in bed on the edge of sleep, or when I’m perusing Lucy’s page on Facebook, re-reading the condolences from her three hundred-plus Facebook friends. I can suddenly smell the wet grass mixed with the smoke from the engine, see the blood caked on Lucy’s head, her beautiful but eerily still face as Luke cradles her in his arms, hear Callum shouting desperately into a mobile phone for an ambulance, feel the touch of Nia’s comforting hand on my shoulder as I crouch by the tree, the bark rough against my back, the metallic taste of blood on my lips and bile in the back of my throat as she whispers over and over again that Lucy’s going to be okay, in a futile attempt to reassure me, or herself. And the rain, so much rain, coming down in sheets so that our clothes clung to our bodies; coming down like tears.
To vanquish the relentless, soul-destroying thoughts, I try to remember Beatrice’s soft Scottish accent, the hurried excitable way she talks, her warmth, her humour. I’m still unsure if she knows about what I’ve done – a quick Google search would reveal everything. Is that the reason she hasn’t got in touch? Who wants to be friends with someone who’s killed her own twin sister?
I have a connection with Beatrice, even more than I first thought. Not only is she a twin too, she’s lost someone close to her, she understands me. Now that I’ve found her I know that I can’t let her go.
It’s still raining when I turn up at her door clutching an umbrella and cradling a bunch of large white daisies. I pull the bell and wait, jumping back off the stone step in alarm when a brown spider with yellow flecks drops in front of my face then desperately clambers its way back up its own silvery thread to the fanlight above.
There’s no answer so I wait a few more seconds before stepping forward to pull the bell again. When nobody comes to the door, I lean over the iron railings and peer into the ground-floor window where, apart from an easel and a couple of bookshelves crammed with irregular-sized, glossy hardbacks, it’s empty. I’m about to reluctantly leave when my eye catches a flash of something at the window of the basement, what I remember as being the kitchen. It’s fleeting, a blur of hair and clothes, but it makes me uneasy and the familiar paranoia creeps over me, causing sweat to pool in my armpits. I know with a certainty that I didn’t feel this morning that I’m not wanted. Am I making a nuisance of myself, as I did once before with Alicia? The feelings I’d thought I’d long since buried of that time – before I was sectioned, when I thought in my grief-addled mind that Alicia was some kind of soul mate – resurface, making me nauseous. Could I have got Beatrice so very wrong like I did with her?
Before Lucy died, I was fun, hard-working, popular within my group of friends. Now look at me. I’ve become the sort of person that others try to avoid, to hide from. My eyes sting with humiliated tears, blurring my vision as I stumble back down the tiled pathway towards the bus stop, the daisies wilting in my arms.
The voice is almost lost in the wind but I can just make out someone calling my name. I turn and there she is, standing in her doorway in her bare feet, toenails bruised with black nail varnish, wearing a blue spotty vintage tea-dress underneath a chunky cardigan, waving frantically at me and smiling. Relief surges through me and all the old doubts crawl back into the recesses of my mind where they belong as I trot towards her.
‘I’m sorry,’ she says as I get nearer. ‘I was on the phone, talking to a client, oh I’m so thrilled to be saying that. I’ve actually got a client. I wasn’t going to answer the door until I saw it was you. Come in, come in.’ She’s talking in her usual fast, excited manner and I can’t stop grinning.
I cross the threshold into the hallway, breathing in the familiar Parma violet smell I already love so much and handing her the now crumpled-looking daisies. Confusion alters her features for a moment so she appears older, sharper. ‘Are they for me?’ she frowns. When I nod self-consciously, explaining that they’re a thank you for the necklace, she takes them from me and smiles shyly, her face softening again. ‘Thanks, Abi. But you didn’t have to. I wanted to give you the necklace. You did me a huge favour on Saturday. Do you want a cup of tea?’
I tell her that I’d love one. Dumping my wet umbrella on the doormat, I nudge off my trainers, relieved that I remembered to put matching socks on this morning, and follow Beatrice through the hallway, the flagstones warm under my feet – of course, she would have underfloor heating – and down the stairs to the basement kitchen. ‘I love your house,’ I say as I admire, yet again, the high ceilings and intricate coving, the Bath stone floors and Farrow and Ball painted walls. Considering it’s full of young people, the house is surprisingly tidy.
By now we’ve reached the kitchen and I shrug off my wet coat and hang it on the back of the chair to dry before taking a seat at the wooden table and it’s as though I’ve come home. A fluffy ginger cat with a squashed face is curled up asleep on the antique-looking armchair in the corner. Beatrice follows my gaze and informs me the cat, a Persian called Sebby, is hers. Lucy loved cats too.
‘He’s getting old now,’ she says fondly. ‘He mainly likes to snooze.’
The house is quieter than it was on Saturday, with the dripping of rain on an outside drain the only sound to be heard, and I hope that it’s only the two of us here. I didn’t notice the little white Fiat with its red-and-green stripe parked outside. Ben told me the other night that the car was his and I recall making a joke about why a tall man would want to drive such a small car.
I watch as Beatrice busily runs the taps of her deep Belfast sink to fill a vase and then plunges the flowers into it. ‘These are lovely, thanks, Abi,’ she says as she arranges the flowers. I notice some of the daisies have drooped over the side of the vase. ‘That’s kind of you to say you love this house. I think it’s quite special, but maybe that’s because of the people who live in it with me.’ She turns to me and flashes one of her amazing smiles and a lump forms in my throat when I think of my empty flat.
‘It’s a huge house,’ I say. How can an artist and someone who works in IT afford a pad as luxurious as this?
‘It is. Too big for me and Ben. So it’s nice that we’ve got the others living here too, although Jodie is moving on.’ An emotion I can’t quite read passes fleetingly over her face like a searchlight. I play with the necklace at my throat, waiting for her to elaborate. She looks as if she’s about to say something further then appears to change her mind. ‘Let me put the kettle on,’ she says instead. ‘It’s a pitiful day and it was so sunny at the weekend. Honestly, this weather.’
‘Is Ben at work?’ I ask. Her narrow back stiffens slightly at the mention of his name. I watch as she pours boiling water into two cups, pressing the teabags against the side with her spoon, her fair hair falling in her face, and I find myself longing to go over to her, to push her silky hair back behind her ear so that it’s no longer in her eyes.
‘Yes. He only works contract.’ Her voice sounds falsely jovial and it occurs to me that perhaps they’ve had a row. ‘I don’t completely understand what he does, but I do know it involves computers.’ She laughs as she hands me the mug of tea and pulls out a chair opposite me and sits down. ‘What about you, Abi? You said on Saturday you were a journalist?’ Even when sitting, Beatrice seems to ooze energy; her legs jiggle under the table, her elegant fingers tap the side of her white bone china mug. She takes an apple from the bowl of fruit in the middle of the table and indicates I do the same. I murmur my thanks and choose a dark-red juicy plum, but when I take a bite it is hard and sour.
‘I used to work for the features pages for one of the nationals, in London,’ I say through a mouthful of plum which I manage to swallow with difficulty. ‘That was before I got my dream job on a glossy magazine. But I’ve done my fair share of news too. I used to work at a press agency and spent a lot of time hanging around the houses of famous people or public figures. We call it door-stepping, although some might call it stalking.’
