The Complete Works. George Orwell

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The Complete Works - George Orwell

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of special constables in Kent. They are sworn in every autumn—a sort of militia to deal with the marauding tribes of hop-pickers. The farmers had been growing tired of the orchard-robbing, and had decided to make an example, in terrorem.

      Of course there was a tremendous uproar in the camp. Dorothy came out of her hut to discover what was the matter, and saw a firelit ring of people towards which everyone was running. She ran after them, and a horrid chill went through her, because it seemed to her that she knew already what it was that had happened. She managed to wriggle her way to the front of the crowd, and saw the very thing that she had been fearing.

      There stood Nobby, in the grip of an enormous policeman, and another policeman was holding two frightened youths by the arms. One of them, a wretched child hardly sixteen years old, was crying bitterly. Mr. Cairns, a stiff-built man with grey whiskers, and two farm hands, were keeping guard over the stolen property that had been dug out of the straw of Nobby’s hut. Exhibit A, a pile of apples; Exhibit B, some blood-stained chicken feathers. Nobby caught sight of Dorothy among the crowd, grinned at her with a flash of large teeth, and winked. There was a confused din of shouting:

      “Look at the pore little b —— crying! Let ’im go! Bloody shame, pore little kid like that! Serve the young bastard right, getting us all into trouble! Let ’im go! Always got to put the blame on us bloody hop-pickers! Can’t lose a bloody apple without it’s us that’s took it. Let ’im go! Shut up, can’t you? S’pose they was your bloody apples? Wouldn’t you bloodiwell——” etc., etc., etc. And then: “Stand back mate! ’Ere comes the kid’s mother.”

      A huge Toby jug of a woman, with monstrous breasts and her hair coming down her back, forced her way through the ring of people and began roaring first at the policeman and Mr. Cairns, then at Nobby, who had led her son astray. Finally the farm hands managed to drag her away. Through the woman’s yells Dorothy could hear Mr. Cairns gruffly interrogating Nobby:

      “Now then, young man, just you own up and tell us who you shared them apples with! We’re going to put a stop to this thieving game, once and for all. You own up, and I dessay we’ll take it into consideration.”

      Nobby answered, as blithely as ever, “Consideration, your a ——!”

      “Don’t you get giving me any of your lip, young man! Or else you’ll catch it all the hotter when you go up before the magistrate.”

      “Catch it hotter, your a ——!”

      Nobby grinned. His own wit filled him with delight. He caught Dorothy’s eye and winked at her once again before being led away. And that was the last she ever saw of him.

      There was further shouting, and when the prisoners were removed a few dozen men followed them booing at the policemen and Mr. Cairns, but nobody dared to interfere. Dorothy meanwhile had crept away; she did not even stop to find out whether there would be an opportunity of saying good-bye to Nobby—she was too frightened, too anxious to escape. Her knees were trembling uncontrollably. When she got back to the hut, the other women were sitting up, talking excitedly about Nobby’s arrest. She burrowed deep into the straw and hid herself, to be out of the sound of their voices. They continued talking half the night, and of course, because Dorothy had supposedly been Nobby’s “tart,” they kept condoling with her and plying her with questions. She did not answer them—pretended to be asleep. But there would be, she knew well enough, no sleep for her that night.

      The whole thing had frightened and upset her—but it had frightened her more than was reasonable or understandable. For she was in no kind of danger. The farm hands did not know that she had shared the stolen apples—for that matter, nearly everyone in the camp had shared them—and Nobby would never betray her. It was not even that she was greatly concerned for Nobby, who was frankly not troubled by the prospect of a month in jail. It was something that was happening inside her—some change that was taking place in the atmosphere of her mind.

      It seemed to her that she was no longer the same person that she had been an hour ago. Within her and without, everything was changed. It was as though a bubble in her brain had burst, setting free thoughts, feelings, fears of which she had forgotten the existence. All the dreamlike apathy of the past three weeks was shattered. For it was precisely as in a dream that she had been living—it is the especial condition of a dream that one accepts everything, questions nothing. Dirt, rags, vagabondage, begging, stealing—all had seemed natural to her. Even the loss of her memory had seemed natural; at least, she had hardly given it a thought till this moment. The question “Who am I?” had faded out of her mind till sometimes she had forgotten it for hours together. It was only now that it returned with any real urgency.

      For nearly the whole of a miserable night that question went to and fro in her brain. But it was not so much the question itself that troubled her as the knowledge that it was about to be answered. Her memory was coming back to her, that was certain, and some ugly shock was coming with it. She actually feared the moment when she should discover her own identity. Something that she did not want to face was waiting just below the surface of her consciousness.

      At half past five she got up and groped for her shoes as usual. She went outside, got the fire going, and stuck the can of water among the hot embers to boil. Just as she did so a memory, seemingly irrelevant, flashed across her mind. It was of that halt on the village green at Wale, a fortnight ago—the time when they had met the old Irishwoman, Mrs. McElligot. Very vividly she remembered the scene. Herself lying exhausted on the grass, with her arm over her face; and Nobby and Mrs. McElligot talking across her supine body; and Charlie, with succulent relish, reading out the poster, “Secret Love Life of Rector’s Daughter”; and herself, mystified but not deeply interested, sitting up and asking, “What is a Rector?”

      At that a deadly chill, like a hand of ice, fastened about her heart. She got up and hurried, almost ran back to the hut, then burrowed down to the place where her sacks lay and felt in the straw beneath them. In that vast mound of straw all your loose possessions got lost and gradually worked their way to the bottom. But after searching for some minutes, and getting herself well cursed by several women who were still half asleep, Dorothy found what she was looking for. It was the copy of Pippin’s Weekly which Nobby had given her a week ago. She took it outside, knelt down and spread it out in the light of the fire.

      It was on the front page—a photograph, and three big headlines. Yes! There it was!

      “PASSION DRAMA IN COUNTRY RECTORY

      ————

      “PARSON’S DAUGHTER AND ELDERLY SEDUCER

      ————

      “WHITE-HAIRED FATHER PROSTRATE WITH GRIEF

      “(Pippin’s Weekly Special)

      “ ‘I would sooner have seen her in her grave!’ was the heartbroken cry of the Rev. Charles Hare, Rector of Knype Hill, Suffolk, on learning of his twenty-eight-year-old daughter’s elopement with an elderly bachelor named Warburton, described as an artist.

      “Miss Hare, who left the town on the night of the twenty-first of August, is still missing, and all attempts to trace her have failed. [In leaded type] Rumour, as yet unconfirmed, states that she was recently seen with a male companion in a hotel of evil repute in Vienna.”

      “Readers of Pippin’s Weekly will recall that the elopement took place in dramatic circumstances. A little before mid-night on the twenty-first of August, Mrs. Evelina Semprill, a widowed lady who inhabits the house next door to Mr. Warburton’s, happened by chance to look out of her bedroom window and saw Mr. Warburton standing at his front gate in conversation with a young woman. As it was a clear moonlight night, Mrs. Semprill

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