Art History For Dummies. Jesse Bryant Wilder
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Part 3: Art after the Fall of Rome: AD 500–AD 1760
Chapter 9: The Graven Image: Early Christian, Byzantine, and Islamic Art
The Rise and Fall of Constantinople
Early Christian Art in the West
Byzantine Art Meets Imperial Splendor
Islamic Art: Architectural Pathways to God
Chapter 10: Mystics, Marauders, and Manuscripts: Medieval Art
Irish Light: Illuminated Manuscripts
Charlemagne: King of His Own Renaissance
Weaving and Unweaving the Battle of Hastings: The Bayeux Tapestry
Romanesque Architecture: Churches That Squat
Romanesque Sculpture
Relics and Reliquaries: Miraculous Leftovers
Gothic Grandeur: Churches That Soar
Stained-Glass Storytelling
Gothic Sculpture
Italian Gothic
Gothic Painting: Cimabue, Duccio, and Giotto
Tracking the Lady and the Unicorn: The Mystical Tapestries of Cluny
Chapter 11: Born-Again Culture: The Early and High Renaissance
The Early Renaissance in Central Italy
The High Renaissance
Chapter 12: Venetian Renaissance, Late Gothic, and the Renaissance in the North
A Gondola Ride through the Venetian Renaissance
Late Gothic: Northern Naturalism
Northern Exposure: The Renaissance in the Netherlands and Germany
Chapter 13: Art That’ll Stretch Your Neck: Mannerism
Detecting the Non-Rules of Mannerism
Pontormo: Front and Center
Bronzino’s Background Symbols and Scene Layering
Parmigianino: He’s Not a Cheese!
Arcimboldo: À la Carte Art
Sofonisba Anguissola (1532–1625): Invading Art History’s Guys’ Club
El Greco: Stretched to the Limit
Lavinia Fontana: The First Professional Female Painter
Finding Your Footing in Giulio Romano’s Palazzo Te
Chapter 14: When the Renaissance Went Baroque
Baroque Origin, Purpose, and Style
Annibale Carracci: Heavenly Ceilings
Shedding Light on the Subject: Caravaggio and His Followers
Elisabetta Sirani and an Art School for Women
The Ecstasy and the Ecstasy: Bernini Sculpture
Embracing Baroque Architecture
Dutch and Flemish Realism