Adobe Photoshop Lightroom Classic For Dummies. Rob Sylvan
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To switch between the three screen modes, press Shift+F to jump from one view to another. Keep in mind, though, that if it appears as if you “lost” the Minimize, Maximize, and Close buttons at the top of the window (the horror!), what’s really happened is that you’ve simply entered one of the Full Screen modes. (I can’t tell you how many panicked emails I have received from folks who believe they’ve somehow lopped off said buttons by mistake, asking whether I could please help them get back their buttons.)
If you just want to see your photo full screen on a black background with no interface cluttering things up, press (only) the F key to toggle Full Screen Preview. Great for putting a photo front and center for evaluation. You can even use your arrow keys to move between photos. Press F again to exit the preview.
If you still want more space, you can take advantage of the collapsible nature of the Module Picker, Panel groups, and Filmstrip. Refer to Figure 1-8 — do you see the small arrow in the center of the outer edge of each side of the interface? Clicking an arrow once causes that panel to “hide” from view. Now, move your cursor away and then back over any part of that edge and the hidden panel returns, giving you access to the contents of the panel until you move the cursor away again. This is called Auto Hide & Show. Right-click an arrow, and the following options appear:
Auto Hide: When enabled, that panel automatically hides when you move your cursor away from it, but it won’t show again until you click the arrow. I personally like this option because the Auto Show kicking in every time I get too close to the edge tends to drive me nuts.
Manual: No Auto Hiding or Showing. Click an arrow to hide, and it stays that way until you click again.
Sync with opposite panel: When checked, the Auto Hide/Manual settings you select will also be applied to the panel on the opposite side.
I find a more convenient method for showing and hiding these screen elements is the keyboard shortcuts:F5: Show/hide the Module Picker.
F6: Show/hide the Filmstrip.
F7: Show/hide the Left Panel group.
F8: Show/hide the Right Panel group.
Tab: Show/hide both the Left and Right panel groups.
Shift+Tab: Show/hide the Left, Right, Top and Bottom.
T: Show/hide the Toolbar.
When it comes to clearing the clutter and focusing on your photos, Lightroom Classic has one further cool trick up its sleeve. It’s called Lights Out mode and has three states:
Lights On: The normal operating condition, where everything is visible.
Lights Dim: In this mode, your selected photos remain unchanged but the surrounding interface dims. Although dimmed, the interface is accessible and functional (if you know where things are).
Lights Out: Taking the dim view to the extreme, the entire interface is blacked out and only your photos are visible. The ultimate way to reduce clutter!
You can jump through each Lights Out mode by pressing the L key. You set the amount of dimming and the color the screen dims to in the preferences. (I cover all the preference settings in Chapter 3.)
Using Lightroom Classic’s secondary display view
The ultimate way to gain more screen real estate is to add another screen! Lightroom Classic’s approach to dual monitor support is the addition of a second window that you can move to your second monitor. The result is that you have the same primary Lightroom Classic window on one monitor (this is where you access all the modules and do your work) and then your secondary display window provides additional ways to view the photos you are working on. (Although it’s possible to enable the secondary window on a single monitor system, it is limited in its usefulness because it competes for the same screen real estate as the primary window.)
The secondary display window functions in the same manner with all Lightroom Classic modules. Here are the options available in the secondary window:
Grid: By using the Grid option, you essentially extend the Filmstrip to the second window so that it provides greater access to all the thumbnails of the current group of photos. The secondary window Grid view functions the same as Grid view in the Library module (see Chapter 5 for more information on Grid view).
Loupe: Allows for viewing a single image in its entirety or zoomed in close within the second window. Loupe has three options:Normal: Always displays the active photo selected in the primary windowLive: Continually displays the photo under the cursor as you move over photos in the main windowLocked: Allows you to choose one photo to display continuously in the second window while you view a different photo in the primary window
Compare: Allows you to compare two or more photos side by side. The secondary window Compare view functions the same way as Compare view in the Library module. (See Chapter 6 for more information on Compare view.)
Survey: Allows you to view multiple photos side by side within the secondary window. The secondary window Survey view functions the same way as Survey view in the Library module. (See Chapter 6 for more information on Survey view.)
Slideshow: Available only when you have the secondary window set to full screen (not possible on a single monitor system). This option allows you to run the slideshow on the secondary display.
There is one other cool option related to the secondary window called Show Second Monitor Preview. (It works only when the secondary window is in Full Screen mode.) When enabled, it provides a small preview window showing what’s being displayed in the secondary window. Huh? It’s intended for situations where you might have your secondary monitor facing away from you and toward an audience. This way you can be showing photos to an audience on the secondary display while you work on the primary display, and the preview window lets you have a peek at what your audience is seeing.
You can enable and disable the second window by clicking its icon on the Filmstrip or choosing Window ⇒ Second Window ⇒ Enable from the main menu.
Getting Up and Running
I’m sure you’re champing at the bit for the opportunity to roll up your sleeves and start putting Lightroom Classic through its paces. I don’t blame you! You’re gonna love it. However, if you take the