The Craft of Innovative Theology. Группа авторов

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at least been more aware of and responsive to the facts of religious plurality, and thus be truer to our current awareness and experience. Theology conducted through religious pluralism will then rise to the needs of the day, making religious traditions more relevant and bringing life to people in new ways. Surely this is the goal of creative theology (see Box 1.8).

       Box 1.8

      The author is alert to the controversial nature of his argument. So he introduces a delightful device. He has an “objections and responses” section. He is well aware that plenty of theologians would not be sympathetic to his approach. So he wants to articulate the objection and offer a response. In so doing, he is making it harder to simply dismiss his argument. He is alert to why someone may find the argument problematic and wants to explain how the problems can be overcome.

      Objections and Responses

      In this section I wish briefly to consider some of the issues, objections, questions, and concerns usually brought against the vision of pluralistic theology I have championed. I understand that for many, what I have suggested will strike them somewhere on the continuum between uncomfortable and preposterous. What, they ask, would motivate the “average” creedal, churchgoing, tradition-respecting Christian to follow such a strange and potentially “dangerous” program? Should we not worry about appropriating an other’s religious form of life? Does countenancing the possible value of an other’s religious tradition negate or weaken one’s own? These and other possible objections might be laid at the door of the erstwhile pluralistic theologian and a proper response to them would necessitate a volume of its own. What I propose to do instead is to particularize and personalize my responses to a few significant issues as an invitation to the conversation I hope this chapter will evince.

       Box 1.9

      The author makes this exercise manageable by dividing the objections into three major concerns. Notice the elegant way they are organized, each one is a “question.”

       Box 1.10

      The author knows that there are other questions the reader might have. Given he has written extensively on this approach to theology, he uses footnote 36 to acknowledge that there are outstanding questions and invite the reader to look at an essay where he focuses on this objection.

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