New Zealand Motion Pictures11 Secularity, Transcendence, and Film12 The Poetics of Karma: Reincarnation and Romance11 Part IV Environmental /Ecological ValueIntroduction13 Ecocinema and Ecological Value14 From Content to Context (and Back Again): New Industrial Strategies for Environmental Sustainability in the Media15 Jordnær Creative: A Danish Case Study of Green Filmmaking and Sustainable Production
12 Part V Cultural, Social and Political ValueIntroduction16 Color Charts: A Cultural Chronicle of Non-Chinese Ethnic Images in Hong Kong Cinema17 Film Policy, Social Value, and the Mediating Role of Screen Agencies18 Cinema as Ceilidh and Hui: The Place of the Audience within Emergent Perspectives upon a Folk Cinema19 The Past and Future of Public Value: The End of an Illustrious Career or Its Reinvention?
13 Part VI Cognitive, Educational, and Developmental ValueIntroduction20 Representing the Redacted: Depicting the “Torture Archetype” in Film21 Negotiating Power through Art: Participatory Video and Public Value22 Virtual Reality and the Rhetoric of Empathy
14 Part VII The Value of HealthIntroduction23 Narrative Sense-Making in the Service of Health— A Neurocinematic Approach24 The Smoking Machine: Public Health Films and Public Value in Britain and Denmark, 1950–196425 The Benefits of Genre: Feel-Good Films as a Path to Health and Well-Being26 Movies in the Closed Wards: Instruments of Mental Health in Military Psychiatry
15 Index
List of Illustrations
1 Chapter 3Figure 3.1 Snow Exposure (2018)...Figure 3.2 An image from The Birth of a Flower...Figure 3.3 The chameleon’s tongue from One Life...
2 Chapter 4Figure 4.1 Esfir Shub (as played by Victoria Haralabidou)...Figure 4.2 Varvara Stepanova (as played by Inga Romantsova)...
3 Chapter 6Figure 6.1 Loss of participants’ individuality through...Figure 6.2 Information for users-participants in Prison Valley...
4 Chapter 7Figure 7.1 Facing the camera during the opening moments...
5 Chapter 8Figure 8.1 According to Eleanor Coppola, “twelve hundred...
6 Chapter 9Figure 9.1 Marjorie Prime learns of her son’s death.Figure 9.2 Jon grieves as he recalls his wife’s death.Figure 9.3 AI agents, Walter, Marjorie and Tess Prime...
7 Chapter 10Figure 10.1 Renowned All Black George Nepia, God, and Jesus...Figure 10.2 Rocky (Te Aho Eketone-Whitu) blesses his errant...
8 Chapter 11Figure 11.1 An exultant Superman exults...Figure 11.2 An exultant Andy...Figure 11.3 In The Mission, Mendoza....
9 Chapter 12Figure 12.1 Krishna giving darshan on his chariot in Sri Krishna...Figure 12.2 Hari spies Kamini on the swing in Mahal...Figure 12.3 Kamini sings Ayega Aanewala on the swing...Figure 12.4 Madhubala in the role of Kamini framed as...Figure 12.5 Chitrasen materializes through a closed door in Neel...
10 Chapter 13Figure 13.1 Al Gore’s “...Figure 13.2 Technological psychedelia in Koyannisqatsi...Figure 13.3 Extracting marble at Carrara...Figure 13.4 Terraforming as romantic sublime in Anthropocene...Figure 13.5 Technofossil accumulation in...Figure 13.6 Bonfire of Elephant...
11 Chapter 15Figure 15.1 Bringing film closer to the earth.Figure 15.2 Creating sustainable impact across politics...Figure 15.3 The six aims for the Try339 Hard crew.Figure 15.4 Bottle holder designed by...Figure 15.5 Green runner, Laura...Figure 15.6 The environmental...
12 Chapter 16Figure 16.1 Bruce Lee is seen to...Figure 16.2 By playing the lead...
13 Chapter 18Figure 18.1 and Figure 18.2 ‘Here the...Figure 18.1 How does a community see...Figure 18.1 Showing a community...Figure 18.1 ‘We hear the sound of the...
14 Chapter 20Figure 20.1 “Still others look at...Figure 20.2 “The Tools of Force...
15 Chapter 21Figure 21.1 The couple live happily...Figure 21.2 The high-angle shot...Figure 21.3 Aziza al-Zein overwhelmed...
16 Chapter 23Figure 23.1 A schematic draft of...Figure 23.2 The two characters from....
17 Chapter 24Figure 24.1 More at home in a...Figure 24.2 Building on...
18 Chapter 25Figure 25.1 Shashi Godbole (Sridevi)...Figure 25.2 Driss Bassary (Omar Sy)...
19 Chapter 26Figure 26.1 Still from short film...Figure 26.2 Still from short film...Figure 26.3 Still from short film...Figure 26.4 Still from short film...Figure 26.5 Still from short film...Figure 26.6 Still from short film...Figure 26.7 Still from short film...
Guide
1 Cover
5 Table of Contents
9 Index
10
