History of the Adriatic. Egidio Ivetic

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the Middle Ages to modern times, trade was well documented, and it was common practice to record even minor daily navigation. Commerce followed ancient trading routes: this can be seen in the circulation of glass and vases in antiquity, and of amphoras, tiles, terracotta objects, building stone and marble in Roman times.

      From all perspectives, the Adriatic reveals itself to be an enormous system that united the coasts and, as a consequence, the hinterlands. It was a measurable Mediterranean. Ancient customs could still be observed here and there up until a century ago: large Dalmatian boats at the Senigallia fair or at Port Recanati for the pilgrimages to Loreto; boats from Chioggia and Burano in the Istrian ports; ships from Kotor tied up in Trieste; boats from Ancona and Fano at Lošinj, Zadar and Split. Photographs and paintings, like the lovely ones by Ugo Flumiani, and postcards from the beginning of the twentieth century have fortunately captured a picturesque world which survived in the age of steamships and the first airplanes. In the everyday world of coastal navigation, there were bragozzi, trabaccoli, pieleghi, brazzere – names of boats typical of the Adriatic, rather than other Mediterranean seas, which continued to be used until the end of the Second World War.13 At a certain point, in the 1930s, hydrofoils, a futuristic expression of the Adriatic to come, and the old vessels that gave the impression of a continuing Middle Ages could be seen at Zadar at the same time. The image was the same in 1940 from Fano to Senigallia, Šibenik and Ragusa: a line-up of prows, a forest of rigging, faces of sailors and fishermen; each prow painted with two eyes, the last signs of an ancient tradition.

      It seems as though for centuries everyone knew one another in this Adriatic conceived and perceived as a maritime world. Consulting the notary deeds of the sea cities and the coastal towns, there are constant references to peoples on the opposite coast. A Schiavone was as much at home in Ancona and Pescara as in Venice. The term ‘Schiavone’ does not only mean Slav; it was also used to refer to people who came from Schiavonia, a name used in the western Adriatic to refer to Dalmatia. Dalmatia and Illyria were terms used in European geography in the fifteenth to eighteenth centuries. It was in Illyria that Sebastian and Viola, the protagonists of Shakespeare’s Twelfth Night, were shipwrecked. Nevertheless, for both coastal peoples, as for all coastal populations, the sea represented the route to a universal maritime world, to the Mediterranean and then on to the oceans. Awareness of the oceans began from the sixteenth to the eighteenth centuries, when Dutch, British and Nordic ships manned by sailors who spoke non-Mediterranean languages became a common occurrence, especially along the east coast. If antiquity and the Middle Ages necessarily had a Mediterranean boundary in the Adriatic, the Modern and Contemporary Ages reflected the oceanic dimension, therefore a worldwide prospect, even though on a local scale.

      The entire Adriatic was systematically measured in 1826–1827 by a joint scientific expedition of the Kingdom of Naples, Great Britain and the Austrian Empire. Other Austrian and Italian expeditions followed in the late nineteenth century. The data collected were elaborated in the nautical maps of the hydrographic institute of the Italian navy in Genoa, which has been active since 1872, and focused on the Apennine area of the Adriatic. The Austrian (Austro-Hungarian) institute in Pula (Pola), active since 1866, conducted studies on the eastern part of the sea. This was the situation up until 1918. The Austrian work was then taken up by the Yugoslav navy hydrographic institute in Split which operated from 1923, and from 1991 by the Croatian navy.

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