Zonal Marking. Michael Cox
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That proved prescient. Zaccheroni commenced the campaign with his usual system, although there was only one guaranteed starter up front. His old favourite Bierhoff began all 34 games and managed 19 goals: two penalties, three from open play with his feet, and 14 headers. Out wide, Zaccheroni struggled to find the right balance. George Weah wasn’t suited to the left-sided role, and despite his unquestionable talent, the 1995 Ballon d’Or winner wasn’t prolific, never finishing within ten goals of Serie A’s top goalscorer. Meanwhile, Maurizio Ganz scored some crucial late goals, but was workmanlike rather than explosive. Zaccheroni tried deploying playmakers rather than forwards in his front three. The magical Brazilian Leonardo showed flashes of brilliance, but was more effective coming off the bench.
Milan, Lazio and Fiorentina emerged as the three title contenders that season. Fiorentina were briefly favourites, but slumped after Gabriel Batistuta injured his knee in a goalless draw with Milan, and then his strike partner Edmundo allowed himself a mid-season break because he fancied heading to the carnival in Rio. Milan’s goalless draw at Lazio in early April, with eight games remaining, meant Lazio were nailed-on title favourites. But then came a major tactical shift.
Throughout the season Zaccheroni had only ever deployed Zvonimir Boban, the wonderfully gifted, tempestuous Croatian number 10, as one of his two central midfielders. Boban’s two dismissals in the first half of the campaign, meanwhile, meant two suspensions, two dressing-downs from Zaccheroni and widespread speculation that he would leave in January. However, a week after that goalless draw with Lazio, Milan welcomed Parma to San Siro and, for the first time, Zaccheroni deployed Boban as a number 10, floating behind Bierhoff and Weah in a 3–4–1–2, in a tactical change supposedly suggested by Demetrio Albertini and Alessandro Costacurta, two dressing-room leaders. Milan started nervously, and went behind. But Boban took control, and after Paolo Maldini smashed a brilliant right-footed equaliser past Gianluigi Buffon from outside the box, Milan piled on the pressure.
Boban, a tall, swaggering figure and the only Milan player to wear his shirt untucked, provided the game’s pivotal moment. Collecting the ball in the left-back position under pressure, he nonchalantly poked it past Parma’s Diego Fuser with the outside of his boot, charging onto it before teammate Guly could get in his way. Then, from just inside his own half, Boban launched a long pass over the top of the Parma defence with such perfect weight that it tempted Buffon to advance, but also enabled Milan striker Ganz to prod it past the Parma goalkeeper on the volley, before he outpaced the recovering Fabio Cannavaro to slide it into an empty net. 2–1. Boban was magnificent, and received a standing ovation from the Milan supporters as he was substituted. Later that day Lazio lost the Rome derby 3–1 to a Francesco Totti-inspired Roma. Suddenly, the title race was on. More importantly, number 10s were now sexy again.
The following weekend Zaccheroni and Bierhoff returned to Udinese. Both received a rapturous reception upon emerging from the tunnel; Zaccheroni put on his sunglasses as if trying to hide the tears, while Bierhoff, strangely, was presented with Udinese’s Player of the Year award ten months after he’d departed the Stadio Friuli. But neither were in the mood for niceties. Milan won 5–1, their most dominant performance of the campaign and a perfect demonstration of their new attacking trident’s powers. Boban scored the first two, Bierhoff added the next two – both headers, of course – and then came the most telling goal of Milan’s run-in. Boban received the ball in the number 10 position, casually sidestepped a dreadful two-footed lunge from Udinese defender Valerio Bertotto, and found himself with Weah running into the left-hand channel and Bierhoff running into the right-hand channel. Boban glanced towards Weah but slipped in Bierhoff, who chipped a cross over goalkeeper Luigi Turci, allowing Weah to nod into an empty net. Milan were rampant, and now top for the first time, having suddenly stumbled on this system. It was the perfect trio: Boban offered the invention, Weah the speed and Bierhoff the aerial power. ‘The type of player I am means I’m best suited to being behind the main strike force,’ Boban said. ‘I can’t be at my best in that role for all of the 34 games but I much prefer being in the centre of the field, where I’m more involved … Zaccheroni has made it possible for me to give my best. A lot has changed.’
It wasn’t plain sailing all the way to the title, and Milan had to rely on a last-minute own goal to defeat Sampdoria 3–2. Their most crucial victory came away at Juve. Milan were on the back foot throughout the first half, but after half-time a long, bouncing ball in behind gave Weah the chance to open the scoring by cleverly nodding over Angelo Peruzzi. Their second was another showcase of their front trio’s varied skill sets; Bierhoff battled for a high ball, Boban picked up possession and delicately half-volleyed the ball over the defence for Weah, who raced through, steadied himself and drove the ball home. The next week Milan defeated Empoli 4–0, with a Bierhoff hat-trick, and then recorded a final-day 2–1 victory at Perugia, a match interrupted when rioting home fans invaded the pitch, supposedly to delay the game and allow their relegation-threatened side an advantage by knowing the results of rivals’ matches. This delayed Milan’s confirmation as champions, too, but Zaccheroni’s side were eventually home and dry. It was one of the less convincing title victories of this era, but Milan captain Paolo Maldini declared it the most memorable of his seven Scudetti because it was so unexpected. Zaccheroni had overcome Milan’s obsession with 4–4–2, implemented a front three, and taken the Rossoneri – who finished in the bottom half the previous season – to the title.
Questions persisted about precisely who had suggested the change in system, and one man inevitably insisted on taking all the credit. Milan owner Silvio Berlusconi claimed it was his idea to deploy Boban as the number 10, which deeply offended Zaccheroni.
Whatever the truth, the number 10 had returned to prominence, and while 1999/2000 was an ugly season in Italian football, dominated by refereeing conspiracies and settled in controversial fashion on the final day, it was nevertheless a wonderful campaign for trequartisti.
A good example came at Giovanni Trapattoni’s Fiorentina, who finished as last of the seven sisters but offered arguably the most cohesive attacking trident. Gabriel Batistuta was the most complete striker of this era, and his closest support came from Enrico Chiesa, a speedy, two-footed forward capable of operating wide and shooting from acute angles. Behind them was Rui Costa, a classic number 10 adept at dribbling past challenges and slipping delicate passes in behind.
Fiorentina’s equaliser in a 1–1 draw with fierce rivals Juventus shortly before Christmas was a perfect example of their attacking potential; Rui Costa brought the ball through midfield and prodded it into the path of Chiesa down the left, and he fired a near-post cross into Batistuta, who converted smartly. This was precisely how the attacking trident was supposed to operate: the number 10 initiating the break, the second striker running into the channel, the number 9 scoring. Fiorentina’s opener in a 2–1 victory over Inter was another typical goal, coming when Rui Costa passed out to Chiesa on the left; his devilish cross tempted Angelo Peruzzi to advance, but the goalkeeper grasped at thin air, and Batistuta nodded into an empty net. However, Fiorentina didn’t produce these moments consistently enough, and their underwhelming league finish meant Batistuta’s nine-year love affair with Fiorentina was over – he moved to Roma.
Fabio Capello’s Roma had only finished one place above Fiorentina, but they were an exciting prospect. Capello was previously a strict 4–4–2 man, and therefore his decision to build the side around Totti, Italian football’s next great trequartista, was a significant moment in the revival of the number 10. Cafu and Vincent Candela were ready-made wing-backs, so Capello was another who turned to 3–4–1–2.
Fielded permanently behind two strikers, Totti was sensational. He dropped deep to create from midfield, and could arrive late in the penalty area to score. But Totti’s natural home was between the lines, and his speciality was a specific pass – retreating