style="font-size:15px;"> He laughed, more fully this time, round, and the sound, for the first time in this halting call, relaxed her. “Does that mean yes or no?”
“It means I’m clumsy.”
“I never seen you clumsy.”
“Then you’ve never seen me much.”
“I never seen you enough.”
This time the silence was Irina’s.
“Been a whole year,” he continued.
“I’m afraid Lawrence wouldn’t be able to join us.” Ramsey knew that, but she’d felt the need to insist Lawrence’s name into the conversation.
“Rather put it off, so Lawrence could come as well?”
He’d given her an out; she should jump at it. “That doesn’t seem very ceremonial.”
“I was hoping you might see it that way. I’ll call by at eight.”
For the most part, other people took couples as they found them: you were, or, at a certain point, you weren’t. At its most torrid, your love life was merely titillating to others, and the done-deal nature of established couples like Irina and Lawrence was doubtless a big bore. Romantic devastation occasioned, at most, an onlooker’s tinny sympathy or schadenfreude. Romantic delirium was even worse. Newly in love, you expected to draw envy or admiration, but were far more likely to attract a finger-drumming impatience for you to get over it. Of course, people did have opinions, about whether you were suited, or probably fought; almost always your friends—that is, friends of the couple—liked one of you more. But these opinions were cheap. They cost nothing to hold, and nothing to change.
Some friends regarded Irina-and-Lawrence as a factual matter, like the existence of France. Others relied on the couple as a touchstone, proof that it was possible to be happy; the role was a burden. Irina had a few companions who’d little time for Lawrence, and found him paternalistic or gruff; they regarded Lawrence as a friendship tax, the cost of doing business. But one way or the other, she didn’t care.
Love having come to her neither easily nor early, Irina accepted the fact that any minor contribution she might make to human affairs would have nothing to do with unprecedented achievement in courtship. No one would ever recount the peaceable, convivial union of a children’s book illustrator and a think-tank research fellow as one that launched ships or divided nations. No modern-day Shakespeare would squander his eloquence on the ordinary happiness—if there is such a thing—that percolated within a modest flat in Borough through the 1990s.
Nevertheless, Irina regarded her relationship with Lawrence as a miracle. He was a devoted, funny, and intelligent man, and he loved her. She didn’t care if feminists would have maintained that she didn’t need a man; she did need a man, more than anything on earth. When Lawrence was out of town, the flat seemed to generate an echo. She would not, any longer understand why she was here, in both the general sense of alive, and the specific sense of on a Georgian square just south of London Bridge. Many were the solitary evenings that she might have worked late in her studio, but the opportunity would be wasted. She would walk from room to room. Pour a glass of wine and leave it standing. Drizzle the stainless-steel drain board with corrosive to remove the lime scale. (So mineral was London’s tap water—reputed to have cycled through more human bodies than any liquid on the planet, and leaving a white, crusty ghost behind every evaporated drop—that it might have stood sheerly upright on the counter like the Cliffs of Dover without a glass.) But suddenly the energy required to wipe the glop away would elude her. She would go to bed, and wake to a reek in the kitchen from the chemicals left to seethe.
Shameful or not, having a man who loved her and whom she loved in return was the most important thing in Irina’s life. It wasn’t that she didn’t have strong and abiding subordinate affections, for Irina was far more sociable than Lawrence, and had put much effort into building a whole new set of comrades when they moved to London in 1990. Yet there were hungers that friends could never satisfy, and when you made the slightest bid to get them to feed this particular appetite they ran a mile. Moreover, it wasn’t that she cared nothing for her “art,” even if two histrionically self-involved parents in film and dance impelled her to couch the word in sour quotation marks. The illustrations, when they were working, were a joy. But the joy was greater when Lawrence eased up behind her while she was drawing, and purled peevishly in her ear that it would be nice to eat.
Monogamy had been effortless. Over nine years, Irina had been attracted to one of Lawrence’s colleagues from the Blue Sky Institute for exactly half an hour—at the end of which the man rose for another round of drinks, and she noticed that his backside was pear-shaped. That was that, like a scratchiness in your throat when you don’t end up coming down with a cold.
The period of solitary confinement while Lawrence was in Sarajevo had passed less painfully than most, but it is in the nature of the absence of pain that one fails to take note of it. Though she commonly prepared time-consuming meals for Lawrence without complaint, it was still festive to get out of fixing complete dinners with vegetables and grains. Alone, Irina had taken to skipping the whole nonsense altogether and working through the dinner hour. At around ten p.m., famished and pleasantly tired, she’d been downing a large, gooey slice of Tesco chocolate-cappuccino cake, whose very purchase was out of character; now on the eighth day of Lawrence’s Bosnian departure, she was on her third box. Later she played the sappy music that Lawrence detested—Shawn Colvin, Alanis Morissette, Tori Amos, all those girl singers recently in vogue who deployed excessive vibrato in the exaltation of gloom, or to declare brassily that they had no need for men and you knew they were lying. Unsmitten by Lawrence’s disapproving glare—his mother was an alcoholic—she’d been pouring herself a tiny nightcap before bed. Lawrence would never have countenanced cognac more than once a month. But he might have appreciated that the fumes of brandy swirled into heady reflections on how lucky she was to have found him, how eagerly she looked forward to his coming home.
In all, then, the week had been self-possessed. She’d allowed herself the little indulgences of the unwatched, including the gradual, contemplative incineration of a secret packet of cigarettes. But she’d made headway on her drawings, and a woman of Irina’s slight dimensions could afford a little cake. In two days, it was back to trout and broccoli, and she’d be sure to air the living room of its incriminating nicotine taint.
Thus when Irina woke that Saturday she was startled to discover that her smug self-possession had cracked like an egg. It was ridiculously late, after eleven, and she would normally arise by eight. Groggily she reconstructed that after that disquieting phone call with Ramsey, she had not, as she ought to have, cradled the receiver and flossed. There was, she recalled, a second brandy. In the kitchen, the chocolate-cappuccino cake was decimated. That’s right, she’d stood fretfully at the counter, slicing smaller and smaller pieces until there was nothing left. And oh dear, she had cranked up the volume of Little Earthquakes so high that a downstairs neighbour had arrived at the door in a bathrobe to complain. There would be hell to pay if Lawrence got wind of that, since he had only last month banged on the door below to get them to “put a lid on the salsa,” and he “didn’t mean the kind you dump on tacos, either.”
Befuddled, Irina put on the large stove-top espresso pot. Armed with a second cup, in the studio she could do no more with the half-finished drawing than stare. It was not possible to work. Clearly her finite reserve tank in Lawrence’s absence would last exactly eight days but not ten. Suddenly a whole lonely day and night and day again threatened only a debauched wooze of back-to-back fags, entire bottles of brandy, and endless fingerfuls of crass commercial icing whose main ingredient was lard.
Leaving for Borough Market, where she always shopped
