The Logic of Compressed Modernity. Chang Kyung-Sup

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the extremely antagonistic conflict between indigenous cultures and institutions and foreign ones as have been vividly illustrated in the sectors of cultural production and medicine in South Korea.3 Chronic bitterness characterizes the atmosphere among scholars of humanities (Korean history, philosophy, literature, etc.), specialists in traditional music and dance, and practitioners of indigenous medicine when their professional counterparts of Western specialties dominate society. However, thanks to the very historical context that Korean society was appropriated as a colony of industrial capitalism by an external force (Japan) and that, even after independence, South Koreans were pressurized to accept the political and economic order of Western standards by another external force (the United States), the remaining indigenous culture has sometimes claimed a significant historical and existential legitimacy regardless of its practical utility. The duality of South Koreans who have trodden, in practice, a highly extroverted developmental path and still show no hint of shedding their unreserved (ethno)nationalist pretense presents an easy clue that the modernity they have pursued is chronically afflicted with space-wise compression of dissimilar civilizations.

      While understanding and responding to social phenomena that arise through condensed time and space is already a formidable task, comprehending and coordinating the complex interaction of such abruptly new social phenomena with traditional and indigenous ones constitutes an even more challenging undertaking. Such difficulties are particularly manifest in the complexities of social values and ideology systems. Family, firm, university, civil society, and even government exist as panoramic displays of diverse values and ideologies. These institutions, in which the values and ideologies from past, present, Asia (Korea), and the West do not simply coexist but keep generating new elements through constant interactions with one another, are “too dynamic” and too complex.4

      There are various different units/levels of manifestation of compressed modernity in South Korea and elsewhere. Societal units (nation, state, civil society, national economy), city and community, secondary organizations, family, and personhood are all observable units of compressed modernity. These plural units/levels can take on compressed modernity in highly diverse configurations, ramifying what may be called internal multiple (compressed) modernities. Also, the primacy of certain units/levels over other units/levels in manifesting a society’s compressed modernity constitutes a critical structural characteristic of the concerned society. On the other hand, different units/levels can exert mutually escalating (or obstructive) effects in compressed modernity. Let us discuss this issue in the historical and social contexts of South Korea and/or East Asia.

      Secondary organizations Secondary organizations such as schools and business firms have been hastily set up in massive numbers as instruments for modernization and development, but their organizational structure and culture are far from simple replication of those of Western societies. Traditional teacher–pupil relations still reverberate in authoritarian class rooms where cramming (condensed absorption) of modern/Western knowledge and technology is considered as an uncompromisable goal of education in the process of national economic and civilizational catch-up (Han, J. 1996). In South Korean sweatshop factories where the “economic miracle” was initiated from the late 1960s, work-line supervisors and company managers demanded that yeogong (women industrial workers) subserviently yet faithfully serve them as if they were elder kinsmen in a village (Koo, H. 2001). Modern industrial workplaces have often been reinvented as arenas for arguably communal interactions associated with paternalistic cultural traditions (Dore 1973; Walder 1986).

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