The Snow Queen. Michael Cunningham

Чтение книги онлайн.

Читать онлайн книгу The Snow Queen - Michael Cunningham страница 11

Автор:
Жанр:
Серия:
Издательство:
The Snow Queen - Michael  Cunningham

Скачать книгу

like no one but herself. Her lips, slightly parted, issuing the faint whistle of her breath, are puffy and puckery; her nose some remnant of an Asian ancestor, with its flattened humility, its little slits of nostrils; her eyelids blue-white, the lashes sable; the pallid pinkish melon scalp of her chemo-induced baldness.

      She’s lovely, but she’s not a great beauty, and her accomplishments are charming, but minor. She’s a good baker. She has fashion sense. She’s smart, an avid reader. She’s kind to just about everyone.

      Is it possible that the light, by choosing to appear to him as Beth fades, meant something about a life that continues beyond the limits of the flesh?

      Or is that some messianic bent of Barrett’s?

      Could that be why his lover left? Because he’s too prone to Signs of Significance?

      Barrett bends low, puts his face so close to Beth’s that he can feel her breath on his chin. She’s alive. She’s alive right now. Her eyelids twitch over a dream.

      He imagines her dreams as pale and buoyant, bright even in extremis; no lurking invisible terrors, no shriek of annihilation, no innocent-seeming heads turning to reveal black holes instead of eyes, or teeth like razors. He hopes that’s true.

      A moment later he stands, abruptly, as if somebody had called his name. He almost stumbles backward over the fact that Beth is being taken out so early, and that her absence will be felt by a small body of people, but will otherwise go unnoticed. It’s not a surprise. But it strikes him now with particular force. Is it more tragic, or is it less, to slip so quietly and briefly into and out of the world? To have added, and altered, so little.

      An unwelcome thought: Beth’s primary accomplishment may be to have loved and been loved by Tyler. Tyler, who sees something invisible even to everyone else who loves her. She is widely loved. But Tyler adores her, Tyler is fascinated by her, Tyler finds her extraordinary.

      As does Barrett, though he does so because Tyler does. Still. Beth will have been loved ardently by a main man and a backup man. She will have been, in a certain sense, doubly married.

      How exactly will Tyler live on after she’s departed? Barrett adores Beth, and (as far as he knows) she adores him in return, but it’s Tyler, and Tyler alone, who delivers the daily ministrations. How will he live not only with the loss of her but also the loss of the purpose she’s created, these past two years? Caring for Beth has been his career. He’s played and composed his music on the side, whenever he’s not too urgently needed.

      Somehow, Barrett has failed to fully apprehend it until now: Tyler is worried, Tyler is aggrieved, but also, since Beth’s diagnosis, he’s been more content than Barrett has seen him in years. Tyler would never admit it, not even to himself, but seeing to Beth—comforting her, feeding her, keeping track of her medication, arguing with her doctors—has made him successful. Here is something he can do, and can do well, as the music flicks teasingly around him, just out of reach. And there is, probably, isn’t there, something dreadful but calming about the certainty of failure, in the end. Hardly anyone becomes a great musician. No one can reach into the body of a loved one, and scrape the cancer away. One blames oneself for the former. One has nothing to say about the latter.

      Barrett places his hand, gently, onto Beth’s forehead, though he hadn’t exactly intended to. He feels as if he’s watching his hand perform an act he didn’t ask of it. Beth murmurs, but doesn’t awaken.

      Barrett does his best to transmit some kind of healing force, through the palm of his hand. Then he walks back out of the sickroom, returns to the comforting normalcy of the hall, and heads for the kitchen, where Tyler is awake, where coffee has been made, where the rampancy of life, even in its most rudimentary form, plays like an enchanted piper; where Tyler, suitor and swain, ferocious of brow, thin but athletically tendoned legs protruding from boxer shorts, does what he can to prepare for his forthcoming marriage.

      The marriage thing is very weird,” Liz says to Andrew. They’re standing on her roof, with snow billowing around them. They’ve come up to the roof for the shock of it, after a night that just rolled off the time-spool (my god, Andrew, it’s four in the morning; shit, Andrew, how’d it suddenly get to be five thirty, we’ve got to get some sleep). They’ve been too high to have sex, but there were moments, there were moments, during the night, when it seemed to Liz that she was explaining herself entirely; that she was able to hold her very being in her outstretched palms and say, here I am, here’s the golden box all tricked open, every hidden drawer and false bottom released; here is my honor and my generosity, here are my wounds and my fears, the real as well as the imaginary; here is what I see and think and feel; here is my acuity and my hope and my way of turning a phrase; here is the … me-ness of me, the tangible but inchoate entity that shifts and buzzes within the flesh, the central part that simply is, the part that finds it wonderful and appalling and strange to be a woman named Liz who lives in Brooklyn and owns a shop; the unnamed and unnameable; that which God would recognize after the flesh has fallen away.

      Really, who needed to have sex?

      Now she is quieting, returning, reconnecting (with both sorrow and gratitude) to her more corporeal self, the self that still blazes with its own light and heat but is tethered by all the sinewy little strings—the self that’s capable of pettiness and irritation, skepticism and needless anxiety. She is no longer aloft, no longer spreading a star-studded cloak over the nocturnal woods; she is still full of mingled magic but she is also a woman standing on a roof with her much-younger boyfriend, pelted by blowing snow, a denizen of the ordinary world, someone who might say, The marriage thing is very weird.

      Конец ознакомительного фрагмента.

      Текст предоставлен ООО «ЛитРес».

      Прочитайте эту книгу целиком, купив полную легальную версию на ЛитРес.

      Безопасно оплатить книгу можно банковской картой Visa, MasterCard, Maestro, со счета мобильного телефона, с платежного терминала, в салоне МТС или Связной, через PayPal, WebMoney, Яндекс.Деньги, QIWI Кошелек, бонусными картами или другим удобным Вам способом.

/9j/4AAQSkZJRgABAQAAAQABAAD/2wCEAAEBAQEBAQEBAQEBAQEBAQEBAQEBAQEBAQEBAQEBAQEB AQEBAQEBAQEBAQEBAQEBAQEBAQEBAQEBAQEBAQEBAQEBAQEBAQEBAQEBAQEBAQEBAQEBAQEBAQEB AQEBAQEBAQEBAQEBAQEBAQEBAQEBAQEBAQEBAQEBAQEBAQEBAQEBAf/AABEIBIMC7gMBEQACEQED EQH/xAGiAAABBQEBAQEBAQAAAAAAAAAAAQIDBAUGBwgJCgsQAAIBAwMCBAMFBQQEAAABfQECAwAE EQUSITFBBhNRYQcicRQygZGhCCNCscEVUtHwJDNicoIJChYXGBkaJSYnKCkqNDU2Nzg5OkNERUZH SElKU1RVVldYWVpjZGVmZ2hpanN0dXZ3eHl6g4SFhoeIiYqSk5SVlpeYmZqio6Slpqeoqaqys7S1 tre4ubrCw8TFxsfIycrS09TV1tfY2drh4uPk5ebn6Onq8fLz9PX29/j5+gEAAwEBAQEBAQEBAQAA AAAAAAECAwQFBgcICQoLEQACAQIEBAMEBwUEBAABAncAAQIDEQQFITEGEkFRB2FxEyIygQgUQpGh scEJIzNS8BVictEKFiQ04SXxFxgZGiYnKCkqNTY3ODk6Q0RFRkdISUpTVFVWV1hZWmNkZWZnaGlq c3R1dnd4eXqCg4SFhoeIiYqSk5SVlpeYmZqio6Slpqeoqaqys7S1tre4ubrCw8TFxsfIycrS09TV 1tfY2dri4+Tl5ufo6ery8/T19vf4+fr/2gAMAwEAAhEDEQA/AP1Ttfi94pvCJU8c+KPL4YL/AMJH qudmTg8XZGPlxuzyDkelfHSqVZSTUpLm3tOa21/m638rW1bPRh7KfNamly23W977fcdDD8SvF+Fc eM/FEgbGF/4SDVD14OT9rYcZB647e9XCvKl7rlUlbS6lJ/m3b5HTHkirci9fd1/8CjL8LX63L4+I fjCYBf8AhNPFAbAxu8QaorEdQAPtfJA69+OfQqpipTT96om9m5ONvSz1/QclSasqa+5L8r3FHjnx kXVf+Ez8V/KpVx/wkOqnJJ6ki8K444GR7DGayc6jVvaT1/vz/wDkiYxpJWdNadv+HRK3jbxpEQ8P jDxaZAG2Y8Q6qM4HJG66OQpPdTk8YFaRrzhFRlOd+v7yat+L/wCALkg5aQirtLa/9bnvHw2+Pmr+ R

Скачать книгу