The Creative Process in the Individual. Thomas Troward
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astonishing the beholders--to do so would be contrary to the first
principle of the higher teaching which is that of profound reverence for
the Unity of the All-originating Principle. The conception, therefore, of
such a power over matter being possessed by certain individuals is in no
way opposed to our ordinary recognition of concrete matter, and so we need
not at present trouble ourselves to consider these exceptions.
Another theory is that matter has no existence at all but is merely an
illusion projected by our own minds. If so, then how is it that we all
project identically similar images? On the supposition that each mind is
independently projecting its own conception of matter a lady who goes to be
fitted might be seen by her dressmaker as a cow. Generations of people have
seen the Great Pyramid on the same spot; but on the supposition that each
individual is projecting his own material world in entire independence of
all other individuals there is no reason why any two persons should ever
see the same thing in the same place. On the supposition of such an
independent action by each separate mind, without any common factor binding
them all to one particular mode of recognition, no intercourse between
individuals would be possible--then, without the consciousness of relation
to other individuals the consciousness of our own individuality would be
lost, and so we should cease to have any conscious existence at all. If on
the other hand we grant that there is, above the individual minds, a great
Cosmic Mind which imposes upon them the necessity of all seeing the same
image of Matter, then that image is not a projection of the individual
minds but of the Cosmic Mind; and since the individual minds are themselves
similar projections of the Cosmic Mind, matter is for them just as much a
reality as their own existence. I doubt not that material substance is thus
projected by the all-embracing Divine Mind; but so also are our own minds
projected by it, and therefore the relation between them and matter is a
real relation and not a merely fictitious one.
I particularly wish the student to be clear on this point, that where two
factors are projected from a common source their relation to each other
becomes an absolute fact in respect of the factors themselves,
notwithstanding that the power of changing that relation by substituting a
different projection must necessarily always continue to reside in the
originating source. To take a simple arithmetical example--by my power of
mental projection working through my eyes and fingers I write 4 X 2. Here I
have established a certain numerical relation which can only produce eight
as its result. Again, I have power to change the factors and write 4 X 3,
in which case 12 is the only possible result, and so on. Working in this
way calculation becomes possible. But if every time I wrote 4 that figure
possessed an independent power of setting down a different number by which
to multiply itself, what would be the result? The first 4 I wrote might set
down 3 as its multiplier, and the next might set down 7, and so on. Or if I
want to make a box of a certain size and cut lengths of plank accordingly,
if each length could capriciously change its width at a moment's notice,
how could I ever make the box? I myself may change the shape and size of my
box by establishing new relations between the bits of wood, but for the
pieces of wood themselves the proportions determined by my mind must remain
fixed quantities, otherwise no construction could take place.
This is a very rough analogy, but it may be sufficient to show that for a
cosmos to exist at all it is absolutely necessary that there should be a
Cosmic Mind binding all individual minds to certain _generic_ unities of
action, and so producing all things as realities and nothing as illusion.
The importance of this conclusion will become more apparent as we advance
in our studies.
We have now got at some reason why concrete material form is a necessity of
the Creative Process. Without it the perfect Self-recognition of Spirit
from the Individual standpoint, which we shall presently find is the means
by which the Creative Process is to be carried forward, would be
impossible; and therefore, so far from matter being an illusion, it is the
necessary channel for the self-differentiation of Spirit and its Expression
in multitudinous life and beauty. Matter is thus the necessary Polar
Opposite to Spirit, and when we thus recognize it in its right order we
shall find that there is no antagonism between the two, but that together
they constitute one harmonious whole.
THE SELF-CONTEMPLATION OF SPIRIT
If we ask how the cosmos came into existence we shall find that ultimately
we can only attribute it to the Self-Contemplation of Spirit. Let us start
with the facts now known to