Rare Objects. Kathleen Tessaro

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Rare Objects - Kathleen Tessaro

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perfume of centuries and continents, of time.

      Now I knew why they’d wanted a “young woman of quality.” People didn’t come here to replace a table or sofa; they were collecting, searching out the rare and unique. They wanted a girl who knew what it was like to acquire things out of amusement rather than need. Who sympathized with those whose lives were so pleasantly arranged that they hungered for beauty and meaning rather than food.

      The old man returned, took off his hat. His thinning hair was weightless and fine, circling the widening bald spot on the top of his head like a white wreath. “It’ll warm up soon. I’m Karl Kessler.” He gave a tug at his suit vest, which was struggling to cover his stomach. “What was your name again?”

      “May. With a y, of course,” I added. (I didn’t want to use the Irish name Maeve.) “I was named after the month of my birth,” I lied.

      “And do you know anything about antiques, May with a y?”

      “Oh, I know a little.” I tried to seem casual. “My family had a few good pieces. I was wondering, that buffet over there … is that oak, by any chance?”

      “Why, yes. It is.”

      “I thought so.” I flashed my well-practiced smile. “I’m so fond of oak, aren’t you?”

      He fixed me with a sharp black eye. “Where is your family from?”

      “New York. Albany, actually. But I’m here staying with my aunt.” I ran my fingers lightly along the smooth finish of a Flemish bookcase, as if I were remembering something similar back home. “You see, I had a particularly troublesome beau, Mr. Kessler. We all thought it best that I get away for a while.”

      “And you can type?”

      “Oh, yes! I used to type all Papa’s letters. But to be honest, I’ve never considered a sales job before.” I frowned a little, as if pondering the details for the first time. “I suppose it means working every day?”

      “Yes. Yes, it does.” He nodded slowly. “But I thought the woman from the agency was sending me a girl with secretarial skills?”

      “Dear old Maude!” I gave what I hoped passed as an affectionate chuckle. “You see, she’s a family friend. I told her I’d try to help her out. Though, as it happens,” I added, “I did attend the Katherine Gibbs Secretarial School. Of course, it was more of a diversion than a necessity. But if I do something, Mr. Kessler, I like to be able to do it properly. I was taught that excellence and hard work are virtues, no matter what your situation.”

      “I see.”

      “And the wages?” I didn’t want to seem overeager. “I suppose they’re … reasonable?”

      “Twenty-five a week. Does that seem reasonable to you?”

      “I’m sure it will do very nicely.”

      “So”—he leaned back against the counter—“do you have other interests?”

      “Oh, yes! I like to travel and read, English literature mostly. Also I do a little painting and drawing …” I tried to remember what the heroines in Jane Austen novels did. “I’m terribly fond of long walks and embroidery.”

      He nodded again. “You read a great deal?”

      “Absolutely. I love books.”

      “So you know how to tell a story?”

      “I certainly hope so, Mr. Kessler.”

      “Well, selling isn’t so different from telling a story. Everything here has a history. Where it comes from, how it’s made. Why it’s important. Once you understand that, the rest is easy. For example, take this piece.” He walked over to a small writing desk. “This is an eighteenth-century German Rococo Toilletentisch. This little table had many uses in its day. Primarily it would have been a dressing table, which is why it has a mirror in the center. Inside, below the mirror, the wash utensils would be stored.” He opened up the small drawers. “And to the sides, jars, combs, and jewelry. But that’s not all. There’s space for writing and working, playing card games. These tables are light enough to be easily carried from room to room. Mechanical fittings enable them to change use, for example from tea table to games table. It’s a fine example from the workshop of Abraham and David Roentgen, specialists in constructing such furniture.”

      “Why, it’s ingenious!”

      “Isn’t it?” he agreed. “But that’s not why someone would buy it. Someone would choose this little table over all the other little tables on this street for one reason alone: because it belonged to Maria Anna Mozart, Wolfgang Amadeus Mozart’s older sister. Because this little table, with all its uses, sat in the same room, day after day, with the world’s greatest composer as he learned his scales as a boy.” His hand rested tenderly on the delicate inlaid wood top. “She wrote in her diary here, the same diary that her brother would later steal and fill with false entries about himself, all in the third person.”

      “Really?” Suddenly I pictured it in a room with a harpsichord and a violin, overlooking the cobblestone streets of Salzburg, snowflakes dancing in the icy winter air. “How do you know all that?”

      Mr. Kessler gave a little shrug. “You doubt me? I believe it because that’s what I’m told. Just as I believe you’re from Albany and used to type all your father’s letters.”

      My heart skipped a beat, and I felt the heat rising in my cheeks. “Why … I’m not sure what you mean …”

      He raised a hand to stop me. “A good counterfeit is as much a work of art as the real thing. Perhaps even better, May with a y. You see, I spoke to the lady at the agency yesterday afternoon. She rang to say she had a nice, reliable girl for me named Roberta, but she needed my address again because someone had stolen my card.”

      I opened my mouth but nothing came out. I’d pushed it too far.

      “And that, Miss Fanning, is how you sell an antique table. With a story and a smile and a healthy dose of truth and lies.” He cocked his head to one side. “The woman from the agency also told me to be on the lookout for a very determined redhead. I’m beginning to wonder, is your hair really blond?”

      “Well, it is now!” I headed to the door.

      “Where are you going?” he called.

      I whipped round. “I beg your pardon?”

      “You’re angry!” Mr. Kessler chuckled. “Well, that beats all!”

      “You think I’m funny?” Embarrassment vanished; now I was furious. “There’s nothing funny about it, Mr. Kessler! I’m flat broke, and I need a job!”

      “And I still need a clerk. In fact”—he ran his fingers through his beard—“a blonde from Albany would suit me very well.”

      “Ha, bloody, ha!” I flung open the door.

      “Hold on a moment! I need a girl who can make sales and keep the books, and who fits in with my customers.”

      “What about Roberta?”

      He

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