accompanying sauce is something with cheese and cream, though I have had others. My thought is that such a recipe is too rich and heavy for purpose, so I am keen to have a go at something else. In my head are ideas for both a creamy spinach sauce and a sort of avocado sauce, made with lemons, basil and olive oil. The Hass variety of avocado – the one with the crocodile skin – is at its best in the winter. I shall make the gnudi today and have a go at the sauce tomorrow.
Gnudi
My heart sinks when I see a recipe that takes two days, but this is an exception. We are talking minutes of work rather than hours. My gnudi recipe is based on that of the wonderful April Bloomfield, whose own version has become a permanent and much-loved part of her menu at the Spotted Pig in New York. Mine have a little more Parmesan to ricotta than is the norm, and my impatience means they get only twenty-four hours in the fridge. April leaves hers for at least thirty-six (and in the quest for perfection, I’m sure she’s right).
Makes 20 small gnudi, serves 4
ricotta – 250g
a little nutmeg
Parmesan – 40g
fine semolina – 250g or more
Put the ricotta into a bowl. Grate a little nutmeg finely over, then add a very little salt. Grate the Parmesan finely and gently stir in. Have a baking sheet ready, covered with a thick layer of the semolina.
Using a teaspoon, scoop up a generous heap of mixture and make it into a small ball, rolling it in your hands. (A dusting of semolina on your hands will help.) You can leave the gnudi round if you like, but I prefer to press them into a slightly oval shape. Drop the ball on to the semolina-lined tray, then roll it back and forth until it is coated. Continue with the rest of the mixture. You will have roughly 20 little gnudi.
Once they are all rolled, shake the remaining semolina over them, then put the tray in the fridge. Don’t be tempted to cover them. Leave overnight.
None of this solves our own dinner situation. So we go out. I feel somewhat blessed (not to say a wee bit smug) that so many good restaurants seem to be opening up on my doorstep. A dozen cracking places to spend an evening and all within walking distance.
7 NOVEMBER
A trip to the forest, and those gnudi
A couple of Novembers ago I was asked to choose the Christmas tree for Trafalgar Square. Well, I helped. We filmed the occasion for television. We had taken the train to Flåm, in Norway, a small village and port at the end of Sognefjord, the world’s deepest fjord. It is easy to worship this landscape, with its crags, forests and crashing waterfalls. By turns lush with forest, or stark in tones of charcoal, grey and white, it is both somehow melancholy and invigorating. The latter especially when you poke your head (stupidly) out of the carriage window and feel the bite of icy air on your face.
By the time we got to Myrdal snow had started to fall. The first that year, each flake as soft and white as goose fat. As the little train arrived in Flåm, the snow turned to heavy, wretched sleet. The crew unpacked their kit with rapidly numbing fingers and filmed for what seemed like hours. They filmed me trudging endlessly through the driving sleet; soaked through to the skin; slipping clumsily on the icy track; barely able to see two feet in front of me; my lips almost unable to move with cold. But mostly they filmed me getting quietly more and more pissed off. Snow is one thing. But driving sleet, especially when you wear glasses, is another thing altogether. I should add that none of that footage ever saw the light of day. Such are the joys of television.
Next morning, we woke to find most of the snow gone, the sun peeping shyly over the mountains, the sky as clear as iced water. We set off for the forest, to find the rangers and, hopefully, our tree. There is nothing accidental about choosing The Tree. You don’t just stumble upon it and think, ‘Oh, that’ll do for Trafalgar Square.’ This is an important tree, an annual gift from the people of Norway each year since 1947, a token of gratitude for our support during the Second World War. Possible candidates are marked when little more than saplings, then monitored for decades. The tree, a Norway spruce, must not be crowded, so lesser examples that get too close are removed, allowing the chosen tree’s branches access to even light, the chance for all sides to grow symmetrically, its trunk to grow straight. As we walk through the forest we spot the trees that might grace Trafalgar Square in 2030 or 2035.
‘Which one do you think is best?’ I am asked. We pick one of the right age, height and girth. It’s a tree casting session. I am given a choice from three or four that have been shortlisted, having been spotted like child prodigies and nurtured towards stardom. The chosen fir has been growing for about seventy years – this we check by drilling a long, pencil-thin sample from its trunk, as a cheesemaker might check the blueing progress of a truckle of Stilton. We count the growth rings one by one.
Next, there follows a phone call to the mayor for permission – a courtesy – then the rangers set about felling. Next time I see it, on the first Thursday in December, the vast tree has been shipped and manoeuvred into position outside the National Gallery and carols are being sung around it by the choir from St-Martin-in-the-Fields, barely a cassock’s throw away. The Norwegian Ambassador is there, as are the mayors of Oslo and Westminster. The tree is lit in traditional Norwegian style, with five hundred simple white lights, its base now garlanded, delightfully, with poems specially commissioned by the Poetry Society.
A few weeks later, just before Twelfth Night, my beloved tree is removed, chipped and composted.
And two sauces for the gnudi
I rescue yesterday’s gnudi from the fridge. I pat them, tenderly, to check their firmness.
Watercress and avocado pesto
avocados, ripe – 2
a lemon
pine kernels – 50g
basil leaves – a handful (about 10g)
olive oil – about 8–10 tablespoons
watercress – 50g
Parmesan (if you wish. I don’t.)
gnudi – 20, small
Halve, stone and peel the avocados. Halve and juice the lemon. Put the pine nuts into a food processor and blend briefly, until they are coarsely crushed, then add the avocados and basil leaves and process, adding as much olive oil and lemon as you need to produce a loose, bright green paste.
Wash the watercress and remove any tough stalks. Grate the Parmesan finely if you are using it.
Bring a pan of water to the boil, deep and generously salted, as you would to cook pasta. Carefully lower the gnudi, a few at a time, into the boiling water. When the balls float to the surface they are ready. This is generally between three and five minutes.
Add the watercress to the sauce, folding it gently through the green paste, then spoon into a serving dish. Lift the gnudi from the water with a draining spoon, place them on the avocado sauce and serve, should you wish, with grated Parmesan on the side.
Spinach and pecorino
spinach – 150g
double cream – 350ml
pecorino
