style="font-size:15px;"> “How does it come?”
“Oh! In the promiscuous way of these things. The swing of the pendulum, it may be. Some eminent person gets bored at the prospect of repeating that rigmarole about the great Victorians and our present slackness for all the rest of his life, and takes a leaf from one of Hallery’s books. We might have something after the fashion of the Efficiency and Wake-up-England affair. Have you ever heard guinea-fowl at dawn?”
“I’ve heard them at twilight. They say, ‘Come back. Come back.’ But what has that to do with – ”
“Nothing. There’s a movement, a stir, a twittering, and then a sudden promiscuous uproar, articles in the reviews, articles in the newspapers, paragraphs, letters, associations, societies, leagues. I imagine a very great personality indeed in the most extraordinary and unexpected way coming in…” (It was one of Boon’s less amiable habits to impute strange and uncanny enterprises, the sudden adoption of movements, manias, propagandas, adhesion to vegetarianism, socialism, the strangest eccentricities, to the British royal family.) “As a result Hallery finds himself perforce a person of importance. ‘The thought of a nation is the life of a nation,’ one hears it from royal lips; ‘a literature, a living soul, adequate to this vast empire,’ turns up in the speech of a statesman of the greatest literary pretensions. Arnold White responds to the new note. The Daily Express starts a Literary Revival on its magazine page and offers a prize. The Times follows suit. Reports of what is afoot reach social circles in New York… The illumination passes with a dawnlike swiftness right across the broad expanse of British life, east and west flash together; the ladies’ papers and the motoring journals devote whole pages to ‘New Literature,’ and there is an enormous revival of Book Teas… That sort of thing, you know – extensively.”
“So much by way of prelude. Now picture to yourself the immediate setting of my conference. Just hand me that book by the ‘Encyclopædia.’”
It was Mallock’s “New Republic.” He took it, turned a page or so, stuck a finger in it, and resumed.
“It is in a narrow, ill-kept road by the seaside, Bliss. A long wall, plaster-faced, blotched and peeling, crested with uncivil glass against the lower orders, is pierced by cast-iron gates clumsily classical, and through the iron bars of these there is visible the deserted gatekeeper’s lodge, its cracked windows opaque with immemorial dirt, and a rich undergrowth of nettles beneath the rusty cypresses and stone-pines that border the carriage-way. An automobile throbs in the road; its occupants regard a board leaning all askew above the parapet, and hesitate to descend. On the board, which has been enriched by the attentions of the passing boy with innumerable radiant mud pellets, one reads with difficulty —
“‘This must be it, my dear Archer,’ says one of the occupants of the motor-car, and he rises, throws aside his furs, and reveals – the urbane presence of the Encyclopædist. He descends, and rings a clangorous bell… Eh?”
“It’s the garden of the ‘New Republic’?”
“Exactly. Revisited. It’s an astonishing thing. Do you know the date of the ‘New Republic’? The book’s nearly forty years old! About the time of Matthew Arnold’s ‘Friendship’s Garland,’ and since that time there’s been nothing like a systematic stocktaking of the English-speaking mind – until the Encyclopædist reported ‘no effects.’ And I propose to make this little party in the motor-car a sort of scratch expedition, under the impetus of the proposed Revival of Thought. They are prospecting for a Summer Congress, which is to go into the state of the republic of letters thoroughly. It isn’t perhaps quite Gosse’s style, but he has to be there – in a way he’s the official British man of letters – but we shall do what we can for him, we shall make him show a strong disposition towards protective ironies and confess himself not a little bothered at being dragged into the horrid business. And I think we must have George Moore, who has played uncle to so many movements and been so uniformly disappointed in his nephews. And William Archer, with that face of his which is so exactly like his mind, a remarkably fine face mysteriously marred by an expression of unscrupulous integrity. And lastly, Keyhole.”
“Why Keyhole?” I asked.
“Hallery has to murder some one. I’ve planned that – and who would he murder but Keyhole?.. And we have to hold the first meeting in Mallock’s garden to preserve the continuity of English thought.
“Very well! Then we invent a morose, elderly caretaker, greatly embittered at this irruption. He parleys for a time through the gate with all the loyalty of his class, mentions a number of discouraging defects, more particularly in the drainage, alleges the whole place is clammy, and only at Gosse’s clearly enunciated determination to enter produces the key.”
Boon consulted his text. “Naturally one would give a chapter to the Villa by the Sea and Mallock generally. Our visitors explore. They visit one scene after another familiar to the good Mallockite; they descend ‘the broad flights of steps flanked by Gods and Goddesses’ that lead from one to another of the ‘long, straight terraces set with vases and Irish yews,’ and the yews, you know, have suffered from the want of water, the vases are empty, and ivy, under the benediction of our modest climate, has already veiled the classical freedom – the conscientious nudity, one might say – of the statuary. The laurels have either grown inordinately or perished, and the ‘busts of orators, poets, and philosophers’ ‘with Latin inscriptions,’ stand either bleakly exposed or else swallowed up, in a thicket. There is a pleasing struggle to translate the legends, and one gathers scholarship is not extinct in England.
“The one oasis in a universal weediness is the pond about the ‘scaly Triton,’ which has been devoted to the culture of spring onions, a vegetable to which the aged custodian quite superfluously avows himself very ‘partial.’ The visitors return to the house, walk along its terrace, survey its shuttered front, and they spend some time going through its musty rooms. Dr. Keyhole distinguishes himself by the feverish eagerness of his curiosity about where Leslie slept and where was the boudoir of Mrs. Sinclair. He insists that a very sad and painful scandal about these two underlies the New Republic, and professes a thirsty desire to draw a veil over it as conspicuously as possible. The others drag him away to the summer dining-room, now a great brier tangle, where once Lady Grace so pleasantly dined her guests. The little arena about the fountain in a porphyry basin they do not find, but the garden study they peer into, and see its inkpot in the shape of a classical temple, just as Mr. Mallock has described it, and the windowless theatre, and, in addition, they find a small private gas-works that served it. The old man lets them in, and by the light of uplifted vestas they see the decaying, rat-disordered ruins of the scene before which Jenkinson who was Jowett, and Herbert who was Ruskin, preached. It is as like a gorge in the Indian Caucasus as need be. The Brocken act-drop above hangs low enough to show the toes of the young witch, still brightly pink…
“They go down to the beach, and the old man, with evil chuckles, recalls a hitherto unpublished anecdote of mixed bathing in the ’seventies, in which Mrs. Sinclair and a flushed and startled Dr. Jenkinson, Greek in thought rather than action, play the chief parts, and then they wade through a nettle-bed to that ‘small classical portico’ which leads to the locked enclosure containing the three tombs, with effigies after the fashion of Genoa Cemetery. But the key of the gate is lost, so that they cannot go in to examine them, and the weeds have hidden the figures altogether.
“‘That’s
