universalism as its particularity. It encloses an allegedly universal notion of reason within ‘the snowy masculinist precincts of European philosophy’ and its relentless pursuit of gaining material access to real-life others (Weheliye, 2014: 47).

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